‘Machinations of a Murderer,’ by Peter Zander-Howell

I was surprised to find an authentic, old-fashioned British mystery, set in the 1940s, when I picked up Machinations of a Murderer by Peter Zander-Howell. A very original book, I thought, in an un-original form. It’s a plain, point-by-point police procedural, following first the murderer as he plans and carries out his crime, and then the detectives as they deconstruct his too-clever-by-half alibis.

Dr Robin Whittaker is an Oxford PhD, once a promising scholar. But his weaknesses for alcohol and gambling doomed his academic career, and now he works at a lowly job in a provincial museum. His wife, who has some money of her own, keeps him on a short leash. He chafes at the clean living she forces on him, and decides his only reasonable course is to murder her. Confident in his superior intellect, he’s certain that the alibi he constructs, along with the frames he constructs for hapless alternate suspects, will fool the stupid police, leaving him free to drain the funds he’ll inherit.

It’s not at all certain that even the ordinary police would actually fall for his hubristic scheme, but in the event local detectives are not available, so the police call on Scotland Yard for help. They send Chief Inspector Bryce (himself an Oxford-trained barrister) and his assistant, Sergeant Haig. They quickly recognize the doctor as a wrong ‘un, and put themselves to the task of breaking his rather neat alibi. It would disappoint Whittaker to know that one of the key clues in the case will be uncovered by a young, fairly inexperienced policeman who’s assisting Bryce and Haig.

There are no mysteries here. The reader observes everything as it happens, step by step. The great pleasure of this book (and it was a great pleasure to read) is the moral thrill of watching as a prideful and thoroughly unlikeable criminal slowly weaves for himself the rope of lies that will eventually hang him.

In all of Machinations of a Murderer I detected only one hint of a modern sensibility, and that was an intentional irony. Otherwise the author plays it straight from the 1940s. This absence of wokeness and political correctness was entirely refreshing. Aside from the narrative being fascinating in itself.

I highly recommend Machinations of a Murderer. Thoroughly enjoyable.

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