Category Archives: Fiction

‘Non-Suspicious,’ by Ed Church

Cover of "Non-suspicious" novel with man holding up flashlight and barred wire before him

As a crime-fighting vehicle, the high-seated, silver Ford C-Max scored low on stealth. But its array of adjustable coffee cup holders still made it the most popular CID choice on nights. Brook wasn’t sure if the person who ordered it for the fleet knew nothing about policing or everything.

DC Brook Deelman is a competent, conscientious police detective on the London force, his career hindered by a drinking problem. He and his partner are called to the scene of a death in a cemetery – an old man, apparently drunk, has fallen against a tombstone and broken his neck, his hand on a bottle of cheap whisky. It looks Non-Suspicious, but Brook has doubts. The man appears too well-dressed to be a falling-down alcoholic. When he learns that the deceased was a decorated WW2 veteran, a prison camp survivor, it seems tragic. But then he meets a homeless man who saw the whole thing – the victim wasn’t drunk at all, according to the witness, and he put up a creditable fight for his life. And the whisky bottle was planted as stage dressing by the killer.

Brook gets no support – in fact he gets pushback – from his superiors when he wants to look further into the man’s story. But that doesn’t stop him. He starts piecing together the history of a man who lived with surprisingly few personal connections – only a war buddy in a rest home (who is soon murdered in his own turn) and a mysterious correspondent who occasionally sent Christmas cards from Australia containing a cryptic message.

I liked this book very much indeed. It was an original mystery, and author Ed Church has achieved originality in the right way – through vivid characterization and very tight plotting. I mean, extremely tight. This is one of those stories that ties all its loose ends up neatly, and they all come together in a gratifying way – with a couple really neat surprises.

Non-Suspicious came equipped with a lot of moral ambiguity, but it was the good kind. I appreciate the good kind. The bad kind is when the author shows us all kinds of sociopathic behavior and then explains that we’re all just naked apes, and it’s stupid to worry about right and wrong. The good kind – as in this book – is when the characters wrestle with right and wrong, and have to confront their mutual failings to do what they ought.

I liked Non-Suspicious a whole lot. I’m looking forward to reading more books in the series and spending time with Brook Deelman, a positive masculine character you can root for.

‘He’d Rather Be Dead,’ by George Bellairs

Faded image of seaside village postcard with novel title "He'd Rather Be Dead"

Viewed through the golden glass of the vestibule where we first meet him, wondering where he’s left his ticket of invitation and fuming inwardly because he can’t enter without it, he looks like a dogfish in aspic.

George Bellairs is a classic English mystery writer. I wasn’t familiar with his work before I bought He’d Rather Be Dead, first published in 1945. The book has much to commend it.

Sir Gideon Ware is the newly-elected mayor of the English seaside resort town of Westcome. He is a ruthless property developer who built the town into its present prosperity through hard work, loud promotion, flexible ethics and corner-cutting. At a dinner given to celebrate his victory, he falls under the table during his speech, and dies. Cause of death: strychnine poisoning.

Police Superintendent Boumphrey of the Westcome police is very good at keeping tabs on the citizens’ comings and goings, and even at keeping files on them, but feels this case to be above his pay grade. So he applies to Scotland Yard to send one of their detectives (this happens all the time in novels, but I’ve read the Yard never actually does this) to investigate. They send Inspector Littlejohn (he has a first name, but I can’t recall it), who proceeds in a quiet and matter-of-fact manner, working steadily to uncover the secrets of Sir Gideon’s past, and the force from that past that has now struck him down .

What I liked best about He’d Rather Be Dead was the prose. Author Bellairs had the gift of turning out a very apt sentence, like the one at the head of this review, or this one:

Mr Brown’s smiling lips parted to disclose two copious sets of teeth crowding upon one another like passengers for the last bus.

Not quite Wodehousian, but excellent in its own way.

The mystery itself involved a systematic progression through suspects and evidence, without a lot of fireworks. Characterization was not memorable, and even Littlejohn himself doesn’t leap off the page – almost all we learn of him is that he’s in a happy marriage. He isn’t even physically described until almost the end of the book – which loses him points with this reader.

But I must admit that I didn’t guess the murderer, though I thought I did.

I might possibly read another Inspector Littlejohn book, but He’d Rather Be Dead didn’t grab me a lot. The prose was excellent, but the key was pretty low for my debased modern reading tastes. I don’t recommend against the book. There’s much to be said for it.

‘Sexton Blake and the Great War’

Silhouette of WWI British soldier with map and biplanes behind him

In the course of my reading, I’ve occasionally run across references to Sexton Blake, an English detective/spy hero whose popularity flourished from the 1890s up to the late 1960s. The character’s longevity can be attributed to the fact that, after his creator (Hal Meredith writing as Harry Blyth) stepped aside, other writers took up the pen. He was featured in a number of magazines over the years, always in the medium of pulp stories aimed at boys. For much of his career, Sexton Blake was a more energetic version of Sherlock Holmes (kind of like the Guy Ritchie movies).

I thought it would be amusing to try some Sexton Blake stories, and the collection Sexton Blake and the Great War was cheap, so I bought it for my Kindle.

Alas, immature as I admittedly am, I’m not immature enough for this stuff. I got through the first short novel, The Case of the Naval Manoeuvres, written in 1908 by Norman Goddard, and that was all I could handle.

In this story, our intrepid hero is sent by the Prime Minister to the Shetland Islands, where he’s standing on the shore one night with his two sidekicks and his faithful dog Pedro, when a dangling rope just happens to hit him in the face. Blake, of course, grabs onto it, and is carried out over the sea. He climbs the rope and discovers it’s attached to a huge German airship. Scrambling up into the cabin, he finds that the ship is under the command of no less a personage than Kaiser Wilhelm II himself, to whom Blake has been of personal service once or twice in the past. This saves his life, but he is taken prisoner nonetheless. Predictably, he manages to escape, but clings onto the vessel’s framework and tracks the crew to their secret lair, where they have prepared a mechanism to guide their fleet in an attack on Great Britain. It doesn’t take long for Blake to disguise himself perfectly as a German officer, sabotage their machine, and kidnap the Kaiser. The Kaiser, in turn, will escape from Blake… and so it goes. Plausibility has no place in this scenario.

Our hero, of course (much like the heroes of our current CGI action flicks), can absorb any amount of physical punishment with barely a wince. He can be lifted high into the sky under a balloon, and plunge 80 feet into the ocean, without noticing the cold or needing any more care than a fresh suit of clothes. Interestingly, he also fights hand-to-hand with the Kaiser – which is less impressive than it sounds when you remember that Wilhelm was born with a crippled left arm (either the author did not know this, or he ignored it).

If you’re interested in pure, unadulterated Ripping Yarns stuff, this is the real goods. I think it would be fun to be able to appreciate stories like this… but I can’t.

‘Limelight,’ by Dan Willis

Book Number 5 in Dan Willis’s “Arcane” series about runewright/private eye Alex Lockerby is Limelight. This book takes the series to a new thematic level, and I enjoyed it.

Alex has come up in the world from his humble roots. He’s getting better-paying cases these days, and hobnobbing with the very powerful, among them the Lightning Lord, the sorcerer who provides electrical power to this magic-dominated 1930s New York City. Another is Sorsha Kincaid, the Ice Queen, who provides its refrigeration and air conditioning. She and Alex are carrying on a wary flirtation, but in Limelight they don’t have much time for anything but crime solving and disaster aversion.

First of all, a famous woman mystery writer has been murdered, to the grief of Alex’s mentor, Izzy. Izzy asks him to investigate the case, and it soon becomes clear that someone wanted to stop her writing a novel based on the unsolved murder of a Broadway actress several years back.

But the police are more concerned with a more spectacular crime, one involving magic. A bank’s wall has been breached by an explosion that appears to have been set off by a rune – only everyone knows that there are no exploding runes. Alex sees evidence here of a level of runecraft he has never seen before – oddly initiated by runes that are themselves quite crudely drawn.

Limelight was not crudely drawn. It was tightly plotted, complex, and highly dramatic. It was fun to read, and I look forward to the next installment.

‘The Man Who Wasn’t All There,’ by David Handler

There’s a precious handful of writers whom I reread every few years just to remind myself what great writing is. Hemingway isn’t one of them.

Several recent releases from my favorite authors have recently been released, but I haven’t bought them because they’re kind of pricey, and things are a little tight just now. But I couldn’t resist David Handler’s latest Stewart Hoag book, The Man Who Wasn’t All There.

As with all the recent books in the series, this one isn’t contemporary, but is shoehorned into Stewart’s past. The Man Who Wasn’t All There is set in the 1990s. Hoagy has finally overcome the writer’s block that metastasized into drugs, divorce and destitution for him, and is clean again, working at last on his next novel. Even better, he has reconciled with his ex-wife, actress Merilee Nash. He’s been living in her New York apartment, but he’s just moved out to her Connecticut farm to winterize the house when he isn’t creating, while she’s in Budapest shooting a movie with Mel Gibson.

It’s great until he’s approached one day by a tubby little man with serious BO, who’s cobbled together something resembling a state trooper’s uniform, and carries a pistol. This delusional man is looking for Merilee and tries to push Hoagy around. Hoagy and his faithful basset hound, Lulu, run him off.

Hoagy then calls the police, and soon a fleet of official vehicles show up. Turns out the weird little man is Austin Talmadge, the second richest man in Connecticut. He’s delusional, and sometimes goes off his medications and harasses people. This is of concern to his brother Michael, the richest man in Connecticut, a recluse who’s close to the governor. The police are soon headed out to bring Austin in again, but it goes wrong, and Hoagy (along with Lulu) gets kidnapped by the loony billionaire. Much violence and mystery follows, until Hoagy figures it all out.

The Man Who Wasn’t All There went down very smoothly. The Stewart Hoag books are consistently fun to read. Hoagy is a bit of a snob and a dilettante, but possesses just enough humor and self-awareness to make his company amusing. Occasionally he hints at opinions I don’t care for, but (as you see above) he sometimes gets it right. He disses Hemingway in this one, and that always pleases me.

Recommended.

‘Bring Her Home,’ by C. E. Nelson

I’ve gotten some pleasure from C. E. Nelson’s Trask Brothers novels, of which Bring Her Home is the third. The author seems to be trying to fill the gap left by John Sandford when he moved his Lucas Davenport character to a wider canvas than Minnesota. And he succeeds to some extent, especially in terms of cop banter (I love cop banter). The Trask Brothers, our heroes, are identical twins, one a county sheriff in northern Minnesota, the other an officer with the Bureau of Criminal Apprehension based in Minneapolis. This adds the element of sibling rivalry to their banter, and that’s fun.

In Bring Her Home, the brothers have taken a week of common vacation leave for fishing, their favorite pastime. But it’s been raining all the time, and finally boredom drives them to the local police department to inquire about a missing person’s poster they’ve seen. The local chief is happy to have them review his files on the disappearance of a young woman three years ago. They don’t come up with any new ideas, but when a similar-looking young woman disappears up north, they start to suspect the two abductions might be connected. Don, the BCA brother, assigns a female officer to go north to look into things. After a while she becomes suspicious of a security officer at the University of Minnesota-Duluth.

Having given the Trask Brothers three books to win my favor, I have to say the weaknesses in the stories outweigh the virtues for me. The author isn’t a particularly good wordsmith, and makes a fair number of word mistakes – using “lead” for “led” and “dived” for “dove,” for instance. Also, there’s too much dependence on sheer good luck and coincidence to get main characters out of deadly danger – characters have a right to some luck, but you shouldn’t go to that well too often. I was slightly annoyed that a lot of the actual investigation in this book was delegated to a brand-new character – an improbably attractive female BCA agent whose presence I can only attribute to creative affirmative action. Also, I was supposed to believe that some highly placed people were covering up actual serial killings to avoid bad publicity. Few people have less respect for high officials in Minnesota than I do, but that strained my credibility. Also, the violence in this book was of a particularly distressing kind.

Some amusing banter doesn’t make up for all these weaknesses. I think I’m done with the Trask Brothers. Regretfully.

Dune: Atreides Triumphant

{Reading Dune for the first time] Update 5: Dune ends in a sudden halt. I suppose everything is wrapped up neatly enough, but there’s no page or two about everyone settling into a new life or looking forward to a new day. Nothing about drawing Rose closer, setting Elanor on your lap, and saying, “Well, I’m back.” It ends with Paul lowering the boom on his enemies, making demands, and done. Maybe the next book picks up immediately, but that brings me to main thing I intend to say in this post–pacing.

(By the way, how do you pronounce Harkonnen? I know how the 1984 movie says it, but I’m more comfortable putting the emphasis on the first syllable. Emphasizing the second syllable strikes me as thoughtlessly American. Herbert frequently agreed with me when he said the name, so I’ve read, but he may have said it the other way too.)

Book 1: Dune builds at an appropriately slow pace to strong climax. Book 2: Maud’Dib felt slow as I read the first few pages, but I may have been projecting. After Paul and Jessica collect themselves on the heels of the main event in book 1, the story kicks back into gear. This section has the one chapter I was tempted to skip. It focuses primarily on the death of an important figure, so it’s good to give such an event proper weight. But it’s also like reading appendix 1 on planet ecology and the visionary who intended to change Arrakis. Too much lecturing. Book 3: The Prophet picks up a few years after the end of the previous section and tells a quick story of longer period of time.

Dune has a lot of fighting, but Herbert doesn’t focus on it. The fights we see are the personal ones. He skips over taking village strongholds, defending hideouts from imperial soldiers, and knocking patrol ships out of the sky. Instead we get an explanation of how the tough, imperial troops are losing 3-1 against rebels, who are supposed to be scattered ruffians, to the disgusting Baron Harkonnen, who had assumed any fighting had already been handled. That’s just one example of how the story tells us where the conflict lies ahead in one chapter and how it’s behind them in the next.

Herbert writes well. He doesn’t try to make irrelevant scenes appealing. He’s willing to wrap them up off camera. I do wish he would have refrained from constantly referring to training. The reader has plenty of time to understand the deep, lengthy training Paul and Jessica have endured. Do we have to mention it every time they try not to blow a gasket?

Photo by Juli Kosolapova on Unsplash

‘Mind Games, by Dan Willis

Dan Willis’s Alex Lockerby series of urban fantasy/mysteries grows more intriguing as one reads on. The fourth installment is Mind Games, in which many puzzles are solved and puzzlier ones appear.

Alex operates as a runewright/private eye in a 1930s New York where magic is the main technology. In Mind Games, a rich couple ask him to find their daughter, who has gone missing. Alex uses a finding rune to locate her in a nightclub, but the owner says she’s with him and they’re going to be married. The girl agrees that’s true, so Alex leaves them alone. But the next day she calls the police for rescue.

There’s also a young man who asks Alex to prove his wife didn’t murder her lover. In fact, he says, his wife didn’t even know the man she was arrested for shooting to death. Alex assumes he’s just in denial, but in fact there’s no evidence she even knew the guy. So why would she kill him?

Meanwhile, a number of the lower-level runewrights who operate from street carts have started working for a company that’s mass-producing runes in a way Alex had always assumed impossible. And homeless people are disappearing altogether.

And then there’s the little problem that Alex gave up the majority of his life force while saving the city, a few adventures back. His energy clock is running down, and his friend and mentor Iggy is working feverishly to create a life-extension rune for him.

As Alex Lockerby’s world develops over the course of the books, it grows increasingly interesting. I especially like the chemistry between Alex and Sorsha Kincaid, New York’s foremost sorceress. She’s beautiful, rich, highly dangerous, and a denizen of the highest society, while Alex is a lowly P.I. But there are sparks between them, and she’s learning to respect him. You can’t help wondering what comes next.

The prose is pretty ordinary, but the storytelling and world-building are excellent. And the characters aren’t bad. I’m enjoying the ongoing series.

‘Clean Kill,’ by C. E. Nelson

The second of the Trask Brothers murder mysteries, set in Minnesota, is Clean Kill. The first book centered more on David Trask, sheriff of Lake County in northern MN. This time we spend a bit more time with his twin brother Don, a big shot with the state’s Bureau of Criminal Apprehension.

A band on tour borrows a tour bus, only to notice a foul smell coming from one of the luggage compartments. Inside they find a ripe corpse, which has – oddly – been cleaned with bleach, and had its finger- and toenails removed. Soon similar bodies, all of drug addicts, start showing up around Two Harbors, where David lives, and so the cop brothers will have to join forces. Meanwhile, Don is growing curious about a prominent, highly connected man who seems to be connected to all this, and his bosses are telling him to back off. Which only makes him more suspicious.

Since John Sandford has taken Lucas Davenport national, there seems to be an opening for a new fictional Minnesota super-cop. Or cops. I’m not sure the Trask brothers quite fill that vacancy yet, but they’re not bad. My main complaints were that the author seemed ignorant of Chinese buffets (he seems to think you pay after eating), and the addition of a new homosexual character, one assumes in order to fill some quota. But the character isn’t all that annoying, and isn’t on stage too much, so I’ll put up with it for now.

‘The Long Chain,’ by Dan Willis

In an alternate-universe New York City, where they mostly have magic instead of science, Alex Lockerby is a runewright/private detective. In an earlier adventure, Alex saved the city by transporting the floating castle of Sorsha Kincaid, one its foremost sorceresses, into the Atlantic. This succeeded, but left him with snow-white hair and only a few months left to live. Thanks to a restorative potion he takes several times a day, he’s able to still function as a runewright, but he’s well aware of time running out.

In The Long Chain, Number 3 in the series, a Nobel-prize winning chemist disappears, and his daughter hires Alex to find him. He does, but the old man has been injured and has lost his memory. Meanwhile a number of prominent alchemists have disappeared, and Alex is concerned for the safety of one of those remaining, the mother of his new girlfriend. However, Sorsha the Sorceress wants Alex to use his “finding rune” to identify the source of a mysterious, unnatural fog that has blanketed the city for weeks and seems to be growing worse day by day.

As you’ve probably noted, the plot of The Long Chain is a complicated one, but I was impressed with the way author Dan Willis tied it all together. And one of the mysteries ended in a resolution that was at once surprising and poignant.

The writing could be better, but I’m enjoying the storytelling in this Arcane series.