The Very Modern Cosmos of “Dune Messiah”

Some months ago, I shared with you my thoughts on reading Dune for the first time. You can find those posts by selecting the Dune content tag or asking your erudite. I’ve been reading the second book, Dune Messiah, and I’d like to say a couple things about it.

Herbert’s world appears to be a very modern one. Anything can be engineered to a desired end. Complicated languages and systems have been created and can produce remarkable results–maybe not perfect results according to the grand engineers longing for some utopia, but results that go a long way down that road. You see this in many conversations between characters.

“An attack on my father carries dangers other than the obvious military ones,” Irulan said. “People are beginning to look back on his reign with a certain nostalgia.”

“You’ll go too far one day,” Chani said in her deadly serious Freman voice.

“Enough!” Paul ordered.

Chani isn’t speaking in a serious tone as any of us might, nor is this saying her voice is regularly as serious as death. She’s using a unique Freman manner of speaking that conveys the super seriousness of her intent. Apparently, one never tells a joke in this deadly serious voice–if Freman joke at all–because using this tone ironically could get you killed.

In fact, I don’t think any of the main characters joke. There is a bard-type in the first book who could make people laugh and sing. He doesn’t return in second book. There’s only a dwarf that speaks in riddles half the time–not quite a joker.

The highly scripted use of language parallels the Bene Gesserit technique called the Voice. By pitching their tone of voice and perhaps using select words, the Bene Gesserit are able to verbally strong-arm people. It’s quasi-mystical like many elements of the Dune universe, but it’s also quasi-scientific in a modernist way. Everyone is merely a product of their genetic material, so if you can get a read on them, you can influence them like a punch to the face.

Equal to the mysticism of Dune is the emphasis on eugenics. Paul Atreides himself is the product of generations of genetic engineering designed to produce the Kwisatz Haderach, a gifted ruler who would take control of the empire on behalf of the Bene Gesserit who engineered him. The fact that Paul doesn’t hand them any imperial power angers them and sends them back to their eugenic hope that the next generation will be the one they’ve been waiting for.

Realistically, it’s perverted. The universe isn’t so strictly ordered as modernists want it to be. Many organisms cannot be reduced to ingredients and rearranged to produce the strengths you want. This steps into the territory of conspiracy theorists, where everything can be foreseen and constructed no matter the complexity. It’s jarringly otherworldly.

I wonder if this is the main appeal to Dune fans, this highly ordered, godless universe with a chemical stream of mysticism running through it.

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