Religion

‘The glory and honor of the nations’

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Photo credit: Sebastian Gabriel, sgabriel. Unsplash license.

And how was your Independence Day? I feel like I spent the whole long weekend watching that bloody Vikings series, and I sympathize with the Dark Age Christians who are supposed to have prayed (there’s some controversy about this) “A furore normannorum, libera nos Domine” (From the fury of the Northmen, deliver us, O Lord”).

I mean, will the cursed thing never end? I finally finished Season Four, which turned out to be a double season – twenty episodes. And Season Five apparently has the same number. I grow grateful that they compressed the timeline – an accurate chronology might kill me off. Yet another martyr of Viking atrocities.

The more I watch, the more I’m impressed that the writers and producers simply had no interest in real Vikings at all. They invented some fantasy barbarians, in fantasy outfits and haircuts, and injected them into a fast-forward early medieval chronology. Here and there they throw in an authentic (or semi-authentic) artifact to make it look good, but basically they’re just spitballing – probably under the influence of drugs.

Well, enough of my problems. Let’s turn to something inspirational. Here’s part of what I read in my devotions this morning, from Revelation 21:22-27:

And I saw no temple in the city, for its temple is the Lord God the Almighty and the Lamb. And the city has no need of sun or moon to shine on it, for the glory of God gives it light, and its lamp is the Lamb. By its light will the nations walk, and the kings of the earth will bring their glory into it, and its gates will never be shut by day—and there will be no night there. They will bring into it the glory and the honor of the nations. But nothing unclean will ever enter it, nor anyone who does what is detestable or false, but only those who are written in the Lamb’s book of life.

This is part of the big triumph scene in Revelation. God’s enemies have been conquered and disposed of in the Lake of Fire along with the devil and his angels. God’s eternal Kingdom has been revealed – it’s a huge city, perfectly square in shape. (I take this as a contrast with the earlier statement that the sea will be no more. The sea in Scripture symbolizes chaos and disorder, the unruly things God bridled at Creation, and which have now been abolished forever. Instead we now have the City Foursquare, solid, flawless, unshakeable. All the wrong and injustice of the world is gone. No longer will anyone complain that life makes no sense. In the Kingdom, it does make sense. Life is fair at last.)

And I was struck by these verses: “The kings of the earth will bring their glory into it….They will bring into it the glory and the honor of the nations.”

What does that mean? I can’t make pronouncements, being neither a theologian nor a Greek scholar, but what struck me immediately was that the glory and honor of the nations had formerly been outside the Kingdom, and will now be brought into it.

To me that suggests cultural and intellectual glory and honor. The art and philosophy of Athens. The wisdom of China. The strength of Rome. The subtle delicacy of Japan. The courage and honor of Native Americans. The creativity of Africans. No beautiful thing will be lost – they’ll be taken as spoils by the true Kingdom and brought into the City, to the glory of God and for the delight of His elect.

It’s like a backwards missionary effort – even the old heathen things will be christened. As Chesterton wrote in “The Ballad of the White Horse”: “Because it is only Christian men, Guard even heathen things.”

I took that (perhaps in arrogance) as a possible benison on my Viking books.

Music

Sunday Singing: How Firm a Foundation

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“A wind has wrapped them in its wings,
and they shall be ashamed because of their sacrifices”
(Hosea 4:19 ESV).

We don’t recognize how we undermine our foundations with today’s sacrifices. We assume our wealth, privilege, and security will continue. We redefine the terms of the sacrifice God asks for us and pronounce it good. We chip away at our foundations, thinking they will never crumble.

But if Christ is our foundation, we will continue to stand. We will not sow to the wind as Ephraim did in Hosea 4. We will sow to fields that will turn a harvest as the Lord wills it.

The author of today’s hymn, “How Firm a Foundation,” was not identified in the 1787 publication in which the song first appears. It is believed to be Robert Keen of Carter Lane Baptist Church in London. The tune sung in the video above is an American one, published in 1832.

1 How firm a foundation, you saints of the Lord,
is laid for your faith in his excellent Word!
What more can he say than to you he has said,
to you who for refuge to Jesus have fled?

2 “Fear not, I am with you, O be not dismayed;
for I am your God, and will still give you aid;
I’ll strengthen you, help you, and cause you to stand,
upheld by my righteous, omnipotent hand.

3 “When through the deep waters I call you to go,
the rivers of sorrow shall not overflow;
for I will be with you, your troubles to bless,
and sanctify to you your deepest distress.

4 “When through fiery trials your pathway shall lie,
my grace, all-sufficient, shall be your supply;
the flame shall not hurt you; I only design
your dross to consume and your gold to refine.

5 “E’en down to old age all my people shall prove
my sovereign, eternal, unchangeable love;
and when hoary hairs shall their temples adorn,
like lambs they shall still in my bosom be borne.

6 “The soul that on Jesus has leaned for repose,
I will not, I will not desert to his foes;
that soul, though all hell should endeavor to shake,
I’ll never, no never, no never forsake.”

Fiction, Writing

The Old School Fun Boys Have

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I’m reading The Adventures of Tom Sawyer, amused at the antics of boys without electronics. I was never a boy like Tom. My most boyish habit at an elementary school age was riding my bike around our neighborhood or around my house. My neighborhood was essentially a rectangle with elevation at the two top corners and depression at the corner close to my house. The fourth corner was a curve on the slope up to the highest point. That meant I could bike up to the end of my street and ride back at breakneck speed. I don’t remember how often I applied brakes, if at all. It was quiet street. The main traffic would have been people returning from work, and I wasn’t out at that time.

In chapter 14, Tom, Joe, and Huck have run away from their village to live as pirates on an island in the Mississippi River. Free from civilization, they swam every hour, marveled at birds and bugs, cooked the food they stole as preparation for life on the lam. This is a contrast from how the normally spent their free time, which was bowling into each other, reenacting scenes from Robin Hood, and conducting inquests into the death of stray cats. You see? Completely different.

Tom’s life is a challenge to modern life, or maybe I mean it’s a challenge to me. I’m having a harder time reading lately and I’m avoiding writing too. I’ve been saying I need to take some time off, and I’ve gotten that this week, but I need more. Maybe not time off, but something — time away, a longer break of routine maybe.

What else do we have today?

The Dystopia of Leibowitz: Bethel McGrew writes about a sci-fi classic that is frequently recommended, A Canticle for Leibowitz. “The book doesn’t lend itself to easy description for the first-time reader. Whenever I try, I just keep saying that it’s very weird, and very Catholic. The cadence of the book is suffused with the cadences of the liturgy, the give-and-take of Versicle and Rejoinder. The corridors echo and re-echo with the sounds of masses sung and Latin spoken, no translation provided. A young Protestant friend told me it was enough to make him almost cross the Tiber.”

On Writing: Samuel James lays down a few real world principles. “By far, the safer road to becoming a good writer—and experiencing some measure of success—is to cultivate a compulsive need to write. Why? Because a compulsive need is what drives most people engaged in any activity toward greatness.”

John Updike: Patrick Kurp considers what endures of the work of this Pennsylvania native. “As a boy I wanted to be a cartoonist. Light verse (and the verse that came my way was generally light) seemed a kind of cartooning in words, and through light verse I first found my way into print.”

Photo: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Fiction, Reviews

‘The Hound of the Baskervilles,’ by Arthur Conan Doyle

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A long, low moan, indescribably sad, swept over the moor. It filled the whole air, and yet it was impossible to say whence it came. From a dull murmur it swelled into a deep roar, and then sank back into a melancholy throbbing murmur once again. Stapleton looked at me with a curious expression on his face.

“Queer place, the moor!” said he.

“But what is it?”

“The peasants say it is the Hound of the Baskervilles calling for its prey. I’ve heard it once or twice before, but never quite so loud.”

I looked round, with a chill fear in my heart, at the huge swelling plain, mottled with the green patches of rushes. Nothing stirred over the vast expanse save a pair of ravens, which croaked loudly from a tor behind us.

The origins of Sir Arthur Conan Doyle’s book, The Hound of the Baskervilles, are fairly well known. When Doyle returned from medical service in the Boer War in 1901, he had not written a Sherlock Holmes story since 1893, when he killed the detective off for good and all (or so he thought) in The Final Problem. Doyle was tired of writing detective stories. He found them formulaic and uninspiring. But the public was still hungry for more, and, after a tour of Dartmoor with a journalist friend, he hit on a fresh kind of Holmes adventure. Technically he didn’t resurrect his character at that time – he set the story back in 1889, before his “death.” He seems to have been inspired by the legend of Squire Richard Cabell of Brook Hall in Devon, who was remembered as “a monstrously evil man.”

As the story begins, Holmes and Watson are visited by Dr. James Mortimer, who tells them the story of his late friend Sir Charles Baskerville of Baskerville Hall in Devonshire, who died (apparently) of fright on his country estate one night. Mortimer says that he himself observed the footprint of “a gigantic hound” near the body – and Sir Charles had been living in fear of a legendary hellhound said to haunt his family on account of the wicked deeds of one of their ancestors.

Now, Mortimer says, the new heir, Sir Henry Baskerville, is coming from Canada. Although, as a man of science, he has a hard time believing in demons, he is uneasy about Sir Henry’s safety, and wishes Holmes to help protect him. Shortly after Sir Henry’s arrival, he receives a sinister warning letter made of words cut out of a newspaper and pasted on paper, and Holmes also observes him being followed by a bearded man in a cab.

Nevertheless, Holmes claims prior commitments that prevent his traveling to Devon for the moment. Instead he sends Dr. Watson, with instructions to keep him informed of developments by letter.

What follows is a rather delicious gothic mystery, complete with a bleak setting on the moors, the baying of an unseen hound, the presence of a fugitive murderer, and a mysterious figure observed watching from a hilltop in the nighttime. It all leads to a headlong, shocking climax.

The Hound of the Baskervilles was the first Holmes story I ever read (my Aunt Midge gave me a copy when I was in junior high), and it made me an immediate – and lifelong – Holmes fan. I find it hard to believe that Doyle – in spite of his expressed weariness with his character – did not have fun writing it. If he was looking for a fresh approach to telling detective tales, he found it.

I might also mention (and this impressed me) that way back in 1902, Doyle (perhaps because he was a physician) had the sense (unlike a thousand mystery writers who came after him) to realize that the right way to break down a locked door is to kick it in with the sole of your foot, not slam your shoulder into it.

Uncategorized

Born on the Fourth of July

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Today is not only the anniversary of the signing of the Declaration of Independence. It is also the birthday of one of our greatest presidents – the only president born on the Fourth – John Calvin Coolidge (1872-1933).

I recently heard a speech by a noted historian – I won’t say who – who took time out of a lecture on an entirely different topic to sneer at Calvin Coolidge. This raised my hackles. Coolidge is one of my favorite presidents. He did exactly what the Constitution requires of a president – as little as possible. He was a model statesman, a modern Cincinnatus (look him up).

He was also famous for being sparing with words, which makes him a model for writers too.

Above, a short and pithy speech from Silent Cal – about freedom and taxation.

And here’s the text of an Independence Day address by Coolidge. I find no fault with it. (Hat tip: Instapundit)

Happy Independence Day!

Uncategorized

My evil eye

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Photo credit HLS 44. Free to use under Unsplash License.

I know you’re aching to know how all my household crises are going. I’m happy to report that I got my new roof yesterday. (They taught me in radio broadcast to pronounce the double-o in roof like “brew,” not “look,” but I always feel a little pretentious doing it. Though I do do it.) It was a bit of a surprise, actually. I had understood the representative who’d last called me  to say that they were going to delay it a couple days, but there they were at 7:00 a.m., smack in the middle of my writing time. I’d wanted to warn my neighbors (with whom I share a driveway) about their arrival, but there was no time for that now. And they parked their dumpster trailer for the scraps right in that driveway.

The workers, however, labored rapidly and efficiently, and they cleaned up so well afterward that the yard looks better than before. And my new shingles are what they call “architectural,” which seems to mean they’re thicker. Quite nice looking, really.

My air conditioner, on the other hand, remains a dead soldier. I get a call from the HVAC company every few days, telling me they’re still waiting for the replacement compressor being sent by the home warranty company. That compressor is apparently a rare and precious item, and must be transported over the smoothest roads at a speed of no more than 30 mph.

I did get another thing accomplished, though, on Monday. I went to the Minnesota equivalent of the DMV, sat for an hour or so, and got my driver’s license renewed. Which brings us to the curious incident of the license photo.

By some strange providence, I do not share the common human complaint of taking bad document photos. It’s an irony that a man as unattractive as I am almost always takes a good picture. My old license photo was rather charming (if I do say so myself). I looked a little like Gabby Hayes in mid-chuckle.

But for some odd reason I found myself thinking about how to make the new photo better. I decided I wanted to look forceful. Stare directly into the lens. Be forthright. An alpha male. A Chad.

When I saw the final photo, though, I was a little shocked. The photo at the top of this post suggests its expression (just add 40 years, 50 pounds, and a gray beard).

I had no intention of looking angry. Just determined. But angry is what I got.

And it occurs to me to ask, “Does this contribute to my lifelong problem with making eye contact?”

I’ve long known that direct eye contact makes me uncomfortable. This is common in people on the autistic scale, even low on the scale (as I appear to be).

But if this is how I look when I do make eye contact, maybe I scare other people too. Maybe when I run away, they’re running as well.

It’s kind of like the mark of Cain. Troubling.

Fiction, Reviews

‘Inkblot Killer,’ by Ray Flynt

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Brad Frame and Nick Argostino are the heroes of an ongoing mystery series by Ray Flynt. Inkblot Killer is the 11th of these.

The background is that Brad Frame is a Philadelphia billionaire. Some years back, his mother and sister were abducted and killed, and he inserted himself into the investigation. Once it was solved, he set himself up as a private investigator. He developed a relationship with police detective Nick Argostino, and they came to trust one another. As Inkblot Killer begins, Nick is newly retired from the force, and has joined Brad’s agency. But he finds himself uncomfortable with the new work atmosphere.

A new client comes in. She is a rich woman, the entitled daughter of a reclusive tycoon, and she wants them to prove her husband is cheating on her. But when she interferes with the investigation, Brad severs their association. Then she herself disappears, and her equally repellant father retains the agency to locate her.

Meanwhile, Nick becomes increasingly concerned as several of his old police colleagues are strangled to death by a mysterious killer who leaves behind index cards bearing blots of blood, like the patterns in Rorschach tests. Nick grows increasingly convinced that he is on the killer’s to-do list.

Inkblot Killer was a competent enough mystery in terms of plotting. But the writing was pedestrian and the dialogue clunky. It had the flavor of something knocked off quickly for the market. There’s no harm in it, but I won’t be back for another.

Religion, Uncategorized

Personal drivel, plus Cain & Abel

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William Blake’s “Cain and Abel,” 1826

First I’ll tell you what’ s going on in my thrill-packed life. Then I’ll tell you about one of my cosmic revelations. Those are always good for a chuckle.

There’s a shrink-wrapped pile of roofing material sitting in the driveway behind my house. I had hail damage last year and my insurance company authorized a full replacement. But one complication after another has delayed the actual job. First it was supposed to happen today. Then tomorrow. Now it’s all in flux – it may or may not happen tomorrow, like Schroedinger’s Shingles. What makes it annoying is that the contractors are going to be parking a dumpster in front of my garage when finally they get to work, which means I have to park on the street tonight on the possibility that work will start tomorrow.

Even more annoying, my air conditioning is out, and has been for about three weeks now. I have a sort of insurance for that, too – a home warranty. The HVAC tech who autopsied my unit said the compressor had burned out, and it couldn’t be replaced. A new AC unit would have to come in. And that shouldn’t take long.

The warranty company, however, has ideas of its own. They opted to replace the compressor. They have a source for replacements which (apparently) they get at a discount. But that source is not a fast source. So we’re still waiting for the part to be delivered.

Thankfully, we’ve had relatively cool weather recently.

Which is supposed to end tomorrow.

Ah, well. I grew up without air conditioning. And hey, it keeps my electric bills down.

A pack of blessings lie on my head, as the Friar said to Romeo (not long before Romeo killed himself).

And what is my revelation?

It wasn’t a full-fledged revelation, of course. Just one of those moments when two ideas inhabiting separate pigeonholes in my brain suddenly link, and I have an ah ha! moment.

It started out with Jordan Peterson. I’ve grown quite taken with Jordan Peterson videos. He’s not right about everything, but he can see correctly what the problems are. He exhorts me to do things I don’t want to do, which is generally a mark of truth.

Anyway, Peterson was talking about Cain in Genesis 4. Peterson’s interpretation of the story of Cain and Abel is that it represents the Easy Way and the Hard Way in life. Cain sacrificed vegetables, which were (as Peterson sees it) an easy sacrifice. Abel sacrificed animals, which means blood and pain. God was pleased with Abel because he took the Hard Way. The right thing in life almost always means blood and pain.

The spark, the circuit that closed, for me was a comparison to the parable of the talents, of which I think I’ve written here before. There are two versions of the parable. In Matthew 25, the master gives talents (sums of money) to three servants – five to one, two to another, and one to the last. In Luke 19, he calls ten servants and gives them ten talents each. In each case, the servants are told to do business with (invest) the money for him while he’s away. In each case, only one servant fails – the one who, instead of investing the money, hides it safely. He returns the full amount to his master, and his master is furious. He didn’t want security. He expected a profit.

The point in both stories – looking at it this way – is that God expects his servants to stretch their horizons. Do bigger things. Move outside their comfort zones. Break new ground, at least personally.

This isn’t about salvation, of course. Salvation is by grace. This is about our earthly lives – what God expects us to do with the talents He bestowed. We’re not here just to wait passively for Heaven. We’ve been given gifts – for the sake of our families, for our neighbors, and (especially) for the church.

And always God expects the bloody sacrifice, the dying to the self. Taking up the cross.

It all makes me feel tremendously guilty. But even I can recognize the truth of it.

Music

Sunday Singing: Jesus, I Come

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Today’s hymn of faith is another one I hadn’t heard before Indelible Grace wrote new music to it. William T. Sleeper (1819-1904) was a native of New Hampshire and Congregationalist minister in Wor­ces­ter, Mass­a­chu­setts, wrote the words in 1887. It’s a moving confession of coming to Christ with nothing. No bargaining, no promises, no attempts to merit the grace he offers.

“Blessed be the God and Father of our Lord Jesus Christ! According to his great mercy, he has caused us to be born again to a living hope through the resurrection of Jesus Christ from the dead” (1 Peter 1:3 ESV).

1 Out of my bondage, sorrow and night,
Jesus, I come, Jesus, I come;
Into thy freedom, gladness, and light,
Jesus, I come to thee.
Out of my sickness into thy health,
Out of my want and into thy wealth,
Out of my sin and into thyself,
Jesus, I come to thee.

2 Out of my shameful failure and loss,
Jesus, I come, Jesus, I come;
Into the glorious gain of thy cross,
Jesus, I come to thee.
Out of earth’s sorrows into thy balm,
Out of life’s storms and into thy calm,
Out of distress to jubilant psalm,
Jesus, I come to thee.

3 Out of unrest and arrogant pride,
Jesus, I come, Jesus, I come;
Into thy blessed will to abide,
Jesus, I come to thee.
Out of my self to dwell in thy love,
Out of despair into raptures above,
Upward for aye on wings like a dove,
Jesus, I come to thee.

4 Out of the fear and dread of the tomb,
Jesus, I come, Jesus, I come;
Into the joy and light of thy home,
Jesus, I come to thee.
Out of the depths of ruin untold,
Into the peace of thy sheltering fold,
Ever thy glorious face to behold,
Jesus, I come to thee.

Blogs, Socials, Coffee, Tea, Drinks, Fiction, Non-fiction, Reading

Let The Words Wash Over You

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Reading Passively: “One of the problems of shouldering one’s way through books—worldview machete in hand—is that we become the kind of readers who get from a book only what we bring to it.” Professor Jermey Larson writes about reading for experience and enjoyment and letting active learning take a back seat. He leans on C.S. Lewis’s effort to equip readers of medieval literature to stay with the story instead of looking at commentaries every other page.

And the Gulag Remains: The Gulag Archipelago in English is 50 years old this year. Gary Saul Morson writes, “Before Solzhenitsyn, Western intellectuals of course knew that the Soviet regime had been ‘repressive,’ but for the most part they imagined that all that had ended decades ago. So it was shocking when the book described how it had to be written secretly, with parts scattered so that not everything could be seized in a single raid. Solzhenitsyn offered an apology for the work’s lack of polish: ‘I must explain that never once did this whole book . . . lie on the same desk at the same time!’ ‘The jerkiness of the book, its imperfections, are the true mark of our persecuted literature.’ Since this persecution is itself one of the work’s themes, its imperfections are strangely appropriate and so, perhaps, not imperfections at all.”

The Past that Binds: Gina Dalfanzo reviews The Blackbird & Other Stories by Sally Thomas. “Our pasts are always part of us, shaping who we are, and that includes the people in them.”

Remembering How We Cooked: Writer Megan Braden-Perry talks about authentic New Orleans gumbo and how strangers change historic recipes. “To me, the composition of gumbo is a topic serious enough to invade my dreams. Recently I had the most awful nightmare, that I made gumbo and forgot all the ingredients and spices. It was just a roux and broth.”

The Steel Man Cometh: How the music business can course correct on artificial intelligence. “I guess training AI to replace human musicians is evil—unless they can make a buck from it.”

Photo: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.