Okay, I’ll just start this semi-review by mentioning (in case you’re new here) that I have a dysfunctional relationship with the genre called “Nordic Noir.” Much as I love Norway, I find myself unable to get in the spirit of the boom in Scandinavian mysteries that persists today. I find Nordic Noir – in general – depressing and nihilistic. I’ve tried to enjoy Jo Nesbø’s Harry Hole mysteries, but I have trouble sympathizing with – or even believing in – a police detective who’s so desperately alcoholic that it interferes with his work, and who yet manages to keep his job and even be an asset to his department.

But I checked out the 2017 film adaptation of the Harry Hole book The Snowman on Amazon Prime. It’s not a film I did translation for (indeed, it’s not even a Norwegian production, but Swedish along with other countries), so I can say what I like about it.

I gave the novel a less than negative review (for a Nordic Noir) here. I guess I feel pretty much the same about the movie. Which seems to mean I liked it better than most people.

How very odd.

Michael Fassbender plays the role of Harry, whom we first observe, after a prologue, sleeping off a binge in a bus shelter in mid-winter. When he gets to work he meets a new partner, Katrine Bratt (Rebecca Ferguson), whom he finds annoyingly fresh and spunky. They investigate the disappearance of a young mother. Over time they discover that there have been a string of such disappearances, in different places over a long period of time. When the bodies are discovered, they are decapitated, the heads placed on snowmen. Harry’s difficult relationship with his ex-girlfriend’s son, who sees him as a father figure, provides a subplot that will eventually merge with the main plot.

The best part of the movie – as is often the case when they’re filming in Norway – is the scenery. There’s some spectacular footage here, especially as characters drive along the causeways of the famous Atlantic Road. J.K. Simmons, who always elevates any production, is on hand as a sleazy businessman/politician, an easy character for good Socialists to hate.

I can also see the problems in the film. One is a very dark plot, including one particularly awful surprise. Another is the odd presence of Val Kilmer, playing a now-dead character in flashbacks. He looks barely functional, and indeed was recovering from a stroke during filming. All his dialogue is dubbed but still hard to understand.

My big problem was a fairly heavy-handed message about abortion.

Still, I found the movie watchable, and it kept my interest.

Semi-recommended, but with cautions (language, sexual situations, brief nudity, disturbing violence) and without great enthusiasm.