‘The Paddington Mystery,’ by John Rhode

The world of mystery fiction, as you’re probably aware, is divided (broadly speaking) into the subgenres of “Cozy” (think Miss Marple) and “Hard-Boiled” (think Mike Hammer). But nothing in life is ever that simple. Hard-boiled has devolved over recent decades (mostly) into the Thriller genre, and that’s all we’ll say about that today. But sub-genres exist within Cozy . I had never heard of the “Humdrum” subgenre before I looked up John Rhode (a pseudonym for Cecil Street), author of The Paddington Mystery. At first I thought the descriptor “humdrum” a little dismissive, but gradually I came to understand the point.

The central character in The Paddington Mystery, set in 1925, is Harold Merefield, a young London gentleman. Harold grew up as a close friend to Dr Lancelot Priestley, a retired mathematician and amateur detective. He was even close to being engaged to Priestley’s daughter April. But then he came into money and decided to sample the high life. He joined a shady gentleman’s club and even wrote a scandalous novel – which sold well.

One night Harold he comes home drunk to his apartment in the early hours to find a dead man, soaking wet, in his bed. The police suspect him at first, but let him go when the medical examiner declares the death due to natural causes. Nevertheless, the mystery remains. Who was the old man? How did he get into Harold’s apartment in the first place?

Harold is suddenly concerned about his reputation, and the only person he can think of to approach for help is Dr Priestley. Dr Priestly, it turns out, is still kindly disposed, and he welcomes the mystery as a chance to exercise his powers of logical deduction.

It was at that point that the story, I must admit, began to drag. At the beginning I was quite taken with The Paddington Mystery. I liked the characters, and the morality was purely bourgeois. I felt right at home.

But what made the book “humdrum” was that pages and pages were spent on exposition of the puzzle, as various characters explained the mystery, and Dr Priestly went on and on, explaining every step in his logical deductions. It did get tedious.

Especially because I figured out whodunnit fairly early in the process.

So, I must say, with regret, that I can’t entirely endorse The Paddington Mystery. On the plus side it was old-fashioned and non-objectionable, but it was also kind of… how shall I put it? Elementary.

One thought on “‘The Paddington Mystery,’ by John Rhode”

  1. About mystery genres, I’ve listened to a podcast about bad books that has spend the last two holiday seasons reading a cozy Christmas mystery, of which there is a huge, steaming pile. There may be 6-7 good stories out there, but it would be hard to pick them out from the mound mediocre to horrendous ones. Many of them include recipes, which may put them in a sub-subgenre.

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