‘The Graveyard Shift,’ by Jack HIggins

Back in the 1960s, before he became a bestselling thriller writer (The Eagle Has Landed, etc.), the English author who wrote under the name Jack Higgins produced mysteries under his real name – Harry Patterson. Among them was a short series featuring London police detective Nick Miller. As The Graveyard Shift, the first entry in the series, begins, our hero has just been promoted to detective, after some special training. He is young for a detective, and well-educated. He’s also rich and likes to dress fashionably. Not a natural fit for the Crime Squad, but his extreme self-confidence never wavers, and he operates with a James Bond-like cool.

Meanwhile, Ben Garvald, a convicted robber, is being released from prison. He’s barely on the street before a couple of thugs attack him with a message to stay away from his ex-wife, now married to their boss, a crime lord. It takes more than that to intimidate Ben, who casually cripples them both and leaves them with a message for their boss. He has business to attend to, and then he’ll be on his way. If they want to stop him, they’ll need to kill him. Which they’ll try to do.

The ex-wife’s sister asks the police to find Ben and warn him off. This will lead to a trail of mayhem and death.

I was a big fan of Higgins/Patterson back in the day. He was a good storyteller, and set a good scene. His prose was adequate. As time went on (in my opinion), he got formulaic and predictable in his storytelling. But this is early work, and pretty fresh.

The book definitely shows its age in many ways. The cops are all men. Most everybody smokes, and they smoke in the office. The language is assuredly un-PC. I generally liked all that. I feel at home in that world.

I did figure out whodunnit, though.

The Graveyard Shift was intended to be dark and gritty by the standards of the time, depicting the hopelessness and desperation of the denizens of the rougher districts of London. Little did they know that it would only get worse with the coming years.

Not a bad book. Cautions for violence and insensitivity.

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