Tag Archives: Star Wars

Star Wars: Heir to the Empire by Timothy Zahn

I’ve never been inclined to pick up books based on movie franchises. The movies have been enough for me, but the Disney Star Wars list of sorry productions provoked me to seek out Star Wars novels. I learned Timothy Zahn’s trilogy was the best set, so I picked up Heir to the Empire, published in 1992.

“Now, for the first time: the authorized continuation of the legendary Star Wars saga . . .” The story picks up five years after Return of the Jedi, with the Rebel

forces trying to put together a new republic. Princess Leia is the leading figure in every diplomatic endeavor, which is increasingly difficult for the soon-to-be-mother of two. Her husband, Han Solo, is also working too much to make the new government as functional as it needs to be. Luke Skywalker has the smallest role of the three, that of friend, security guard, and last living Jedi. What can he do to train Leia and the children when the time comes?

What they don’t know is that an Imperial Grand Admiral has survived. They know the Empire still has loyalist planets, stormtroopers, Star Destroyers and other ships, but they don’t know that a gifted military strategist is rebuilding a fleet. Raids on Republic outposts look like mere harassment, but Grand Admiral Thrawn is working a long-term plan to bring every Republic planet to its knees, if not its grave.

Two things stand out about this novel. First, the characters sound like their movie representation. Some of that is probably fan-service, callbacks to movie dialogue, but it’s thrilling to read good characters in a good story. Second, it’s a solid story—coincidences or contrivances. Everyone has proper motivations, making reasonable decisions, and conflicting with each other naturally. At one point, the heroes get caught up in an Imperial raid, and they naturally conclude they’re being followed, but they aren’t. The bad guys were there for other reasons. No one acts like an idiot. No motivations shift inexplicably. And Luke comes through like a hero.

I’ll let you know how the next one goes when I get to it.

A Peaceful World, If You Can Keep It

O Thou Faithful Father in heaven, would that I could render unto Thee adequate thanks and praise for all the blessings Thou hast bestowed upon me during all the days of my life up to this hour, but this is not within my power and ability. For I am flesh and blood, which cannot but do wrong. Thou, however, dost daily grant me blessings without measure . . .

from A Lutheran Treasury of Prayers (CC BY NC ND 4.0)

My church tradition doesn’t encourage the use of liturgical prayers to mark the hours of the day, though I wouldn’t doubt some leaders would like to move us toward that and more awareness of the church calendar. Perhaps it’s impractical for modern believers. We have many ways to keep the time and many ways to remember the Lord throughout the day.

I begin with this because last week I finished The Book of the Dun Cow again–this time with friends. The heroes perform a supernatural duty unknowingly by marking the day with liturgical crows, specific canonical crows for Lauds, Terce, Sext, None, Vespers, and Compline. I say crows because this is a beast fable. The leader/pastor of this part of the world is the rooster Chanticleer.

It’s a marvelous story with great pacing, strong characters, and the moving theme that the everyday Gospel habits of ordinary church people keep the enemy bound.

Simply, the animals were the Keepers. The watchers, the guards. They were the last protection against an almighty evil which, should it pass them, would burst bloody into the universe and smash into chaos and sorrow everything that had been made both orderly and good.

I wrote about it the first time I read it a few years ago, so I’ll direct you there and move on to other links to share. A cool bit of trivia: The Book of the Dun Cow is the name of the “oldest surviving miscellaneous manuscript in Irish literature,” written on what some believe to be the hide of the cow of St. Ciarán of Clonmacnoise.

Star Wars: I’ve been sucked into YouTube reviews and reactions to the new Star Wars series The Acolyte. It started with World‘s review: “The investigation makes no sense, and the Jedi detectives are incredibly stupid. They ask all the wrong questions and dismiss the most obvious clues. The plot is full of holes.” And it followed by several YouTubers who would love to enjoy a good sci-fi show and don’t find it here. It’s discouraging. As I’ve said before, if the Tao of the Force means anything, it means the good stories will come back after the bad ones have their moment.

Science Fiction: SciFanSat, “an online magazine where imagination takes center stage,” has ten issues available.

Memoir: Professor Esau McCaulley says, “No book can replace the role that real friends and family members play in our lives, but books can change or inspire us. They can depict traits that we are drawn to emulate. They can help us imagine different futures when hope is in short supply.”

Faith: “Perhaps the emptiness of the culture of self in a time of tumult—war, economic anxiety, political instability—is causing many to turn once again to Christianity.”

Photo: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Lucas Doesn’t Like New Star Wars Stories

From what I’ve read about them, George Lucas’s original plan for eps. 7-9 of the Star Wars series would have been more like eps. 1-3. An ancient order of the Whills as a force behind the Force would be explored, likely through a thrilling sequence of talking, chin stroking, talking, and sitting.

Slashfilm has a little of what Lucas liked about plans and artwork for episode 7, but the movie didn’t develop in that direction. According to Disney CEO Bob Iger in his newly released memoir, Lucas didn’t like that direction.

When Disney bought the franchise and Lucas’s outlines for the new episodes, they stated their freedom to develop them as they wished. “George knew we weren’t contractually bound to anything,” Iger wrote, “but he thought that our buying the story treatments was a tacit promise that we’d follow them, and he was disappointed that his story was being discarded.”

Lucas wanted something new with each movie, but Iger and his team wanted something Star Wars, “to not stray too far from what people loved and expected.” He doesn’t directly disagree with Lucas, but I’m glad the sequel films are not more like the prequels.

I remember enjoying The Force Awakens; I reviewed like this.

No photo description available.

That pretty much sums it up without the slightest hint of a spoiler.

Could Skywalker be an Avenger?

Marvel’s creator Stan Lee says the people behind the Marvel cinematic universe want to make successful movies. If that means they think an ultimate fan-fic mashup like Star Wars and Avengers together will make a great movie, well . . .

“I created the Avengers by taking many of our characters and making a team out of them,” Lee tells The Big Issue. “We can have as many characters join the Avengers as we want to for future movies. That might be fun, all of a sudden Luke Skywalker is an Avenger!”

Heh. I mean, if we’re talking  fan fiction here, why not something like this?

And in news that’s not even remotely possible to be related, superhero sit-coms are coming.

Recovering a Star Wars Childhood

Star Wars play in the morning lightAndrew Barber says, “I don’t want Jedi; I want my childhood back.”

Thanks to Charles Taylor’s work A Secular Age, I’ve come to believe the most important question about big entertainment is not “what is this movie/videogame/album about?” but “what is it for?” I don’t think we need another article analyzing the nitty-gritty thematic details of Star Wars. It is a simple, well-told tale of good versus evil with memorable characters and mammoth effects.

What I’m interested in is the function of Star Wars. When thousands of fans line up outside of theaters on December 17 to see Star Wars: The Force Awakens (of which I will be one), what will it be for?

His post links to another one, reviewing a presentation of Charles Taylor’s A Secular Age with an application to the Star Wars prequels. What went wrong with those first three episodes added onto the well-loved space epic? Mike Cosper blames secularism.

The original trilogy, in all the ways it left questions open and invited imagination, in the way it used effects in a sparing way, was enchanted. It was an open world with questions to explore and a sense of the unknown. The prequels, then, made the mistake of disenchanting the world. The mysteries all had answers. Even the overwhelming presence of CGI has a “secular age” parallel: the overwhelming culture of production and consumption. When every moment is a visual feast, nothing is worth celebrating.

Dune at 50

Herbert was a quintessential product of the libertarian culture of the Pacific coast, self-reliant and distrustful of centralised authority, yet with a mile-wide streak of utopian futurism and a concomitant willingness to experiment. He was also chronically broke. During the period he wrote Dune, his wife Beverly Ann was the main bread-winner, her own writing career sidelined by a job producing advertising copy for department stores.

… The prevailing publishing wisdom of the time had it that SF readers liked their stories short. Dune (400 pages in its first hardcover edition, almost 900 in the paperback on my desk) was rejected by more than 20 houses before being accepted by Chilton, a Philadelphia operation known for trade and hobby magazines such as Motor Age, Jewelers’ Circular and the no-doubt-diverting Dry Goods Economist.

“By rights,” Hari Kunzru writes, “Dune ought to have become a big movie. An attempt by the visionary Chilean film maker Alejandro Jodorowsky to bring it to the screen became one of the great “what if” stories of SF cinema…. But Jodorowsky’s prog-tastic project was strangled in the crib by risk-averse Hollywood producers.”

But the story actually did make it to the big screen–as the movie Star Wars. “Herbert knew he’d been ripped off, and thought he saw the ideas of other SF writers in Lucas’s money-spinning franchise. He and a number of colleagues formed a joke organisation called the We’re Too Big to Sue George Lucas Society.”

Don't Blame Star Wars for Bad Summer Movies

Danny Leigh of The Guardian states it isn’t fair to say summer blockbusters are all terrible because of the legacy they have in Star Wars. He writes:

Blame Lucas, by all means, but let’s have a little more accountability all round: blame Francis Ford Coppola and Roman Polanski, too, for never regaining the majesty of The Godfather or Chinatown; blame the fractured way we access entertainment; blame the Weinstein brothers for helping to botch the resurgent interest in smart but populist cinema during the 90s; and, if we’re going to be thorough here, why not blame corporate studio ownership and mass consumerism as a whole?

Thanksgiving vignette

This happened at the Walker Thanksgiving:

My brother Moloch and his wife brought the Korean exchange student they recently acquired. His name is Han. (Or Hon. I never asked him to spell it.)

When he was introduced to one of my nephews, this bit of dialog occurred:

Moloch: “Han, meet Luke.”

Me: “I think I saw this scene in a movie once.”