Tag Archives: superheroes

The Almost Christian Theme of Luke Cage 2

Isn’t it hard to hear the truth come from a hateful, abusive mouth? It can sound like a lie just from the context of who speaks it.

In the first few episodes of Netflix and Marvel’s Luke Cage season two, the most Christian things spoken came from Luke’s abusive father, James Lucas.  We had heard in the first season how Rev. Lucas mistreated his wife, committed adultery, and favored the son of the other woman over Luke. He was a minister of self-righteousness, who beat people with the Bible and knew nothing of its power.

At the beginning of the second season, we heard him practicing a sermon that asks whether Cage serves the Lord or himself. When he runs into Luke on the street, he just wants to tie a leash around his neck, demanding the respect due a father though he has undermined that relationship for many years. Luke tells his girlfriend Claire he cannot reconcile with his father because he blamed Luke for his mother’s illness and death. He didn’t believe Luke was innocent of the crime that sent him to prison. He seemed to hate his great strength now. Luke has too many wounds to heal to return.

This sets up a character theme for these men–forgiveness. I just wish it had gone another step further.

When the violence escalates, Luke and the Rev come together out of necessity and finally share their sins. The Rev owns up to at least some of his past and Luke does his part as well. They forgive each other, but the Christian language disappears. Their forgiveness stays on a human level. Even with a prayer for safety at the beginning of a night of hiding, talk of faith seems to be watered down so as not upset the science-fiction. The Rev speaks of “science, magic, God” as if to blur each those things together.

It would have been so easy to have the Rev see the truth that sets us free in that Bible he professes to love and put a few words of real redemption in his mouth.

‘Superheroes Can’t Save You’ by Todd Miles

There is no hint that Batman is anything other than an incredible human being (with seemingly unlimited amounts of cash). Though such qualities and skills are never found in any one real human being (that is what makes him Batman, after all), they are just human qualities and skills. He may be the most remarkable human being in comic lore, but in the final analysis he is just a human being.

And some people feel the same about Jesus.

Todd Miles, professor of theology at Western Seminary in Portland, Ore., spent most of his allowance on comic books for many years back around the time each book cost a quarter. He would browse the drug store rack weekly, reading most issues while in search of the few he would redeem with his not-so-hard-earned dollar. Many years later (after the experiments of a mad scientist would ruin his ambition to become the first man to circumnavigate Mars in a weather balloon), he connected his theological training to his comic lore fascination to make this conclusion: “Every bad idea about Jesus can be illustrated by a superhero,” at least the biggest bad ideas can. He ran with that idea in a Sunday School class, later a youth retreat, and with much encouragement wrote a book on it.

Superheroes Can’t Save You covers seven of the most popular heresies about the person of Christ Jesus, tying each of them to memorable superheroes. The chapter on the Trinity ties to Ant-Man, arguing against the idea that God manifests himself in one of three modes: the Father, Son, or Holy Spirit. The chapter on Jesus’s full humanity connects to Superman, explaining how Jesus, as God, did not merely pose as a man (as Kal El did in taking the alias Clark Kent) but became a man completely.

While each chapter is not evenly paced, they do follow a pattern. Miles begins with the comic lore, segues into the heresy, takes a moment to explain who commits the heresy today, describes the biblical truth, and then offers reasons for the importance of these truths. I think in every case, the key problem with the heresy is the undermining of our salvation. The Bible offers a clear logic for salvation, why we need it and how it is accomplished. With humor and careful writing, Miles tells his readers these alternate concepts of Christ don’t work in that logic. Thor can’t save us. Neither can a savior like the Hulk with all of his incredibleness. Only the living Jesus can save us.

I said each chapter is not quite even, because some of them dive into the comic storyline more than others and some swim through history more than others. Miles’s explanation of each heresy in a modern context brings the history forward, so it doesn’t remain as weird ideas from the past. Casual readers can discover liberals commit the Batman heresy and ways we teach about the Trinity easily lead people into the Ant-Man heresy (Oneness Pentecostals teach that heresy explicitly).

In the chapter on the Green Lantern heresy, Miles’s dive into Christ’s humility as Paul puts it in Philippians 2:5-8 had me in tears. Christ Jesus is awesome. He is the only one who can save us. But from who? Luthor? Bane? Magneto or Doctor Doom? No, the real life treat we face is ourselves. We have forged our own destinies, followed our own dreams, and would pour dust upon dust forever if the Lord God, our Creator, refused to intervene.

Is Gotham Worth Saving?

Steven Greydanus talks Dark Knight and other superhero movies.

The dialogue between God and Abraham, in which Abraham pleads for the city, is echoed most directly in Batman Begins. “Like Constantinople or Rome before it,” intones Liam Neeson’s Ducard, later to be revealed as Ra’s al Ghul himself, Gotham “has become a breeding ground for suffering and injustice. It is beyond saving. … Gotham must be destroyed.”

Bruce tries, like Abraham, to negotiate: “Gotham isn’t beyond saving. Give me more time. There are good people here.”

But the battle for the city doesn’t actually end.

Bulletproof Luke Cage in 2016

The Luke Cage stories of 1972 Marvel comics are not what you see in the new Netflix series. The new writers deliver a more mature story than their source material, Sam Knowles says, in many ways.

One clear improvement is apparent to anyone who happens to see cover art from the old comics. Luke was known as a ‘hero for hire.’ He used his abilities as a way to earn a living, which in the real world makes some sense, but what other superhero does this? The mercenaries are usually the bad guys. The good guys are heroes for the sake of justice. Knowles states,

Luke’s identity as a self-proclaimed ‘hero for hire’ sets him up in opposition to white superheroes, whose racial privilege enables the narrative of ‘superhero-ness’ to be about altruism. As a result, others look down on Luke’s attitude–most obviously Dr Noah Burstein [the scientist who gave Luke his power]: “I’ve heard how you’ve helped neighborhood merchants against Syndicate protection men. For a fee / Bit disillusioning from a so-called hero, isn’t it?”

http://www.aaihs.org/luke-cage-and-the-evolution-of-the-superhero-narrative/?utm_content=buffer8e65f&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer

The Netflix story explicitly drops this idea early on. In the beginning, Luke doesn’t want to get involved at all. His father figure, ‘Pop’ Hunter, urges him to use his gifts to help others and later suggests he hire himself out, but Luke refuses. Though he struggles with whether his efforts to help amount to kicking the criminal hornets’ nest, he continues to help those he can because it’s the right thing to do. He loves the people of Harlem.  Continue reading Bulletproof Luke Cage in 2016

A Completely New Super-Man

Writer and artist Gene Luen Yang is telling a new Superman story under D.C. Comics Rebirth banner. A Chinese boy from Shanghai, named Kong Kenan, is chosen by the right people to receive abilities equivalent to the Man of Steel. He begins as a bully but plays the hero at the right time to attract someone’s attention and change his life forever.

Blaine Grimes of Christ and Pop Culture thinks it works.

With New Super-Man, Yang sets up a narrative that directly confronts and subverts the traditional American superhero origin story. The dominant arc in comic book narratives—be it books or films—suggests that superheroes typically start from a position of basic goodness (or at least innocence) before they are imbued with fantastic powers or take up the mantle of public defender. . . .

But New Super-Man gives us a space, a not-so-fictional-universe in which damaged, wounded, and prideful outcasts are given both a new identity and a call to push back against the very darkness and injustice out of which they were redeemed.

New Batman Writer Is Ex-CIA

Tom King joined the CIA in response to the 9/11 attack. After several years as an undercover operations officer, he returned home, began to work on writing, produced this superhero novel, and now has landed a job with DC Comics to write Batman.

“Batman gets close to the insanity of Gotham, to the craziness, to what drives that city mad, and not be driven mad himself—or at least most of the time he isn’t,” says King. “That’s most like the mission of the CIA. We get into the heads of our enemies without becoming our enemy. I’ll use that experience to tackle this character.”

Could Skywalker be an Avenger?

Marvel’s creator Stan Lee says the people behind the Marvel cinematic universe want to make successful movies. If that means they think an ultimate fan-fic mashup like Star Wars and Avengers together will make a great movie, well . . .

“I created the Avengers by taking many of our characters and making a team out of them,” Lee tells The Big Issue. “We can have as many characters join the Avengers as we want to for future movies. That might be fun, all of a sudden Luke Skywalker is an Avenger!”

Heh. I mean, if we’re talking  fan fiction here, why not something like this?

And in news that’s not even remotely possible to be related, superhero sit-coms are coming.

Jessica Jones: Don’t Fight Your Demons Alone

I was a big fan of the “Daredevil” series that released last year on Netflix. It was more brutal than I’m used to, but the story ran deep. Tying up the series with Kingpin paraphrasing part of Jesus’ parable of the Good Samaritan is the kind of deep water I hope to find in most shows I watch. So when the next installment of this street-level view on the Marvel universe came out with “Jessica Jones,” I hoped to see something similar. But no. (The spoiler flag is on the field.)

Krysten Ritter on the set of 'Jessica Jones'“Jessica Jones” is not the story of a moral crusader. It’s the story of a survivor of emotional and sexual abuse. Granted, she’s a unique survivor of a unique type of abuse. Jessica (portrayed by Kristen Ritter) has super strength, endurance, and the ability to fly—brought on through a chemical exposure a bit like the first step Matt Murdock (Daredevil) took in his origin story. Her abuser is not only a master manipulator, like at least two other characters in the show, but a man who can control people’s minds for several hours at a time.  Continue reading Jessica Jones: Don’t Fight Your Demons Alone

Scientists as Superheroes

Super Science Friends! is a developing animated series from Tinman Creative Studios, which boasts “just the right amount of smart, just the right amount of stupid.” In it, Winston Churchill has assembled a team of scientific greats, Telsa, Curie, Darwin, Einstein, and Freud and a few others to combat scientific evils and well as those who would use them for their own ends. Unfortunately, it’s not for kids. Which is odd.

Crime Fighting, Old and New

“For me, Batman has the most spiritual narratives. I’d venture to say that, in general, D.C. excels Marvel in exploring the hero’s soul, and no soul is darker than Bruce Wayne’s.”

Smoking GuyBrad Fruhauff talks about his appreciation of Batman’s character and storyline, and he’s probably right. Batman wins by sheer force of will, despite the flood of evil he faces.

Turn the page. Author Christopher West says the Chinese were telling the equivalent of police procedurals far before anyone in the West.

A genre known as gong’an began in the Song dynasty (960 to 1279): the term means a magistrate’s desk, and the modern equivalent would be police procedural. Stories would be narrated by wandering storytellers or in puppet shows, and usually told of upright officials exposing corruption and cover-ups. No examples of these stories have survived, however. The oldest gong’an tales come from the next dynasty, the Yuan (1279 to 1368).

Turn another page. For a limited time, BBC Radio 4 is airing a production of an unfinished work by Alfred Hitchcock, The Blind Man. “The world premiere of Alfred Hitchcock and Ernest Lehman’s unfinished screenplay, the follow-up to North by Northwest, now completed by Mark Gatiss” stars Hugh Laurie and Kelly Burke.

“Set in 1961, a famous blind jazz pianist, Larry Keating [Laurie], agrees to a radical new medical procedure – an eye transplant. The operation is a success but his new eyes are those of a murdered man, and captured on their retina is the image of his murderer. Larry and his new nurse, Jenny [Burke], begin a quest to track him down – before someone else dies.”