Tag Archives: science-fiction

Things Napoleon Said and Award Censorship

February 17, 2024 philwade Leave a comment

May I share some quotes and marginalia from my old quotation book with you today?

Cervantes said in Don Quixote, “There are no proverbial sayings which are not true.”

To say, “a man has an axe to grind,” first appeared in print in “Essays from The Desk of Poor Robert the Scribe” by Charles Miner, published in 1811 in the Wilkesbarre Gleaner, a Pennsylvania newspaper.

Another phrase, that sounds out of fashion to me, is “to mix with brains.” English portrait painter John Opie was asked what he mixed his colors with. He answered, “I mix them with my brains, sir.”

During a debate, when one of Phocian the Good’s (402-320 BC) statements stirred up applause of the audience, he asked a nearby friend, “Have I inadvertently said some evil thing?”

Napoleon (1769-1821) has these words attributed to him (without sources):

“Imagination rules the world.”
“I made all my generals out of mud.”
“There are two levers for moving men–interest and fear.”
“Four hostile newspapers are more to be feared than a thousand bayonets.”
“Independence, like honor, is a rocky island without a beach.”

Greek general Aristides (530-468 BC) said, “The Athenians will not sell their liberties for all the gold either above or under ground.”

And, finally, the Stoics had this proverb, according to Plutarch: “The good man only is free; all bad men are slaves.”

Do all of those right true? They aren’t all proverbial, so we could cut them a bit of slack. What else do we have?

Volcanos: Seven years after Vesuvius erupted, a Jesuit priest climbed it to make his observations. “I thought I beheld the habitation of hell.”

Books: Simon Leys asked, “Are books essentially useless?” Well, they aren’t food.

Sci-Fi Award Censorship: The Hugo Awards are being held in China this year and some notable works were declared ineligible without explanation. Authors conjecture the Chinese government is to blame. Two members of the nomination board have resigned in response.

Photo: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Blogs, Socials, Fiction

No Fear of Sleep, the Internet Gone to Pot, and Hollywood Noir

July 1, 2023 philwade Leave a comment

Lee Yong-ju’s 2021 film Seo Bok is a standard sci-fi thriller about a cloned man with telekinesis. It opens with an ex-secret service agent, Min Gi Heon, being offered an outside job, one that’s dangerous enough to require deniability if it goes wrong. He’s asked to deliver an asset, and when he arrives at the lab to pick it up, he learns the asset is a young man, Seo Bok, whom the scientists introduce as undying. He is a lab-created human being who will not die if properly cared for. They say his cells are the key to healing many, if not every, human disease. Not only that, his brain waves are off the charts, enabling him to push and guide material around him. But, what could go wrong with that, eh?

I could tell you more of the plot, but I bring up this movie because of a couple minutes that appear right before the final act.

At one point, Seo Bok reveals he doesn’t need to sleep. Later, when exploring part of his backstory, he and Gi Heon go to a Christian mausoleum. With several crosses on the walls and light shining through stained glass, Seo Bok asks, “Do you believe dying is really like sleep?”

“Maybe,” Gi Heon replies.

“Then how come people aren’t afraid of falling asleep? It’s like dying a little while.”

“Because they’ll wake up the next day.”

“How do they know that?”

“They just believe it. They believe they will wake up in the morning.”

In the context of the story, that dialogue had me wondering if this was the seed for the whole. The scientists think they’ve created a cure for disease and even natural death in one man, and in the mausoleum another man suggests we can wake up after death if we put our faith in the cross. It’s subtle but stands out as the moral of the film.

Let’s move on.

Internet: 30 Signs You Are Living in an Information Crap-pocalypse. Here are the first two.

“Create a society that rewards influencers more than truth-tellers—and turn every digital platform, large or small, into a boosting pad for these influencers.
“Make plagiarism, cheating, and deception totally acceptable, so nobody gets fired from a media job, even for the most egregious violations of journalistic ethics.”

Also from the signs above, over 33% of people hired to train AI for better, more truthful output are using AI software to do the training faster, folding in errors that will be baked in if they aren’t removed soon enough.

Democracy: “This spring marks the 30th anniversary of the paperback release of Francis Fukuyama’s controversial book, The End of History and the Last Man.” How has his argument that democracy had and would continue to win over world civilizations panned out?

Hollywood: Brian Patrick Eha recommends the work of Alfred Hayes. “Money promises to give substance, in Hayes’s novels, to those without it; for those with it, though, material wealth proves unsatisfying, even oddly insubstantial. The vast sums that flow from the movie business have a ‘phantasmal quality.’ . . . Laboring for America’s dream machine, his men and women are made to bear, in the end, too much reality.”

(Photo by Hammad Siddiqui on Unsplash)

Fiction, Reviews

Out of the Soylent Planet by Robert Kroese

May 16, 2023 philwade 3 Comments

“You know what’s good for adventures,” asked Rex Nihilo, apparently sensing an opportunity to make a sale. “Malarchian military grade plastic explosives. I’ve got a whole hovertruck load.”

“We don’t need any explosives,” said Uncle Blauwin.

The boy looked like he was going to cry. “First you won’t let me go into town to get energy fluxors and now you won’t let me have any military grade explosives. I hate you and this gosh-darned desert planet!”

Communication is about context, and comedy is about context, which means all communication is comedy. That, kids, is logic.

In this prequel to the sci-fi comedy Starship Grifters, if you’re familiar with a general sci-fi context, you’ll get the jokes–the more familiar, the more jokes. Mm, the smell of logic just gets you in the eye, doesn’t it?

A few years ago, I blogged on the second book in this series, Aye, Robot, and I found Out of the Soylent Planet to be a funnier story. The con man Rex Nihilo attempts to unload a truckload of plastic explosives, fails, rolls to plan B, fails, and then finds himself unloaded onto an isolated planet that’s locked down so tight even cans of creamed corn are contraband. The planet is mostly barren. Its civilization is built around producing an artificial nutritional substance called Slop. “It’s not food. It’s Slop!” Since readers would be thinking Slop is made from people, our heroes come across a corporate video that neatly explains that rumor away.

Rex and his robotic Girl Friday, SASHA, go through several silly romps and clever escapes. And explosions. Lots of explosions. Good fun.

I listened to the J.D. Ledford audiobook version, which added to the comedy with good timing and particular word emphases. I laughed aloud many times.

Blogs, Socials, Bookselling, Publishing, Reading

One War Began a Year Ago, And Bots Are on the Way

February 25, 2023 philwade Leave a comment

**The Brandywine Tradition**: “A Wolf Had Not Been Seen at Salem for Thirty Years,” an illustration by Howard Pyle for *Harper’s Monthly*, 1909.

Ukraine: February 24, 2022, was the day Russia invaded Ukraine. Yesterday, Polish Prime Minister Mateusz Morawiecki five lessons Western countries should take into the coming years.

The distance from Kiev must not be used to appease our conscience. I am sometimes afraid that the West is indeed populated by many for whom having a lunch in a favourite caffe or watching a Netflix series is more important than the lives and deaths of thousands of Ukrainians. We can all see the war happening. No one will be able to claim that they did not know about the genocide in Bucha. We are all watching the atrocities being committed by the Russian army. This is why we must not be indifferent. Russia’s imperial plans go beyond Ukraine. This war concerns us all.

Art-Intel: Lincoln Michel notes ChatGPT doesn’t have to generate good writing to cause problems for writers. The sci-fi/fantasy magazine Clarkesworld stopped taking submissions this week after receiving a glut of AI-written submissions. They shared a graph on Twitter of the number of users they’ve banned from submitting since 2019. Just eyeballing it, they seem to have averaged only a handful per month. This month, they banned over 500.

Art-Intel: Amazon is selling AI-written shlock on its Kindle store, books that may or may not acknowledge ChatGPT as an author. Reuters describes one YouTuber who is selling his e-book for $1. “In the video, White says anyone with the wherewithal and time could create 300 such books a year, all using AI.”

In completely unrelated news, the U.S. Copyright Office has decided it won’t copyright AI-generated images. “To justify the decision, the Copyright Office cites previous cases where people weren’t able to copyright words or songs that listed “non-human spiritual beings” or the Holy Spirit as the author — as well as the infamous incident where a selfie was taken by a monkey.”

Publishing: Roald Dahl’s publisher has announced it will also publish the author’s original text in a new Classic Collection after publishing its bowdlerized one (HT to Lars for reminding me of the word “bowdlerized”).

Reading: Is it better to have a reading plan, like the great classics starting with Homer, or to read as chance would have it? “My reading has always been happily chaotic, governed more by whim than central planning.”

Fiction, Reviews

What Would You Do If You Could Become Invisible?

August 16, 2022 philwade Leave a comment

Heist movies have many examples of criminals slipping into a crowd and becoming essentially invisible. Either there are too many similarly looking people to spot the ones the cops want or there are too many people period. Without an identifier of some kind, the criminals have gotten away without consequences, at least for the moment.

In H.G. Wells’s The Invisible Man, a gifted chemist works out his theory for making things invisible. Recklessly, he applies his experiment to his own body and becomes an inhuman and invisible man.

His glassy essence, like an angry ape
Plays such fantastic tricks before high heaven
As makes the angels weep.
“Measure for Measure” Act 2, scene 2

When the invisible man tells his own story, you see his arrogance runs deep. He attempts to live without any social obligations, taking food or clothing for himself without payment, assuming these things would simply disappear like he has. He quickly learns it won’t work that way, because he isn’t an incorporeal ghost; he’s a naked man that no one can see. If he weren’t such a hot-tempered fool, he might have worked more methodically and converted a set of clothes into invisibility before converting himself.

After a few months of experimental living as an invisible man, the chemist wants to terrorize people. He wants to pursue his scientific interests without having to earn anyone’s favor or deal with normal social pressures. He probably blames his father, his old boss, and all of his research colleagues for his jaded view of the world, but I think Wells may intend these people to represent everyone. There are no contrasting noble characters in this story. Even the chemist’s closest friend may have been just as self-seeking as everyone else.

Wells provokes readers to ask what anyone would do if he or she could be invisible, or to put it another way, what would you do if there were no consequences to pay? Would you plagiarize? Steal someone’s research? Slander someone’s character to get rid of them?

Photo by Dim Hou on Unsplash

Blogs, Socials, Publishing, Reading, Uncategorized

Sci-Fi Resurgence, a Publisher Drives off the Road, and Truth-telling

June 4, 2022 philwade Leave a comment

I listened through Out of the Silent Planet the other day, because I’ve been reading That Hideous Strength with friends for a few months and we took a couple weeks off for multiple reasons. It’s a fun adventure that spends a good bit of time on details like the space ship and experiencing interplanetary travel with a Wells or Verne feel. It would probably make a good launchpad for discussing Lewis’s ‘scientific’ observations in contrast with current views. Science is always changing, always correcting itself or arguing over what is correct.

You could also walk away from that book with idea that submitting to God could be a very big deal. Or you could be thinking, “Words are cool.”

Here are a few, loosely related links.

Off-road: Professor Christopher Yuan notes a troubling bent in a post yesterday from theological publisher Eerdmans. Recommending reading for this month, the publisher of the theology text I used in college says, “We find ourselves at a time again where we should be willing to listen and seek to understand those in the LGBTQ+ community who are simply fighting to be seen and heard, cared for and loved.” Yuan sees this as a sign the once theology powerhouse has steered in the direction of declining mainline denominations everywhere.

Yuan’s own book on sexuality would be more insightful than any of these.

Reading Life: “[Dana] Gioia describes his ‘odd and bookish’ childhood growing up in a working-class family in Los Angeles. . . My parents never knew what to make of a kid obsessed with books.”

Interplanetary: Space opera is resurging. “Typically seen as (and often being) the least literary form of SF, space opera hasn’t gone out of style since Buck Rogers began battling galactic evils in the 1920s and ’30s . . .” (via ArtsJournal)

Children Should Know the Truth: We shouldn’t keep life realities from our children by pretending everything will be okay. “It is likely that today’s children will inherit a world more violent and more precarious in every way than the one experienced by post–Cold war generations. The belief that everything will be all right was always a recipe for fragility; now it is simply a fantasy.”

Photo: Smalley’s Jewelry Store sign, Ogden, Utah 1980. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Authors, Blogs, Socials, Goofing, Poetry

When ‘Brunch’ Was New, the Limits of Science, and Worthless Commercials

May 14, 2022 philwade Leave a comment

Something inspired me to look up a distinct definition for the word brunch the other day, and I happened upon this piece from Punch magazine in 1896. Merriam-Webster says the earliest brunch is believed to have appeared in print in 1894, and this aligns with that claim.

“According to the Lady, to be fashionable nowadays, we must “brunch.” Truly an excellent portmanteau word, introduced, by the way, by Mr. Guy Beringer, in the now defunct Hunter’s Weekly, and, indicating a combined breakfast and lunch. At Oxford, however, two years ago, an important distinction was drawn. The combination-meal, when nearer the usual breakfast hour, is “brunch,” and, when nearer luncheon, is “blunch.” Please don’t forget this.

Tis the voice of the bruncher., I heard him complain,
“You have waked me too soon, I must slumber again!
When the clock says it’s 12, then perhaps I’ll revive,
Meanwhile, into bed, yet once more let me dive!

“The last meal I had was 3:00 AM.;
I’m a writer, so please don’t such habits condemn!
This cross between supper and breakfast I’ll name,
If you’ll let me, a ‘suckfast’ –and ‘brupper’ ‘s the same!”

It goes on to lesser effect. What else do we have?

Lewis on Science: C.S. Lewis understood the limitations of science better than many scientists. Michael Ward writes:

What is frost to someone who has never encountered it? What is a degree of frost? Ordinary language would be more helpful in explaining the situation: “Your ears will ache … you’ll lose the feeling in your fingers” etc. The word numb will convey more than any number.
However, what Keats tries to convey in his poem can’t be rendered as a thermometer reading. It is not univocal or universal; we can’t translate his poem into, say, Japanese without loss or at least alteration. And yet if we want to know just what it feels like to go outside and breathe the bitterly chill January night air, Keats paints for us a very vivid and sensible picture. He communicates knowledge to us that the ordinary and scientific ways of speaking leave out.
In other words, poetry is a kind of knowledge, and since knowledge is a synonym for science we could quite legitimately say – if we wanted to – that poetry is a branch of science.
“Numb and Numb-er,” by Michael Ward, Plough.com

Lewis on Science-Fiction: Lewis wrote about science-fiction a good bit and broke it down into several genre categories.

Poetry: How Fame Fed on Edna St. Vincent Millay

And this video by Rachel Oates, “Atticus Is Everything Wrong With Modern Poetry,” is an amusing criticism of a published writer who appears to have turned his Instagram posts into a paper-published thing.

Commercials: “If I were endowed with wealth, I should start a great advertising campaign in all the principal newspapers. The advertisements would consist of one short sentence, printed in huge block letters — a sentence that I once heard spoken by a husband to a wife: ‘My dear, nothing in this world is worth buying.’ But of course I should alter ‘my dear’ to ‘my dears.’”

Photo: The Big Shoe, Bakersfield, California. 2003. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Fiction, Non-fiction

How Landing on the Moon Changed Us

July 18, 2019 philwade Leave a comment

We once thought nothing was in the heavens, at least nothing like what we saw around us. We didn’t see the moon as a destination of any kind. Joseph Bottum says that began to change after the Renaissance. Authors used the moon as a metaphor for their own commentary for a while; later sci-fi authors explored how we could get there and who might meet us. Before the moon landing, authors told new stories of an uninhabited moon.

But after the 1969 moon landing, the expectation shifted again—to the notion that now we would see a rapid expansion of human settlement out into the solar system. The moon would be a pawn in interplanetary politics, a hostage in the fight between such dominant powers as Mars and the moons of Saturn. . . . That space mission 50 years ago—Neil Armstrong and Buzz Aldrin moonwalking on July 20, 1969—felt to science-fiction writers mostly a precursor, a first step, to the planets beyond.

Image by Ponciano from Pixabay

Fiction

A Literary History of Sci-Fi

June 28, 2018 philwade Leave a comment

Jules Verne speaking of H.G. Wells: “I go to the moon in a cannonball discharged from a cannon. Here there is no invention. He goes to Mars [sic] in an airship which he constructs of a metal which does away with the law of gravitation. Ça c’est très joli…. But show me this metal. Let him produce it.”

“In this put-down of one of the ‘Fathers of Science Fiction’ by another,” writes Alexi Sargeant, “we see the future of the field.”

Long before anyone coined the terms “hard sci-fi” and “soft sci-fi” or used them as badges of pride or disparaging slurs, long before the “holy war” between old school pulp and the ’60s era New Wave, we have this demand from the cranky old school to the squishy new school: “Show me this metal.” Wells, whose social activism permeated his fiction, would no doubt claim that Verne was rather missing the point. But what becomes clear from a survey of science fiction’s history is that, if there’s one thing these authors love more than cosmic wonder and terror, it’s petty fights about what constitutes “real” science fiction.

(via Prufrock News)

Brandywine Books

Tag Archives: science-fiction

Out of the Soylent Planet by Robert Kroese

Like this:

What Would You Do If You Could Become Invisible?

Like this:

How Landing on the Moon Changed Us

Like this:

A Literary History of Sci-Fi

Like this:

Book Reviews, Creative Culture

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Book Reviews, Creative Culture