This talk by Matthew Milliner, assistant professor of art history at Wheaton College, is a bit heady, but there are some wonderful gems in here, if you have an interest in contemporary art. His expository of Marc Chagall and his White Crucifixion is particularly relevant.
“Here we take fairy tales, magic tales, and wonder tales so seriously. This is the land of magic. I think it’s because overall American culture is still able to dream about a better future, to dream that something better is going to come. It’s part of the American DNA.”
Armando Maggi, professor of Italian literature and a scholar of Renaissance culture, says the American memoir is the new fairy tale.
Jarvis Williams asks a few questions in an attempt to shed light on what may be intellectual racism in the evangelical movement. He asks, among other things, “In certain cases, why are black and brown intellectuals not taken seriously by evangelicals unless some prominent white evangelical voice grants his stamp of approval on them?” In this particular situation, I wonder if the trappings of celebrity are more involved in who is popularly accepted. I don’t quite know what being taken seriously means, but if it means that scholars and writers are ignored, couldn’t it be that established scholars and writers have already gained our interest and more likely to draw attention than one of many unknown authors? I’m sure Dr. Williams recognizes this possibility, which is why he is asking questions, not making accusations.
The same rationale would not apply to another of his questions, “Why is black and brown scholarship often ignored in many evangelical colleges and seminaries?” For this question, I have to ask what scholarship on non-racial issues is recognized as being black and brown. Is there a particularly good study that hasn’t gained the attention among evangelicals that we might think it should? Is there a seminary of black and brown scholars producing good work without adequate recognition from other seminaries? From where I sit, there are a handful of ways one seminary or individual may be dismissed by another: declared denomination, professed theological perspective, suspected theological perspective, and guilt by association with disrespected scholars. The essence of it all is simply a lack of trust. They don’t know the scholars they are ignoring and will not be challenged by or interested in scholars they don’t trust.
Super Science Friends! is a developing animated series from Tinman Creative Studios, which boasts “just the right amount of smart, just the right amount of stupid.” In it, Winston Churchill has assembled a team of scientific greats, Telsa, Curie, Darwin, Einstein, and Freud and a few others to combat scientific evils and well as those who would use them for their own ends. Unfortunately, it’s not for kids. Which is odd.
Writers may ask themselves, “How many point-of-view characters should I use in my story?” And while the correct answer is three (as anyone who’s anyone could tell you), some may want a more thorough answer than that. Marcy Kennedy says, “One technique we can use for figuring out what’s best for our individual story is to write down all the potential point-of-view characters we might want to use, and then ask ourselves the following questions.”
More than hundred writers and artists read ten minutes each of Moby Dick last weekend at the Whitney Museum of American Art In New York. The marathon reading event started in 2012 as a biennial celebration, but the Whitney wanted to do again this year. Many participants had not read the novel completely beforehand, which one person said may be part of the appeal.
It sounds like fun and perhaps exhausting, but I doubt they have an edge on the New Bedford Whaling Museum’s Moby-Dick Marathon, which “celebrated its fifteenth annual non-stop reading of Herman Melville’s literary masterpiece [in January 2011] with an expanded 3-day program.” Take a look at these photos.
Some read in Portuguese, Japanese, Italian, Danish, Spanish, Hebrew, Russian and/or French, followed by that same passage in English. One passage is read from Braille. The Seamen’s Bethel hosts the singing of “The Ribs and Terrors in the Whale” and the reading of Father Mapple’s sermon. At the end, a few hardy souls will have stayed for the whole adventure.
Jason Morgan asks, “Should you be telling the truth like Flannery O’Connor, Walker Percy, or Dewey Short?”
Let us say you are in a large lecture hall. The teacher begins to compare Scott Walker to Hitler. (Would that this were only a hypothetical case, but Sara Goldrick-Rab, a sociology professor at the University of Wisconsin in Madison, recently took to Twitter to do just that.) Your hand goes up, perhaps against your better judgment. The professor looks up and acknowledges you. Now what?
Last Friday night during the attacks on Paris, twenty or more people nestled down at Shakespeare & Co. as safe-harbor against the violence. Shelf Awareness noted, “the store embodied its own prominent sign, a verse from the Bible: ‘Be not inhospitable to strangers lest they be angels in disguise.'”
Canadian writer Harriet Alida Lye was there. At the time, she told reporters what they were saying inside the bookstore. “We’re saying it feels like this must be part of something bigger, like we are being senselessly attacked. It feels really close to home, because Paris is just so small and the attacks are all over the city.”
Givet, left bank of the Meuse, with the Saint Hilaire church on the right of the photo and the Fort de Charlemont on the hill. May the one true God have mercy on the French and give them new life.
“There is good quality [coffee] in the South. There are no regional brands that identify with all the cities that are seeing so much revitalization right now,” Emma Chevalier, Revelator Coffee’s Creative Director, tells Eater.com. So Revelator’s owners Chevalier, Elizabeth Pogue, and Josh Owen, have opened stores in Birmingham, New Orleans, Atlanta, Chattanooga, and Nashville and are working on more. Their Chattanooga store is discussed in the current issue of Barista Magazine, which describes the store are a contrasting offering to the “homey familiarity” of other Southern coffee options.
