Justin Taylor recommends we read the short stories of Harlem Renaissance poet Langston Hughes.
“If racism and race-based slavery was America’s original sin,” Taylor says, “Hughes demonstrates that racism and the legacy of slavery were alive and killing us in the middle of the last century.”
But for a winter of heartache, we can still see a spring of hope.
“For Hughes, humanity—sheer cussed humanness—is always breaking out and defying the lies of the racialist.”
Today was an unusual day, but not a bad one (which was fairly surprising. To me, it’s an axiom that Change is Bad).
I had to take a half vacation day, because it was the seasonal feast of the Sacred HVAC Inspection. The spirit of Natural Gas must be appeased, lest he smite the firstborn (that’s me) with carbon monoxide poisoning. Because this solemnity requires carving out a whole afternoon for the sake of about a half an hour of actual service, I figured I could do some writing. Somewhat to my surprise, I did.
My latest book is a challenge. I don’t know if I just got out of the habit of novel writing during my 2 ½ year detour Through the Looking Glass (i.e., in academia), or if I’m just getting old, my eye dimmed and my natural force abated.
But this week has been good. I’m facing one of those plot intervals that I hate. You’ve got a Big Event coming up (in this case an actual historical event that I can’t move around), and a space of time to fill leading up to it. Various plot threads need to be developed in that space, but it’s like building a bridge across a broad canyon – there’s a big space to fill and not a whole lot of attachment points.
But I’ve been working manfully on bridging that space this week, and – not easily, but steadily – I’ve been making progress. “Having once got my method by the end,” as John Bunyan said, “then ever as I pulled, it came.” The pulling can be hard, but the story is coming. And I think some of the stuff isn’t bad.
I’ve got a long way to go, though.
I’m glad we’re talking about refugees, immigration, and what loving our neighbors means in practical terms. I hope all of this becomes perpetual opportunities for the gospel, the life-transforming gospel, not just some shell of good wishes.
On Sunday in New York, a large group met at the Jewish Heritage Museum to read from Elie Wiesel’s Night to remember the Holocaust at the same time other New Yorkers were protesting the US administration’s policies on immigrants from terror-watch countries.
“By the end of the [Rwandan] genocide I lost my entire immediate family, my parents, my siblings, most of my family members,” Jacqueline Murekatete told the audience. “As any child of that time, I witnessed a lot of horrors, people being killed around me and losing my family…but I was fortunate that I had an uncle that lived here [America].
She said Wiesel inspired her as a teenager. Night “became a catalyst for the genocide prevention work that I do now.”
There cannot be a 1:1 comparison between Holocaust or Rwandan genocide and what is happening in Syria and other countries. We live in a different world now. I could understand if President Trump were to say, “We are working very hard to provide safe passage to select Syrian communities who are being targeted and have nowhere to run, because frankly, people, we went over there and made a huge mess, a gigantic, stupid mess.” But that’s not his stance today for reasons that should be completely understandable to everyone. There are enemies among us.
But perhaps Wiesel would not agree. In his Nobel acceptance speech, he said,
Silence encourages the tormentor, never the tormented. Sometimes we must interfere. When human lives are endangered, when human dignity is in jeopardy, national borders and sensitivities become irrelevant. Whenever men or women are persecuted because of their race, religion, or political views, that place must—at that moment—become the center of the universe.
I’m weary of the world tonight. Can’t think of anything to write that I wouldn’t regret tomorrow.
So here’s the latest trailer for the new Russian Viking movie. My reenactor friends complain that the costumes aren’t accurate, but in my view they look punctilious compared to the costumes on the History Channel.
The latest news I’ve seen says international rights have been sold, but there’s been no announcement of a US release date.
I am manifestly on record as mistrusting a) books by women (in my experience they tend to do male characters badly), and b) modern Christian fantasy books (because by and large they are amateurish).
The Unexpected Enlightenment of Rachel Griffin by L. Jagi Lamplighter is both. And I loved it.
So sue me.
A kind of cross between Harry Potter and The Chronicles of Narnia (with just a tincture of Jane Austin), The Unexpected Enlightenment takes us to a world where, familiarly, a school of sorcery exists out of sight of the ordinary (here called Unwise) world. But there are differences – one being that, although the culture is recognizably like ours, nobody has ever heard of monotheism.
Rachel Griffin is the daughter of an English duke who is an important official in the Magical World. She is sent to Roanoke Academy for the Sorcerous Arts, which exists invisibly on an island in the Hudson River in New York. Rachel is a gifted child, younger than the other freshmen. She has never had serious friends, and dreams of acquiring real ones, like in the books she reads. She also hungers for knowledge – any and all knowledge. One of her gifts is a photographic memory.
At Roanoke she does make friends – and some Mean Girl enemies. Her friends include an Australian (!) princess, a boy who slew a dragon and sleeps on a bed of gold, and an aspiring reporter. Rachel’s memory gives her an advantage most magicians lack – when she reviews her memories, she can see invisible things that she missed the first time through. By means of this power, she is able to identify sinister, magical activities, and manages to save a friend from an assassination attempt. Trying to figure out the reason for this crime sets her on an investigation of mysterious currents moving beneath the surface of the school’s day by day activities. Eventually she realizes that something very big and very bad is being planned by someone… even as she falls for a handsome upperclassman… who may be evil. Continue reading ‘The Unexpected Enlightenment of Rachel Griffin,’ by L. Jagi Lamplighter
Mark Seidenberg says if you want to read well faster, you should ignore the speed reading people tell you. “The injunction to take in whole lines, paragraphs, or pages cannot be achieved by the human visual system, short of growing additional cells on one’s retina.” (via Prufrock)
Is it possible to be a great writer without being a good writer? I guess it depends on what you mean by great and good.
I consider Robert E. Howard one of the great fantasy writers, on a level lower than Tolkien but higher than most of the others. And yet his writing has many, many weaknesses. The whole, however, is greater than the sum of the parts.
Like most Baby Boomer Howard fans, I first discovered Conan – warrior, thief, pirate, mercenary, and king – through the old Lancer series of paperbacks, most of them with amazing Frazetta covers. That series printed all the Conan stories in what the editors considered proper biographical order. What purists don’t like about them is that the publishers, sensing a cash cow, padded the series out. Unfinished Conan stories were “completed.” Non-Conan Howard stories that could be wedged into the timeline were rewritten to make them Conan stories. And they added pure pastiches done by the editors.
This present collection, Conan the Barbarian, takes a bibliographical approach. All the Conan stories published in Howard’s lifetime are here, in the order published. That means that we begin with two stories of Conan at his pinnacle, as king of Aquilonia, then turn aside to a number of stories about his earlier adventures, and finally conclude with the novel The Hour of the Dragon, a last tale of King Conan (and in my opinion the best Conan story). The collection concludes with Howard’s essay, “The Hyborian Age,” in which he explains the rise and fall of the imaginary prehistoric world in which Conan lived, loved, and slew. Continue reading ‘Conan the Barbarian,’ by Robert E. Howard
The refugee issue is one that perplexes me. I recognize the Christian duty of hospitality, and the Old Testament injunction to welcome the stranger and the sojourner.
But I’m not entirely sure the biblical situation is exactly analogous to our own. I’m not sure the Lord intended the Israelites to go out and bring in thousands upon thousands of Amalekites. And I’m pretty sure He never meant the welcome to expand to the point it has in Europe, where the strangers and sojourners are inexorably replacing the indigenous people.
I could be wrong, of course.
But what really surprises me is the liberal Christians I see on Facebook, who post Old Testament verses in support of their position.
Wh-what?
These are the same people who, for decades now, have been telling me that if I appeal to the Old Testament on any moral issue, I’m rationally obligated to stone people to death for wearing blended fabrics.
Have they noticed that they’ve just demolished 75 percent of their religious argument for homosexual marriage?
Years ago, a friend of mine told me he’d met Mary Tyler Moore in connection with his business. I realized at that point that that was pretty much my personal definition of Making It In Life – getting to meet Mary Tyler Moore. I never did, of course.
I remember when the Mary Tyler Moore Show began. I was away at college, and I’d read in the paper that she was doing a situation comedy set in Minneapolis. “Well that’s bound to bomb,” I said. “Nothing set in Minnesota ever succeeds. Look at the Twins.”
Not for the first time, I was spectacularly wrong. The Mary Tyler Moore Show was a monster hit, back in the days when the whole country watched just three networks. It was a new thing – a character-driven comedy, the harbinger of a series of great shows that followed, two with Bob Newhart, Cheers, Taxi, WKRP in Cincinnati, etc. I don’t think they do such shows anymore.
In the Twin Cities, we can’t help but think of her as one of our own. She put us on the map, in a new cultural way. There’s a statue of her throwing her tam in the air on the Nicollet Mall (though I believe they moved it recently, and I don’t know if it’s been returned to the spot. I don’t get to the Mall much anymore. It’s pretty Mary Tyler Moribund).
She got her big break with The Dick Van Dyke Show. According to the story, the project began as a vehicle for Carl Reiner, who played the TV writer husband living in New Rochelle, NY. But the pilot failed, and Reiner was humble enough to accept audience feedback that said they just didn’t like him in the role. So they cast a rising young comic named Dick Van Dyke in his place. As they searched for an actress to play the wife, producer Danny Thomas remembered a girl he’d auditioned as his daughter on his own show. She was great, but he thought nobody would ever believe a girl with such a tiny little nose could be his daughter (Sherry Jackson got the part). They auditioned Mary, and the rest is legend.
She had a copyright on “adorable.” In the years since her two big series, she was active in a number of causes, including campaigning for fetal stem cell research (she was a diabetic). She also did the pro-suicide play “Whose Life Is It, Anyway?” on Broadway.
But pretty girls get a break with me. And nobody was prettier than her. Few brought more joy through their work either. RIP.
Atlas Obscura is fascinating blog. Recently they examined the common belief that old silent movies used to show women put in peril by being tied to railroad tracks by villains. Turns out it never happened — except in parody.
This sort of train-based peril became a regular element of the melodramas as a cheap and easy way to create suspense. Moving into the early-20th century, and the silent film era, many films took their cues from those same 19th-century stage dramas. One of the more famous examples of this type of story was the serial The Perils of Pauline, which saw the titular heroine encounter all kinds of scoundrels and villains each week, who would put her in life-threatening danger—although it is important to note that she was never tied to the railroad tracks. This sort of overblown adventure tale became a well-known story type in its time, but that melodramatic style also inspired some comedies, which spoofed some of the more overused elements of the genre.
Read it all here.