Category Archives: Fiction

Uncle Abner, Master of Mysteries, by Melville Davisson Post

“Abner,” replied Dillworth, “how shall we know what justice is unless the law defines it?”

“I think every man knows what it is,” said Abner.

“And shall every man set up a standard of his own,” said Dillworth, “and disregard the standard that the law sets up? That would be the end of justice.”

“It would be the beginning of justice,” said Abner, “if every man followed the standard that God gives him.”

“But, Abner,” replied Dillworth, “is there a court that could administer justice if there were no arbitrary standard and every man followed his own?”

“I think there is such a court,” said Abner.

This passage, from a story entitled, “The Tenth Commandment,” in the book, Uncle Abner, Master of Mysteries, by Melville Davisson Post (published 1918), encapsulates, in its moral libertarianism, much of what I found fascinating, and irritating, in this collection. I would like to recommend it for some readers, but have a hard time saying what kind of readers those might be.

“Uncle Abner” is a Virginian backwoodsman living some time in the early 19th Century (I was never able to work out exactly what period. The clues were all over the map.) Most of his stories are narrated by his hero-worshiping nephew (hence the “Uncle”). Abner is a Christian of unimpeachable (frankly overdrawn) integrity and intelligence, a man without official office who nevertheless acts as an investigator whenever a murder is discovered in the neighborhood. His reading of the human heart is infallible, his observations invariably correct, his judgments infallible.

He has little regard for human institutions of justice. When he discovers a murder he’s as likely to let the guilty party off as to turn him over to the authorities, sometimes on the basis of reasoning that seemed pretty obscure to me. He seems to believe that God’s justice is active and inescapable, not only in eternity but in the present, and regards himself as God’s instrument.

In short, he’s a man many of us would like to be, and is also kind of insufferable. In addition I think his theology weak (at one point he says that the devil “is very nearly equal, the Scriptures tell us, to the King of Kings.” The Scriptures tell us no such thing).

The puzzles are interesting, some of them noteworthy in the history of mystery writing. The stories reminded me of Chesterton’s Father Brown mysteries, but were less didactic in terms of theology, and the characters less rounded.

I’d like to recommend this book to adults, but I suspect most readers (even Christians) will find them a touch naïve in terms of realism. I’d like to recommend them for children, but the depictions of black people (mostly slaves at that point in time in Virginia) are not the kind I’d like to see children exposed to.

So make your own judgment.

Jacob's Voice in Literature

On D.G. Myers’ new blog, he talks about Jewish American Fiction.

As proud as I am to serve as an enforcer for the Jewish literary mafia, I think the real explanation for the sudden and prolonged prominence of American Jewish novelists is much simpler. They sound different from other American novelists. And the sounds they make, “the jumpy beat of American English​,” as Philip Roth​ once described it, are hard to resist. Other novelists sound laconic, if not sleepy, by comparison. American Jewish fiction is the fiction that is written in a distinctive voice — Jacob’s voice.

Spoils of the weekend


It was one of the most exhausting weekends I’ve had in a long time, involving considerable interaction with other human beings, always a workout for me. But nevertheless it wasn’t a bad weekend. Two things that happened, in particular, pleased me inordinately.
First of all, I got this link from my friend and sparring partner, Ragnar. They’re going to do The Long Ships as a movie again. In fact, they’re going to do two movies and a TV miniseries. They’re going to do it in Sweden, and if the Swedes are to be believed (always, ahem, a gamble), they’re going to do it right this time. Continue reading Spoils of the weekend →

Killing Floor, by Lee Child


After my unpleasant experience with Philip Kerr’s Field Gray, I was in the mood for something less ambitious and more fun. I found it in Lee Child’s first Jack Reacher thriller, Killing Floor.
Child, an English television writer who does a very creditable job portraying American characters and settings, knows a few important truths about thriller writing. He knows that “movie logic,” the phenomenon that allows movies to get away with a lot of unlikely or impossible story elements because “I just saw it right there,” also works—to a certain extent—in action novels. The very unlikely coincidence on which this book’s plot pivots doesn’t bear close examination, but Child treats it matter of factly and keeps the interest up, and most readers come along for the ride. I know I did. Enjoyed it too.
His hero is Jack Reacher, a former military policeman who was raised a Marine brat. Having left the Marines, he is now traveling the United States, getting to know the country of which he is a citizen, in which he has never actually spent much time. And so, purely on a whim, he gets off a bus and walks to a tiny town called Margrave, Georgia, where he is immediately arrested by the police. A man has been murdered, and the stranger is a natural suspect. By the time Jack’s alibi has checked out, he’s met a very attractive lady cop he wants to know better, and come to feel a certain responsibility for a fellow prisoner, a rich man who doesn’t know how to handle himself in lock-up. But when he learns the identity of the murdered man, Jack’s course of action is decided. He has an obligation.
Fortunately for the good guys, Jack’s a very dangerous man—the very kind of man you want around when you’re up against a murderous, amoral conspiracy.
Killing Floor has all the virtues—and some of the faults—of an inspired first novel. Some of the detective work seemed a little too neat to me, and one of the big mysteries probably won’t be as much a mystery to readers today as it was when the book was published, more than a decade ago. But I took it on its own terms and had a great time. I’m already reading the second Jack Reacher novel, Die Trying, which starts with another coincidence almost as dubious as the one that kicks off this book.
Jack Reacher has some similarities to Stephen Hunter’s Bob Lee Swagger, but the classic character he reminded me most of was John D. MacDonald’s Travis McGee. Travis McGee, although he had a permanent address, lived on a house boat, and so was metaphorically adrift in the world. Jack Reacher is literally rootless, describing himself at one point as a hobo. The two have similar attitudes, and even resemble each other.
Killing Floor is recommended for grown-ups.
Update: Endorsement retracted. The reasons may be found here.

Fighting Back Hard

Speaking of bullies and rioting in the streets, there’s a movie in production about a black power group targeting and killing abortionists for the industry’s focus on the African-American community. Alfonzo Rachel praises it here, saying pro-lifers who decry any story depicting violence against abortionists are missing the larger point.

Gates of Hell by Molotov Mitchell is riddled with true statistics about the practical genocide against black families through abortion. That’s the ugly part of this story, less than the fictional violence.

One pro-life advocate argues Gates of Hell “is a vigilante apologia, and I genuinely fear that it will whip up young black men and lead some to violence.” I doubt it, in part because it doesn’t appear this movie will be widely released, and of all the movies with black men shooting each other, I wouldn’t bet this one would inspire violence more than any of them.

Now that I’m thinking about it, what movies have been made about terrorism or murder for a good cause. Is Death Wish the only type of this, a personal revenge storyline? Maybe the others are all war movies.

Thumbs down: Field Gray, by Philip Kerr

I have to tell you, this one hurts. Being sucker-punched by someone you trusted always smarts, and my great admiration for Philip Kerr’s writing makes my disappointment—I could have said feeling of betrayal—on reading Field Gray all the more painful.

Kerr’s continuing character, World War II era Berlin-based detective/cop/soldier Bernie Gunther, is a splendid literary achievement. He’s a relatively decent man in an insanely indecent situation. He tries to do what he sees as right, but is constantly undercut by history. He’s Philip Marlowe on a meaner street, facing challenges Raymond Chandler knew nothing of.

He hates the Nazis and the Communists equally, he informs us. That suited me just fine. But what I didn’t realize (though I should have guessed from heavy hints in the last novel, The One From the Other) is that there’s one group he hates even more.

The Americans.

You see, the Americans have committed unforgivable crimes. They eat too much. They think they won the war. They see the world in black and white. They don’t always live up to their principles, which makes them hypocrites, and thus far worse than mere mass murderers. They treated Bernie real mean, arresting him in Cuba at the beginning of this book, beating him up (under the impression he was a fugitive war criminal), and imprisoning him for a while at Guantanamo (GUANTANAMO!!!!!), where it was hot and there were mosquitoes. Compared to that his treatment by the Communists, who merely put him in a death camp, mining radioactive pitchblende, obviously pales.

There is one passing reference to the Berlin Airlift in this novel. Bernie brushes it aside. Obviously the Americans did it “for themselves.”

And so he chooses a Communist agent, a murderer who has tried to murder Bernie himself in the past, over a group of American agents who have done him no harm at all. Because they’re just “Amis,” while a German, you know, is a German. Apparently it comes down to “Deutschland über alles” after all.

I’m sure Philip Kerr doesn’t want any of my filthy American money, and he may rest assured I won’t spend any more on his books.

Field Gray is a superbly written novel that I do not recommend at all.

Back On Murder, by J. Mark Bertrand

Those of us who read both secular and Christian fiction tend to employ a double standard. There’s a full-out “excellent” category in the secular field, and then there’s “excellent for Christian fiction,” which is understood to be not quite as good as the secular stuff, but better than the average CBA fare.

(As a corollary, I find that I also have a counterbalancing prejudice. When I encounter really good Christian fiction, I think I sometimes depreciate it a little, just out of defensive critical snobbery. Something I need to watch out for. I may have done it with this book.)

J. Mark Bertrand, in his first police procedural novel, Back on Murder, shows himself qualified for a place on the shelf alongside successful mystery writers in the secular market. Perhaps not up in the highest rank (at least yet), but definitely big league.

The hero of Back On Murder is Roland March, a Houston police detective near the bottom of his profession. Once he was a star, the cop who solved a dramatic case that got turned into a best-selling book. But a personal tragedy took the heart out of him. Now he’s a time-server, the “suicide cop”–the cop who gets stuck with the unenviable job of investigating when other officers kill themselves. He’s the subject of pity and derision at headquarters. His marriage is strained.

But at the beginning of this story he finds himself, uncharacteristically, at a crime scene, a house where several gang members have been shot to death. By accident, he notices a detail that changes the whole investigation—someone has been tied to the bed in the house, and that someone is not there anymore. Suddenly March is “back on homicide,” and energized by an investigation for the first time in years. Then he’s transferred to a task force investigating the high-profile disappearance of a teenage girl. He’s disappointed until he grows convinced that the two cases are linked—the missing person on the bed, he believes, was that girl. Working with an attractive female missing persons cop, he enters the unfamiliar world of the girl’s church and faith life, puzzling like an anthropologist over the odd customs and mores of these bizarre evangelicals. Continue reading Back On Murder, by J. Mark Bertrand →

On the Edge of the Dark Sea of Darkness



The subtitle of Andrew Peterson’s fantastically fun young adult novel just about gives you all the invitation you need to read it: “Adventure, Peril, Lost Jewels, And the Fearsome Toothy Cows of Skree.” You can see the thrills and silliness right there (if you’re stuck on what toothy cows are, stick no further).

I loved this book, despite its minor weaknesses which are minor. Peterson says he knew while writing this book that his sequel would be even better, and I fully believe him. This story of children running from goblin-like occupiers of their home country has plenty of serious thrills, and it’s built on a mythology that is completely silly. For example, the horrible conqueror in a distant land who ultimately commands all of the disgusting troops in Skree is “a nameless evil” called Gnag the Nameless. His evil minions are the Fangs of Dang, in that they have poisonous teeth and hail from the dark land of Dang. A popular sport described early in the book is handyball, “a delightful sport in which each team tries to get the ball into a goal without using their feet in any capacity, even to move,” meaning the players roll on the ground. That detail is delivered in one of many footnotes which sow threads of silliness through the pages. Many of the footnotes reference one of 24 imaginary books, like In the Age of the Kindly Flabbits by Jonathid Choonch Brownman, Taming the Creepful Wood by Rumpole Bloge, and Ready, Set, Chube! A Life in Gamery by B’funerous Hwerq.

On the Edge of the Dark Sea of Darkness records the story of the three Igiby children who are waking up to the oppression around them. They’ve never known life without the Fangs of Dang. One night, their dog gets them into a little trouble that quickly escalates into a life-and-death struggle. Soon enough, the whole family is running for their lives.

This is the first book in a series of at least three. The third Wingfeather Saga book was released this summer.