Conforming to a Hot Topic World

Many weeks ago, I was in a small group that considered how we might tell we were conforming to the world (Romans 12:2). I suggested one way would be to notice where and how we self-censor, which is a touchy subject for the 21st century social media user.

On one hand, social media encourages us to say outrageous things and to share our opinion on every topic we can articulate into at least a gif. And Christians may recognize this danger and their own ignorance and regularly avoid hosing down the Internet. That’s good.

On the other hand, social media has enabled small groups of people to pose as massive mobs to shout down, dox, and ruin the lives of anyone they target, so we may avoid commenting on select hot button topics to avoid getting caught by such a mob. That’s the self-censoring I’m talking about. It makes me uneasy to talk about it even now.

I’ve argued with myself over whether I should state one of my opinions, well-founded and potentially life-changing as they usually are. I wonder if I shouldn’t stick to posts on books and writing in order to stay in my lane, as it were. But sometimes I just retweet a link or someone else’s opinion because it’s important and I want to amplify the reach. If I hold back because the topic is too hot, is that conforming to the world?

Here’s a troubling video on the censoring publishers are doing to select authors poke the bear by not conforming to unspoken expectations.

Also, a woman with experience in college diversity efforts couldn’t overcome the mindset of her own office. “Orthodoxy superseded all else: collegiality, professionalism, the truth.”

A proper feature: Esquire magazine has published its own feature of author Brandon Sanderson, and with over 5,000 words, it’s what you’d expect from a feature article. It’s good and interesting, pulls in some relevant criticism, and remains positive overall.

More sensitive: New Agatha Christie novels have been submitted to sensitivity readers and thus altered for modern, ahem, sensibilities. The copyright holder, Agatha Christie Limited, has the author’s great grandson at the helm and, I suppose, responsible for this.

Publishing among friends: Publisher Richard Charkin has written about his years in the British book business. “In fact, agent-editor ‘negotiations’ makes it sound more adversarial than it actually was. Editors and agents were usually friends, and had often worked together previously. All too often this led to an unhelpful tendency among some editors to see “management” as the enemy, and they would readily side with their authors and agents against the company that employed them.”

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