My eyes have been opened to the criminal denial of resources to southern California, caused by George Bush and the war in Iraq.
But why stop there? Washington isn’t the only city wasting precious supplies and manpower that might have helped the impoverished denizens of southern California.
How about Hollywood?
Think of all the people who could have been evacuated in the limousines used by studio executives and movie stars.
Think of the refugees who might have been fed by the catering companies.
Think of the coffee and donuts the gofers could have fetched for the firefighters.
And all those lawyers writing contracts? They could be suing somebody or other for the mental suffering of the homeless.
Dear Heavens, when will the infamy cease?
Speaking of Hollywood, S. T. Karnick at The American Mind tells a story today of a movie actor who seems to have a conscience not dictated by the hive mind of his peers.
Television is also part of Hollywood, and tonight I’d like to give you a list of the Top Two of my favorite new network shows.
My list is restricted to two because I’ve only found two I enjoy. But they’re pretty good, I think.
My favorite is “Pushing Daisies.” You know those Walgreens commercials about “A Town Called Perfect?” The whole show is done in that style, like a children’s book. They even use (apparently) the same narrator.
The main character is Ned (Lee Pace), a pie maker with a supernatural gift. When anything dies, he can bring it back to life by touching it. The drawback is that he has to touch them again and send them back within a minute, or they’ll stay alive and some equivalent life form nearby will drop dead in their place. He makes a side income by helping his friend Emerson (Chi McBride), a private detective. He brings murdered people back to life to name their murderers, and he and Emerson split the reward money.
The complication that produces the show’s drama comes when the girl Ned loves, “Chuck” (Anna Friel, who’s just a delight to watch) is murdered, and Ned brings her back and keeps her alive (a larcenous undertaker drops dead). While Ned is delighted to have Chuck back, he can never touch her, or she’ll die again.
This wonderful plot device permits the writers to give this show an element that has almost disappeared from contemporary drama—romance. Ned and Chuck manage to kiss (through cellophane) and dance (in beekeepers’ suits), but there’s no question of their jumping into bed together. That means you have actual sexual tension here, and a relationship that isn’t consummated in the first episode. This imparts to the whole enterprise an innocence that chimes perfectly with the fairy tale staging. I love this show.
I worry though. I note from Wikipedia that Anna Friel became famous in large part for lesbian scenes and nudity on British television. A supporting character is Kristin Chenoweth, an avowed “liberal” Christian who has a Lisa Minelli-like following in the homosexual community. So I wouldn’t be surprised if they blindside me with a “gay” story one of these weeks.
But until then I’m enchanted.
Speaking of people called Chuck, there’s also a new series called “Chuck.” The concept here isn’t quite as fresh as that of “Pushing Daisies,” but it’s not bad.
Are you old enough to remember “The Avengers?” Remember how intriguing and appealing Mrs. Peel was? Not only gorgeous, but completely capable of taking care of herself when attacked by the vilest enemy spies (as a sexist I should have hated that, but somehow I didn’t when she did it)?
Well, in “Chuck” you’ve got a Mrs. Peel character, a CIA operative, teamed up with an ordinary computer nerd, the titular Chuck. Chuck (Zachary Levi) got a hard drive-full of top secret security information uploaded into his brain (don’t you hate it when that happens?), and Mrs. Peel, er, Sarah Walker (Yvonne Strahovski, She’s not Diana Rigg, but she’ll do) is assigned to babysit him while he continues his ordinary life as a computer tech at a big box store called Buy More.
Of course there’s sparks between Chuck and Sarah, and the romantic tension here comes from his realistic understanding that he is way, way out of his league with her. But there are hints that she’s warming to him, and he’s growing through the dangers he experiences every week.
Great escapist stuff. And about time, too. It’s been a while since there’s been anything this fresh, or this innocent, on TV.