Religion

Did OT Writers Misunderstand God’s Kindness?

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In his two-volume book, The Crucifixion of the Warrior God: Interpreting the Old Testament’s Violent Portraits of God in Light of the Cross, [Greg] Boyd argues that such “violent” injunctions come from the “textual” God of the misguided ancient Near Eastern biblical author with his fallen, violence-prone worldview (“thus says Moses/Joshua”). These aren’t instances of “thus says the Lord”—the “actual” God whom Jesus represents. Boyd’s “cruciform” hermeneutic emphasizes how the character of God is displayed in the power-surrendering, non-violent, self-giving Christ on the cross. If this is what God is really like, then we must rethink how we view violent OT texts—and even certain New Testament (NT) passages.

This is our author Paul Copan summarizes the book he reviews, telling us what its author intends. He presents Boyd’s points in brief and then criticizes each one.  I’d like to add my own thoughts to Copan’s, but I know nothing compared to what he has written, so go read it yourself.

If anything, Boyd should chastise the redeemed martyrs, who are actually petitioning God to “judge [krineis] and avenge [’ekdikeis] our blood” (Rev. 6:10). Indeed, he should oppose the satisfaction of “heaven . . . and you saints and apostles and prophets” at God’s just judgment: “Rejoice over her . . . because God has pronounced judgment [’ekrinen . . . to krima] for you against her” (Rev. 18:20). That believers shouldn’t take personal vengeance, but to call on God to bring judgment, is anchored in both Testaments and in Jesus himself.

Fiction, Reading

Blogging through LOTR: The Return of the King

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The Return of the King

I’ve finished the narrative of The Return of the King (I’m going on to the appendices now, because, hey, they’re there). Here are a few things that struck me.

‘There is no real going back,’ [said Frodo]. ‘Though I may come to the Shire it will not seem the same, for I shall not be the same. I am wounded with knife, sting, and tooth, and a long burden. Where shall I find rest?’

There’s one of the clearest examples of the effect of the “Great War” on Tolkien’s narrative. Surely something like that was the experience of every combat soldier going home – the strangeness of returning to a familiar place, but finding you somehow don’t fit anymore. The average veteran accustoms himself to it after a while, but (as I am told) the wounds never entirely heal. One always feels something of an outsider, the carrier of a dark secret. Continue reading Blogging through LOTR: The Return of the King →

Coffee, Tea, Drinks

Greenlandic coffee

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This recipe for Greenlandic coffee claims to be “the whole of Greenland in one mug.” See the recipe presented in video from CNN.

Chris Scott says, “The drink is usually served after dinner along with a local legend or a tale about the Inuit people’s closest thing to a deity — the Mother of the Sea.”

Fiction, Reading

Blogging through LOTR: Eucatastrophe

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The Fellowship of the Ring

I’m nearing the end of The Return of the King, and I’m kind of overwhelmed. I’m not sure how many times I’ve read the trilogy – no less than six, I’m sure. But I’d forgotten how good it is, especially as the threads come together toward the climax.

I’d remembered Frodo’s and Sam’s trek from Cirith Ungol to the Crack of Doom as taking up more pages than it does. In memory it’s a long narrative, but in the book it actually constitutes a fairly short section. I mean that as praise to Tolkien’s skill – he leaves a strong impression of weary and hopeless trudging that looms large in memory.

As I read the climactic passages describing the defeat of Sauron, sobs shook my diaphragm and tears welled up in my eyes (which was a little embarrassing because I was on a reclining table giving blood at the time). Lewis called LOTR “Good beyond hope,” and I wonder if anything as good of its kind has ever been written before – or ever will be again. Can I myself ever hope to come close?

I thought of the many children of this world who love these books. How can they bear it? How can they experience that joy – Tolkien’s eucatastrophe – and then return to the mundane world, believing that the promise of Middle Earth is just a cheat? That there will never be a true happy ending like that for them? That real life is only a descent through pain and disappointment to death, with a few bright moments which are in themselves just false promises of a happiness that can never be?

Ah well. I suppose they deal with it as best they can. The Lord of the Rings is really about not cutting down trees, after all, they believe.

Authors, Writing

“How Being a Librarian Makes Me a Better Writer”

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Nautilus Library

Via Dave Lull, an article from Literary Hub. Xhenet Aliu explains how writing makes her a better writer:

A natural-language user might type into a search engine “hospital rubber tube blood infection,” and the information pros who index articles would have had to predict that “rubber tube” might, in this context, equal catheter and return articles like “Infection prevention with natural protein-based coating on the surface of Foley catheters: a randomised controlled clinical trial.” There’s not a whole lot of zing in a title like that, but there is a lesson in how it was retrieved; aren’t writers also responsible for intuiting miscommunicated needs, and articulating that which has been insufficiently expressed? Bad writing ignores natural language in favor to chase the artificial zing, which is what makes purple prose so offensive—instead of using language to facilitate access to meaning, it obscures it with yet more imprecision. Good writing understands and respects natural language, and it considers it in its responses. It’s for the best that writers aren’t paid by the syllable.

Fiction, Reviews

‘Death Comes for the Deconstructionist,’ by Daniel Taylor

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Death Comes for the Deconstructionist

Dr. Pratt helped me see that I had simply left one fundamentalism for another. I had moved from relying on Holy Writ to relying on Holy Reason, and the difference between the two was far less radical than I had thought. Both assumed a stable, knowable world. Neither, therefore, understood that the god of this world is Proteus, the shape-changer, giver of multiplicity.

Years ago, I read a book called The Myth of Certainty, by Daniel Taylor, who taught at Bethel University (it may have still been Bethel College in those days) in St. Paul, Minnesota. It was a controversial book, attracting critics and defenders. After finishing it I was definitely in the camp of the critics. The message of the book (so far as I understood it) was, “We can’t say that anything is absolutely true. We can only say that it’s true for us, personally.” It seemed to me a direct attack on the philosophy of Francis Schaeffer (in fact a fictionalized Schaeffer surrogate appears in the book). I believed then, and still believe, that if we can’t make a claim to absolute truth, we might as well drop all our church work except for acts of charity.

I didn’t realize until I had downloaded Daniel Taylor’s Death Comes for the Deconstructionist that it was by the same guy. But I figured I’d give it a chance. I’ve enjoyed many novels written by authors with whom I have philosophical disagreements.

I’m glad I did. This is a splendid Christian novel.

Jon Mote’s life is falling apart. Once he was a promising English scholar, but he dropped his doctoral studies when he clashed with his mentor, the distinguished Deconstructionist professor Richard Pratt. Now he lives in squalor aboard a small houseboat on the river in St. Paul. He makes a tenuous living doing research for law firms. His divorce from his wife is nearly final. And, oh yes, he hears voices in his head, goading him to self-harm.

His only anchor is his sister Judy, who lives with him. She is mentally retarded, and serenely clings to all the verities Jon abandoned long ago. She loves Jesus and she loves her brother.

Recently Dr. Pratt was killed, found dead with a stab wound on the sidewalk below his hotel window. Dr. Pratt’s widow calls Jon and asks him to investigate the crime. The police, she believes, are making no progress, and Jon’s familiarity with her husband’s world and professional circle might give him insight. Continue reading ‘Death Comes for the Deconstructionist,’ by Daniel Taylor →

Fiction, Reviews

‘The Wanted,’ by Robert Crais

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The Wanted

A new book in a beloved series is like a reunion with old friends. If there are no big surprises, who cares? It’s the little surprises that make it delightful.

In his latest Elvis Cole/Joe Pike novel, The Wanted, Elvis’s new client is Devon Cole, an ordinary single mother who’s deeply worried about her teenaged son Tyson. Tyson was always shy and awkward, so she was happy when he made friends in his new school. But now he’s started to wear clothing he can’t afford, and he’s sporting a Rolex wristwatch she’s pretty sure is the real McCoy. She also found a large amount of cash in his room.

Making the usual inquiries, Elvis is surprised to get pulled up short by the police. They’re seeking a gang of burglars who are hitting upscale homes, and they want to know what Elvis knows. But neither Elvis nor the police realize that young Tyson is already the most wanted person in LA – wanted by a couple of ruthless, psychopathic hit men who will not hesitate to torture and kill anyone they think possesses information that will lead them to the thieves. The whole thing could be sensibly handled through cooperating with the police, but Elvis soon learns that Tyson – and his loopy, thrill-seeking new girlfriend – have no interest in being sensible. Elvis will need all his own skills, plus the deadly skills of his taciturn, dangerous partner Joe Pike – to get the kids out of this mess alive.

The plot of The Wanted is pretty much what you’d expect, but that’s beside the point. As with every Robert Crais novel, the pleasure here is the small surprises, hidden within the living, many-faceted characters. Nobody here is made of cardboard – even the two stone killers have intriguing interior lives.

I highly recommend The Wanted. Cautions for language, violence, and adult situations.

Fiction

Aye, Robot by Robert Kroese

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I too have read a novel by Robert Kroese recently. It seems to be closer to the vein of Kroese’s other novels than perhaps The Dream of the Iron Dragon is, judging by titles and Lars’s review alone.

Aye, Robot is the latest in Starship Grifters series. It’s the second of three, the prequel, Out of the Soylent Planet, being published after its release. A few dialogue lines refer to previous events and none of the main characters need reintroduction, but it stands on its own.

  “Don’t be ridiculous,” snapped Rex. “What’s my name?”
“Rex Nihilio,” I said.
“And what’s my occupation?”
“You’re the self-described ‘greatest wheeler-dealer in the galaxy.'”
“Correct,” said Rex. “It sounds better if you leave off the ‘self-described,’ though. What’s your name?”
“Sasha.”
“Which stands for what?”
“Self-Arresting near Sentient Heuristic Android.”

Sasha, the narrator of the story, tells us the space grifter Rex Nihilio is reckless enough to need someone to hold him back (or get in his way) so he doesn’t get killed while off on a wild hair. That’s where she comes in. She begins by wondering about loss of memory, because she realizes nether she nor Rex can recall details of their actions from minutes before the conversation above. Plus Rex is acting generously, completely out of character for him.

They quickly fall into trouble through Rex’s new behavior patterns and just as quickly go from fryer to fire as something very big watches them from the shadows. As their adventure continues, they run afoul common criminals, Space Apostles, and the Malarchian government’s worst law-enforcer, Heinous Vlaak.

The story leans more light-hearted crime novel than full-throated comic. Most of the comedy comes in funny names and misused words. Nothing dark. Gullible stooges get their just desserts. It’s all good. I enjoyed it. One of my children did too, but a younger one didn’t get it.

Also included in this book is the novella, “The Yanthus Prime Job,” another light-hearted crime story with one of the characters we meet in the main story. It raises questions about how we treat those we deem unimportant.

Uncategorized

Pronouncing Old Norse names

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I haven’t yet posted any links to Prof. Jackson Crawford’s videos. I have not viewed as much of his stuff as I probably should have, but what I’ve seen impresses me very much. In this short one he tells us how the Vikings pronounced a number of names of gods and mythological characters. If you’re wondering whether I pronounce them that way, no, I confess I don’t. But it’s good to learn.

Have a good weekend.

Fiction, Reviews

‘The Dream of the Iron Dragon,’ by Robert Kroese

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The Dream of the Iron Dragon

I was offered a free copy of Robert Kroese’s The Dream of the Iron Dragon, and I figured it’s a space opera with Vikings, I’ll give it a shot. I found it an entertaining read.

It’s the 23rd Century, and earth is no longer habitable. An alien enemy called the Cho-ta’an destroyed the planet, and now humanity survives on a handful of scattered earth-like worlds, grimly awaiting the day when the technologically superior Cho-ta’an will finish the job.

The Andrea Luhman is a small scouting ship, sent out to hunt for new habitable planets. They are not prepared for a mysterious message, sent from an unlikely ally who offers them a doomsday weapon that could turn the whole war around.

Soon they are racing home, pursued by a Cho-ta’an ship. A desperate maneuver sends them back in time, to earth in the 9th Century, and they crash-land in Norway.

King Harald Fairhair is at that point consolidating his unification of the country. The space people soon find themselves caught up in the resistance, using their rapidly diminishing weapons and ammunition, plus their technological knowledge, to help a chieftain in his campaign to avenge himself on Harald.

The Dream of the Iron Dragon is pretty good. I’m not personally a big fan of space opera, but I judge this pretty much the kind of optimistic military sci fi story Baen Books fans would welcome. As for the Viking elements, they could be worse. There were some errors – especially toward the end – but author Kroese has clearly done some serious research, and he manages to craft a plausible Viking world.

First of a trilogy. Recommended, with cautions for language and violence.

Book Reviews, Creative Culture