This week’s issues of Life With Archie will include the main character’s death. Archie, who has had a 73-year run as one of America’s favorite comic book teens, will bite it this week by taking a bullet for his gay best friend. His publisher said it could have ended in other ways, but “metaphorically, by saving Kevin, a new Riverdale is born.”
Do Christian Artists Get Fair Reviews?
Mike Duran points to the films of Dinesh D’Souza and Scott Derrickson this week to ask if these films are hitting their intended marks and attracting negative reviews because of that or are the reviews fair?
“My point here is not to endorse (or pan) either film, but to simply ask whether the artists’ beliefs or their film’s point-of-view make them unfair targets to critics,” Mike says.
I think there’s merit to this idea. Any work of art or entertainment gains attention or snores based on how its subject matter resonates with its audience. Even bad art gets praised because it resonates. In comments on the NPR review for Deliver Us From Evil, one person asks, “Will you lighten up? Why should this movie be seriously reviewed?” and another person says, “And J.J. Abrams ‘Star Trek’, MESS, got a 95% from ‘serious film critics’??!!”
I don’t think we’re talking about objective, humble film reviewing here. What is humble film reviewing, anyway? Critics aren’t the kind of people you give your daughters to marry. Am I right?
‘Cooper’s Daughter,’ by Mark Yorst
Wall Street Journal columnist Mark Yost has written a really gritty detective story, Cooper’s Daughter. I’ve talked about Raymond Chandler’s rules of private detectives before in this space. Max Allan Collins has commented on this blog about his creation of a detective who would break those rules, but Mark Yost takes it further. His private eye, Rick Crane, who operates in upstate New York, extorts sexual favors from straying wives in return for his silence to the husbands who’ve paid him, and also acts as a collector for organized crime bosses.
But his life takes a turn when an old man asks him to investigate the beating death of his daughter, who had been dating a local minor league baseball star. His investigations cause him to step on important toes, and guys with heavy fists try to persuade him to stop poking into the matter. But he’s moved by his client’s grief, and seeks a kind of personal redemption in finishing the job.
The morals of this story are interesting. Rick commits adultery both recreationally and romantically, but also tells us he’s a regular churchgoer.
Rick Crane is an interesting and complex hard-boiled gumshoe, and I look forward to further stories about him. Cautions for adult themes and language.
Talking ‘Bout My Education
Andrew Furgeson writes about nationwide education reform and why we love it every time it returns:
Common Core was announced only eight years after President George W. Bush and Sen. Edward Kennedy introduced another revolutionary approach to learning in public schools, an expensive and ambitious program called No Child Left Behind. NCLB, as it’s referred to in the acronym-crazed world of education reform, forced states to raise their academic standards, which were considered too low, and to improve scores on standardized tests, which ditto.
NCLB itself came eight years after President Clinton thought up Goals 2000, a nationwide school reform program to enact “standards-based reforms” and thereby improve test scores. Goals 2000 was a reworking of a school reform plan called America 2000 that President George H.W. Bush launched in 1990 as a way of raising standards and getting better test scores out of America’s public schools. He wanted to be called “the education president,” President Bush did, and his approach, he said, was revolutionary.
And in 1983, only seven years before the ambitious launch of President Bush’s America 2000, the nation received an alarming report commissioned by President Reagan, who was troubled that test scores, along with standards, were too low among public school students. The report was called “A Nation at Risk: The Imperative for Educational Reform.” It concluded that higher standards were necessary to raise test scores. “A Nation at Risk” was written by a blue-ribbon commission in an attempt to end-run the Department of Education, which had been started in 1979. The department was Jimmy Carter’s idea. He worried that lax standards were destroying American public education. A federal department, he reasoned, might be able to oversee a revolutionary new approach that would set things right.
For nearly 40 years, it’s pretty much been all reform, all the time for the nation’s public school students, teachers, and parents.
(via Prufrock)
‘Raylan,’ by Elmore Leonard
I read a couple Elmore Leonard novels decades back and concluded that, although he was a good writer, I just didn’t like him. He knew his business, but he wasn’t a somebody whose company I enjoyed.
After I started watching the FX TV series “Justified,” based on his character Raylan Givens, US marshal, I decided to give him another try. I think the series is pretty good. I especially like the way “rednecks” are treated as actual human beings, with a range of IQs and wisdom levels. So I tried Leonard’s novel Raylan.
Consumer report: Nope. I still have the same reaction to Leonard that I had when I was younger. I can’t say precisely why he rubs me the wrong way, but he does. The same characters I enjoy on TV get on my nerves in this book.
Which is not saying it’s bad. It just doesn’t please my palate.
It’s about lawmen and drug dealers in Kentucky coal country. Some plot lines are discernible from the TV series, but in a much modified form. Cautions for adult themes and lots and lots of rough language.
How the French Buy Books
“We don’t force French people to go to bookstores,” explains Vincent Montagne, head of the French Publishers Association. “They go to bookstores because they read.”
And the French government doesn’t allow them to discount their books more than 5%, so Amazon.com isn’t undermining local stores through deep discounts. France has around 2,500 bookshops now.
“We couldn’t have opened our bookstore without the subsidies we received,” Ms. Pérou said. “And we couldn’t survive now without fixed prices.” She and her husband own L’Usage du Monde in Paris.
Pamela Druckerman suggests this plethora of bookshops affords the French the choices we all want, but what do the booksellers offer that publishers don’t produce? Is choice in reading a selling, not a publishing, option? (via The Literary Saloon)
‘Diamonds and Cole,’ by Michael Maxwell
My plan was to handle the stack of book reviews I’ve been planning in chronological order, so I could tell you about the oldest books before I forget them completely.
But Diamonds and Cole by Michael Maxwell, which I finished yesterday, changed my plan. I’m so excited about this book that I want to tell you about it right away. Also, you can get it for Kindle (it’s only available in electronic format) free, at least as of the date of this review.
Cole Sage is a Chicago newspaper man. There was a time when he was a Big Deal. War correspondent, investigative reporter. But the fire went out of him, and for the last couple years he’s been reduced to writing filler stories thrown to him, like bones, by his editor.
Then one day he’s sent to cover the rescue of a cat from a tree. Only, by the time he gets there, it’s become a hostage situation. Cole is shocked back into his old consciousness, and writes a great story.
But when he gets back to the office, he finds a phone message on his desk. Ellie has called – Ellie, the love of his youth, the one who got away, the woman he thinks about every day. All the message says is that she needs help. He gets on a plane back to California, his home, without delay. Continue reading ‘Diamonds and Cole,’ by Michael Maxwell
And how have you been?
Hello. I’m back, at least now and then, for the next month or so.
I just finished my summer course in graduate school. The class was Music Cataloging, and it was kind of like studying law, but in an unfamiliar culture. My work was pretty lackluster, but I still came out with an A-minus grade, which is clear evidence of grade inflation. Or else I finally sighted that mythical “A for effort” I’ve been hearing about all my life.
Tonight after work I picked up a new (used) car – a 2002 Chrysler PT Cruiser. White, with woody panels (!). Yes, I finally parted company with Mrs. Hermanson, my ancient Chevy Tracker. I can’t deny an emotional tie, but she’s aged past my ability to maintain her in the manner to which she has become accustomed. I passed her on to an owner better qualified than I to minister to her aches and pains.
I’ve named the Cruiser Miss Ingebretsen, after my kindergarten teacher.
Coming up, a bunch of book reviews I’ve been piling up, plus deathless insights, madcap frolicking, and prophecies of doom. Fun for the whole family!
Changing: The English of the Future
Most English speakers today learned it as a second language, so how will their habits, struggles, and primary languages change the English language? Prospero says it has already gotten simpler. It may continue down that path.
“For example, European Union bureaucrats are likely to use the English ‘control’ to mean ‘monitor’ or ‘verify’, because contrôler and kontrollieren have this meaning in French and German….
“What, then, can we predict English will lose if the process goes on? An easy choice seems to be ‘whom’. English was once heavily inflected; all nouns carried a suffix showing whether they were subjects, direct objects, indirect objects or played some other role in a sentence. Today, only the pronouns are inflected. And while any competent speaker can use I, me, my and mine correctly, even the most fluent can find whom (the object form of who) slippery. So whom might disappear completely, or perhaps only survive as a stylistic option in formal writing.”
Derrickson Talks Horror, Reality with New Movie
Scott Derrickson is the writer and director of the new movie, Deliver Us From Evil. He was also the man behind for Sinister , The Exorcism of Emily Rose, and The Day the Earth Stood Still. He believes fear strips away the lies we usually tell ourselves and forces us to face reality. He sat down with Steven Greydanus to talk about his style and the new movie.