Religion

Where Was the Grace for Achan?

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The story of Achan’s sin in Joshua 7 may be troubling to casual Bible readers. It’s the kind of story used as evidence by those who wish to believe the God of the Old Testament was all wrath and judgment, while the God of the New Testament is love and forgiveness. But we understand that the One who cut his covenant with the people of Israel is the One who raised our Savior from the dead. He is the unchanging, holy, and eternal God of heaven and earth.

So shouldn’t Achan have received some grace?

(I appreciate the opportunity to have another piece posted on For the Church.)

Fiction

‘The Christians’ Is Serious Theater

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Alissa Wilkinson writes, “When theatre works best, it’s because it forces you into a room where the action is happening right there, live. It’s often serious precisely because it’s a good setting for confronting serious issues, like being locked in a room where a horrible argument is happening.”

This is what she says happens when people attend the off-Broadway production of Lucas Hnath’s play The Christians. They’ll see a depiction of a church split over a serious theological disagreement without strawmen and caricatures.

Religion

When God Picks His Team

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“Do you understand that God is not looking for ‘the cream of the crop?’” Jared Wilson asks. “He is in the margins, picking the scrubs, the losers, the dum-dums.”

Because in the Kingdom of God, the first, in our way of thinking, shall be last, but the last, as we see them, shall be first. God is not vindictive in saying this. There’s no mean spirit about him. He is simply telling us that we look at each other in ways he does not. Those we consider to be losers will not lose a thing in Christ.

Religion, Uncategorized

A Preferred Death

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Tony Woodlief offers this prayer for his eventual death: “When I die, Lord, let me go in a plane crash, spiraling down, earthward, earthward, apportioned enough time to pray but not nearly enough to forget what we’re all prone to forget: that the end comes, it rushes up to greet us, every one in flight.”

Mercy. Just when you think he’s telling a joke, he brings it home.

Non-fiction, Reviews

‘The Devil’s Pleasure Palace,’ by Michael Walsh

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It is the thesis of this book that the heroic narrative is not simply our way of telling ourselves comforting fairy tales about the ultimate triumph of Good over Evil, but an implanted moral compass that guides even the least religious among us.

In a book at once learned, insightful, inspirational, and maddening, Michael Walsh, former Time Magazine associate editor and current New York Post columnist, finds a useful lens through which to examine the culture wars of our time. The conflict goes beyond religion vs. atheism, or left vs. right, he tells us in The Devil’s Pleasure Palace. It’s about stories. It’s about the basic narrative through which we view history.

This, of course, is a point of view that pleases me immensely.

All human cultures, Walsh argues, have told their stories in the basic three-act form, the “ur-Narrative” – something is lost, a battle is fought, and the lost thing (or something better) is regained.

Against this, the modern left sets its own narrative of history, based on deconstruction, adopted from the poisonous thinkers of the Frankfurt School of philosophy who fled to America from Hitler in the 1930, took up residence, accepted the freedom and plenty of the country, and immediately began to plot to bring it all down in flames. Because they believe in destroying the good, to make way for their perfect dream of the socialist society.

I appreciated Walsh’s well-informed critique of the Frankfurt School thinkers and their influence. I was less enamored of his depiction of the “ur-Narrative.” He writes frankly from a Christian (Catholic) point of view, but his depiction of Christian theology is pretty idiosyncratic. It helps to remember that he bases his view of the narrative of the Fall of Man, not actually on Genesis, but on Milton’s poem “Paradise Lost.” And even in that, he stretches the text a bit to make a non-Miltonian, semi-Catholic point.

But I still found The Devil’s Pleasure Palace immensely fascinating and informative. Walsh has hope for the future of our culture. I’m not sure I share it. But I’m glad I read the book. Recommended, with cautions.

Poetry

Did Frost Take the Untaken Road?

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Frost is not simply that rare bird, a popular poet; he is one of the best-known personages of the past hundred years in any cultural arena. In all of American history, the only writers who can match or surpass him are Mark Twain and Edgar Allan Poe, and the only poet in the history of English-language verse who commands more attention is William Shakespeare.

Everyone loves Frost, and according to David Orr, almost everyone misreads “The Road Not Taken.” I think he’s right. I know I’ve misread it.

Uncategorized

Democratic Vikings

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I’ve mentioned before the book on the Viking Age which I translated a while back. There’s still no word on when the English version will be published, but the publisher, Saga Bok, has posted an excerpt on their blog here.

How far back in time the oral Thing system functioned, no one knows. It was likely not as highly developed during the Migration Era as it became after the start of the Viking Age in the 9th Century. It is also remarkable that the Norse Thing system has not up till now attracted much interest in the world at large. But in all probability that is easily explained. The Norwegians of that age left behind no monumental structures, in contrast to, for example, the Egyptian, Greek, and Mayan civilizations. On top of that, Scandinavia lay on the outskirts of civilization, and encompassed only a small number of people. In this matter European scholars (including Norwegians) have allowed themselves to be deceived by appearances – the impressive structures and statues of southern Europe. Those who did not erect such monuments must not have had any significance in historical development.

Non-fiction, Religion

Stirring Puritan Sympathies

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Micah Mattix reviews a book that explores the passions and brotherly love of that group of people popularly slandered as being close-minded and stern.

Preaching on 1 Peter 3:8, Nicholas Byfield remarked, “The doctrine is cleer. That we ought to have a sympathie one towards another.” Robert Bolton urged his readers to “make conscience” their sympathy. Puritan sermons often aimed at stirring the holy affections of congregants, and Van Engen writes,

The imaginative work of sympathy, furthermore, constituted its own distinct practice. Puritan ministers instructed their parishioners to pray for others and provide physical aid, but before they acted, they had to be moved.

This helps explain why the Puritans, contrary to popular belief, were so expressive. When his wife was dying, John Winthrop was “weeping so bitterly,” Van Engen writes, “she asked him to stop” because (in her words) “you breake mine heart with your grievings.” When the Puritans fled England, and British soldiers separated children from their parents, William Bradford wrote that there was “weeping and crying on every side.” Anne Bradstreet regularly refers to her “troubled heart,” “sorrows,” “cares,” “fears,” and “joy” in her poetry. One of the most popular poems of the early colony was Michael Wigglesworth’s “The Day of Doom” (1662), in which he imagines the “weeping” and wailing of sinners but also the singing and “great joy” of God’s elect at Christ’s second coming. Van Engen writes that each instance of “tears and grieving, melting and weeping, pity and sympathy” in Puritan texts fits within “a broad tradition of Puritan fellow feeling.”

Author Abram C. Van Engen reveals these and other events in his book Sympathetic Puritans: Calvinist Fellow Feeling in Early New England. He touches on theological controversies and the witch trials, saying there are elements of Christian charity in all of Puritan life.

Speaking of early America, Mark David Hall criticizes a book on the religious mindset of the founding fathers. Were they a group of “pious, orthodox believers who sought to establish a Christian nation” or were they “Enlightenment deists who created a secular republic that strictly separated church and state”? Were they rational men who were strongly influenced by Christianity? Hall notes some good and bad points in Steven Green’s book Inventing a Christian America. (via Prufrock)

Hey Pilgrim

Non-fiction, Reviews

‘Three Roads to the Alamo,’ by William C. Davis

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In Library and Information Science, there’s a popular concept called “faceting.” Faceting means describing a resource in more than one way, as more than one thing. The idea is that faceting makes it possible to describe an object more fully, in a way that’s more useful to more people.

William C. Davis’ Three Roads to the Alamo is a faceted historical work. Instead of a single narrative, the author takes us along with the Alamo’s three most famous defenders, Crockett, Bowie, and Travis, on their lives’ journeys, providing us not only a fuller description of each of them, but a more three-dimensional picture of America (at least the American south and southwest) during the early 19th Century.

The first subject we meet is the oldest and most famous – even in his own time – Congressman David Crockett of Tennessee. Indeed, as Davis reminds us, Crockett was the very first American media celebrity – the first American to see the newspapers and magazines create for him a separate persona, not entirely unlike him, but exaggerated and oversimplified. It must have been a bizarre life for him – in the east he dined in the finest restaurants, was feted by the rich and powerful, and spoke from the same platforms with Henry Clay and Daniel Webster. When he went home, it was to a dirt-floored cabin and a mountain of debts that never seemed to diminish. He finally solved the debt problem – to a degree – by figuring out how to monetize his celebrity. He wrote his autobiography (which I reviewed here), and it became a bestseller. Continue reading ‘Three Roads to the Alamo,’ by William C. Davis →

Book Reviews, Creative Culture