Miranda Threlfall-Holmes, vicar of Belmont & Pittington in Durham, England, and author of The Essential History of Christianity writes about how the poetry of George Herbert opened her up to Christ:
“Certainly the poems are unashamedly intelligent. They are an example of the metaphysical school of poetry, which deliberately piled metaphor upon metaphor, and drew those metaphors from the cutting edge of contemporary science and philosophy. They flatter the reader by assuming a breadth and depth of political, theological and scientific knowledge.”
Miranda Threlfall-Holmes, vicar of Belmont & Pittington in Durham, England, and author of The Essential History of Christianity writes about how the poetry of George Herbert opened her up to Christ:
“Certainly the poems are unashamedly intelligent. They are an example of the metaphysical school of poetry, which deliberately piled metaphor upon metaphor, and drew those metaphors from the cutting edge of contemporary science and philosophy. They flatter the reader by assuming a breadth and depth of political, theological and scientific knowledge.”
Here’s another of the Scandinavian mysteries I read in convalescence, House of Evidence by Viktor Arnar Ingolfsson. Ingolfsson is also the author of The Flatey Enigma, which I reviewed positively a while back. I liked this one as well, except for an ideological problem.
Like the Flatey book, House of Evidence is a very Icelandic novel, gentle and quiet at its heart. There are no super detectives or murderous psychopaths here, just a shocking puzzle investigated by cops who (with one exception) go about their work in an almost apologetic manner; embarrassed, perhaps, that any violence could happen in their polite society.
When Jacob Kieler Junior is found shot to death in his home one morning in 1973, it’s doubly strange because his father was killed in a similar fashion in that very room around 30 years before – shot by the same pistol, as they learn. Jacob was a man of no great social consequence, but his father, who built the grand house in which he lived, was a rich and important man whose life goal (though never achieved) was to build an Icelandic railroad. Jacob Jr.’s great goal was to preserve his family home as a museum, something that will now never happen.
As the police detectives look into the story, they gradually find the roots of the crime in old secrets having to do with the prospective railroad, Nazi Germany, and a failed attempt to make Iceland a monarchy.
The final revelation is devastating – and also a gentle (though in my opinion slightly manipulative) appeal for the social acceptance of homosexuality.
Aside from my ideological objections, I liked the book. Nothing very objectionable in language or adult themes, except as noted above, beyond a single horrible act of police brutality.
Here’s another of the Scandinavian mysteries I read in convalescence, House of Evidence by Viktor Arnar Ingolfsson. Ingolfsson is also the author of The Flatey Enigma, which I reviewed positively a while back. I liked this one as well, except for an ideological problem.
Like the Flatey book, House of Evidence is a very Icelandic novel, gentle and quiet at its heart. There are no super detectives or murderous psychopaths here, just a shocking puzzle investigated by cops who (with one exception) go about their work in an almost apologetic manner; embarrassed, perhaps, that any violence could happen in their polite society.
When Jacob Kieler Junior is found shot to death in his home one morning in 1973, it’s doubly strange because his father was killed in a similar fashion in that very room around 30 years before – shot by the same pistol, as they learn. Jacob was a man of no great social consequence, but his father, who built the grand house in which he lived, was a rich and important man whose life goal (though never achieved) was to build an Icelandic railroad. Jacob Jr.’s great goal was to preserve his family home as a museum, something that will now never happen.
As the police detectives look into the story, they gradually find the roots of the crime in old secrets having to do with the prospective railroad, Nazi Germany, and a failed attempt to make Iceland a monarchy.
The final revelation is devastating – and also a gentle (though in my opinion slightly manipulative) appeal for the social acceptance of homosexuality.
Aside from my ideological objections, I liked the book. Nothing very objectionable in language or adult themes, except as noted above, beyond a single horrible act of police brutality.
Loren Eaton wanted to like the movie Monsters (2010), but the opening scene killed it for him. “I’d have an easier time liking it if it didn’t lie to me in its opening scene,” he says. Spoilers.
Also in movie news, Vic Armstrong appears to be remaking Left Behind. I can’t tell if this is a straight-forward remake or a comic one. Look at some of the promo images. They’re silly.
Jeff Grim talks about a book which aims to show how decades of hatred between northern and southern states drove us to a civil war. “Fleming makes a convincing argument that the fringe elements (fanatics in his words) in both regions pushed the country toward a civil war. He also argues that the animosity began decades before the Civil War.”
Perhaps slavery was so contentious an issue it could not be civilly discussed in 19th Century America.
Jeff Grim talks about a book which aims to show how decades of hatred between northern and southern states drove us to a civil war. “Fleming makes a convincing argument that the fringe elements (fanatics in his words) in both regions pushed the country toward a civil war. He also argues that the animosity began decades before the Civil War.”
Perhaps slavery was so contentious an issue it could not be civilly discussed in 19th Century America.
A strong Christian movie reviewers, critic, take-down artist (however you want to think of it) Steven D. Greydanus has written about homosexual themes in Disney’s latest fantasy, Frozen. He didn’t like the movie much without this part, but he makes several points on what he thinks is subversive in this movie. He is probably right on a few points, but overall I disagree. I don’t think the Oaken is a gay man with his husband and family in the sauna, and I wish Disney people would step up to settle the issue (though I doubt they will).
Steven writes, “And yet, in this case the filmmakers have walked that line really well: so well that the pro-gay themes have gone right over the heads of countless adult Christian viewers, many of whom have embraced Frozen as resonating powerfully with Christian themes.”
He has since published his response to suggestions Frozen is a marvelous Christian parable of sorts. “The common crux of most of these religious readings of Frozen,” he says, “is the climactic, self-sacrificial act by which Anna saves Elsa before being restored to life — an act that, according to Frozen’s theologically minded enthusiasts, recalls the saving death and resurrection of Jesus.”
But this is common in fairy tales, where people are often saved from death or near-death curses.
Anna sacrifices herself to save Elsa from a fleeting, mundane threat: a treacherous enemy lurks behind Elsa with drawn sword to cut her down. In principle, this is a trivial threat to Elsa — one that, with her powers, she could easily ward off if she were alerted to it.
By contrast, Anna is in far more serious, profound and thematically important physical peril. Anna’s heart has turned to ice, and the ice is insidiously spreading through her whole body, swallowing and devouring her humanity.
It’s worth noting that the original Hans Christian Andersen story “The Snow Queen,” the nominal inspiration for Frozen, climaxes in a scene strikingly similar to the one at the end of Frozen: a heroine weeping over the frozen body of a victim whose heart has turned to ice. In Anderson, however, the frozen victim’s icy heart is thawed by the hot tears of the other person’s love.
For a bit about the motivations behind the popular song, “Let It Go,” the writers talk about it here. “… she was exalted at her coronation as being so perfect and wonderful. But the moment that Elsa revealed that she was a little bit odd, everyone turned on her and then chased her out of the kingdom.”
A strong Christian movie reviewers, critic, take-down artist (however you want to think of it) Steven D. Greydanus has written about homosexual themes in Disney’s latest fantasy, Frozen. He didn’t like the movie much without this part, but he makes several points on what he thinks is subversive in this movie. He is probably right on a few points, but overall I disagree. I don’t think the Oaken is a gay man with his husband and family in the sauna, and I wish Disney people would step up to settle the issue (though I doubt they will).
Steven writes, “And yet, in this case the filmmakers have walked that line really well: so well that the pro-gay themes have gone right over the heads of countless adult Christian viewers, many of whom have embraced Frozen as resonating powerfully with Christian themes.”
He has since published his response to suggestions Frozen is a marvelous Christian parable of sorts. “The common crux of most of these religious readings of Frozen,” he says, “is the climactic, self-sacrificial act by which Anna saves Elsa before being restored to life — an act that, according to Frozen’s theologically minded enthusiasts, recalls the saving death and resurrection of Jesus.”
But this is common in fairy tales, where people are often saved from death or near-death curses.
Anna sacrifices herself to save Elsa from a fleeting, mundane threat: a treacherous enemy lurks behind Elsa with drawn sword to cut her down. In principle, this is a trivial threat to Elsa — one that, with her powers, she could easily ward off if she were alerted to it.
By contrast, Anna is in far more serious, profound and thematically important physical peril. Anna’s heart has turned to ice, and the ice is insidiously spreading through her whole body, swallowing and devouring her humanity.
It’s worth noting that the original Hans Christian Andersen story “The Snow Queen,” the nominal inspiration for Frozen, climaxes in a scene strikingly similar to the one at the end of Frozen: a heroine weeping over the frozen body of a victim whose heart has turned to ice. In Anderson, however, the frozen victim’s icy heart is thawed by the hot tears of the other person’s love.
For a bit about the motivations behind the popular song, “Let It Go,” the writers talk about it here. “… she was exalted at her coronation as being so perfect and wonderful. But the moment that Elsa revealed that she was a little bit odd, everyone turned on her and then chased her out of the kingdom.”
Recently I’ve read a few Scandinavian mysteries, and I’ll review them as I find time. I downloaded this one, Chasing the Storm by Martin Molsted, because it attempts to do something highly counterintuitive – creating a modern Norwegian action hero. Also this hero is named Torgrim Rygg, and Rygg is one of my ancestral names.
The story starts in Hamburg when Rygg – a former soldier in some sort of special force, now working in business and missing the action – witnesses an assassination attempt on a man, and instinctively sets out in pursuit of the assailant. He doesn’t catch him, but the intended victim, a Russian named Marko Marin, is so impressed with his response that (after doing some research on him) he asks him to help him with a dangerous project. This leads to perils and complications, and soon Rygg has happily bid farewell to conventional life and joined forces with Marko, who is a “journalist” of some sort, investigating an international conspiracy connected with the hijacking of a ship in the Baltic.
The whole thing is a little overcooked for my taste – frequent hops from one exotic place to another, danger at every turn… I had trouble believing the characters’ motivations and persistence. Also there are some odd sexual elements, such as Rygg’s cold-blooded seduction of a lonely, middle-aged woman in pursuit of information, and the three-cornered relationship he comes to enjoy with Marko’s beautiful girlfriend, Lena.
Entertaining in a Hollywood action movie sort of way, I found Chasing the Storm good enough for passing the time in the hospital, but nothing I strongly recommend. Cautions for just about everything you imagine.
