One of my daughters has become interested in select manga and anime, and she’s gotten me reading a series of superhero fantasy called My Hero Academia. It may be the number one manga series currently being published. The next book to be released in English is Vol 30, so it’s got legs. Having read the first 10 volumes, each collecting six issues, I’ll vouch for it. It’s top-notch. Author Kohei Horikoshi said he had hoped to get through 10 volumes, and there he was at #10 running serious, long-term story arcs and fans eating it up.

In this world, almost everyone has extraordinary abilities, special powers, or, as Horikoshi calls it, quirks: creating specific elements (I wonder if anyone can brew coffee or tea out of thin air), strength, speed, talking to animals. One of the top 5 heroes can manipulate any organic fiber at will, so garden-variety burglars could find their clothes suddenly binding them to the spot. Of course, most people don’t have superhero-level quirks and others have demented skills that perhaps encourage them to pursue the darkness. The greatest super, the symbol of peace in the world, is called All Might. He beats down bad guys with a smile.

The focus of the story is on Izuku Midoriya, a fifteen-year-old boy who had aspired to be a hero ever since he could think straight. He longed to be a force for good in the world, but he had no quirk. In the first book, Midoriya’s friend, who is something of a jerk and has a powerful quirk, is attacked by a rampaging monster. While everyone else stands by debating how to engage, Midoriya rushes in with little more than a drive to save his friend. This act of heroism provokes All Might to bequeath his power to this boy, and consequently enabling him to try out for admittance to U.A. High school. He has to pass the entrance exam and practical trials, which he does more by strength of character than body.

Horikoshi knows how to write this type of fantasy. His characters are individuals with faceted strengths and weaknesses. They compete with and against each other as students do, trying to gain first place recognition in various areas, and since these are supers-in-training, their competitions involve giant robots, saving mock hostages, and how did those villains get in here?

Horikoshi respects his characters, giving them space to stand out as the story permits, and his main character, Midoriya, has such a natural hero’s heart, he uses him to provoke the others in moving ways. I got teary eyed during the sporting event in which the students of two classes paired up to defeat each other. Midoriya couldn’t just try to outsmart his opponent, a kid named Todoroki who has a difficult relationship with his father. Midoriya kept counseling him during their match, encouraging him to find his own spark and not define himself by his father. The moment Todoroki is pushed over the edge, saved from himself as one of the onlookers put it, is marvelous.

There are a few drawbacks, such as off-color jokes and a couple minor characters, but so far, the writing and artwork have been strong. It’s admirable work.