
I’ve enjoyed John Sandford’s Prey novels, featuring millionaire Minneapolis cop Lucas Davenport, for many, many years. The books have changed with time, and Davenport, once a borderline psychopath local cop, is now a US Marshal and a settled family man who stays in law enforcement because, by his own admission, he likes shooting bad guys.
Lucas works all over the country now, but in Lethal Prey he’s called back home to Minnesota (which pleased me) due to a law enforcement crisis. Lara Grandfelt, a wealthy Minneapolis woman, has decided she wants to get her sister’s case solved. Twenty years ago, her sister Doris, an employee at an accounting firm, was stabbed to death. Her body was found in a suburban park, and examination showed that she’d had sexual intercourse shortly before her death. The investigators got the DNA, but no match was found. For years Lara has been bothering the police about the case, but now she’s decided to go public. She promises a 5 million dollar reward to anyone providing evidence leading to the murderer’s conviction.
Lucas gets teamed up again with his old friend Virgil Flowers, and, looking at all the work that will be necessary in running down old, faint leads, they decide to go public in a different way. There are a lot of true crime bloggers out there, and they’re keen to get in on the reward money. Lucas and Virgil put the word out that any private researcher who helps substantially in solving the crime will get a share of the reward. Such amateur participation will create problems of its own, but the added manpower will prove invaluable – if they can ride herd on their helpers.
They have no idea – though the reader does – who their adversary is, and it’s a formidable adversary indeed, one of the most formidable and memorable in the Prey series, I think.
Author John Sandford knows his business as few writers do, and Lethal Prey is entertaining all through. I liked that it featured no kick-butt female cops this time out, and the story didn’t involve the high level of perverse sexual cruelty many of the previous books have featured. But I was troubled by the fact that the reader is left with a sort of cliff-hanger at the end. Sandford doesn’t usually do that. Perhaps things will be explained in the next book.
Cautions for language and adult themes. Fun for grownups.