Viewing report: ‘Ripper Street,’ ‘Single-Handed,’ and ‘Jack Taylor’

I took the past week off from work, and spent it at home, “pottering,” as they say, though no pots were in fact potted. I expected to blog more than I did (sorry about that), but relaxation is a demanding discipline. I spent a lot of time watching English and Irish mystery series on Amazon Prime and Netflix. Descriptions follow.

I had intended to watch the modern cop series Whitechapel, which had been recommended to me, but after one episode I realized I’d started with the second season instead of the first, and the end of the first season had been spoiled. I decide to leave it for a while, until my memory of it fades, which my memories are wont to do.

So I turned, without high expectations, to a series set in the same neighborhood but a different age – Ripper Street, a BBC series about policemen working in the wake of the Jack the Ripper scare. Inspector Edmund Reid (Matthew McFadyen) is an inspector recently returned to work after a steam ship accident in which his daughter was lost. Her body was never found, and he’s convinced she’s still alive, though he can’t find a clue as to her whereabouts. He’s assisted by Sgt. Bennett Drake (Jerome Flynn) a sort of Little John character, not especially bright but strong and brave, and soft at heart. Also an American doctor, Captain Homer Jackson (Adam Rothenberg), formerly of the Pinkertons, who serves as Inspector Reid’s forensic expert.

There’s a lot more action than you usually expect in a British mystery series – in fact you might call it an English western. There’s a lot of talk about the poverty of Whitechapel, and so some leftist themes come in, but they didn’t drive me away. I found it a lot of fun. Cautions for language, themes, and brief nudity. Continue reading Viewing report: ‘Ripper Street,’ ‘Single-Handed,’ and ‘Jack Taylor’

eBooks Projected to Outsell Print/Audiobooks by 2017

Amazon owes 2/3 of the eBook market in part because they have followed their dreams to reach the unreachable star. Now we all may get burned.

Fantasy author Brent Weeks says the reality for many readers is that if they don’t see a book on Amazon, they assume it isn’t available. With eBooks, they may not know where to else to go to buy them. Amazon is also attracting authors as a publisher, not just a distributor. with promises of high royalty percentages. This and other factors are hurting big and small publishers alike.

“We’re at the point now where the publishing houses are being undercut by the river of indie publishing, and at some point in time the front porch is going to drop in the river. At that point maybe they’ll have to acknowledge it, but right now they just don’t want to,” attorney David Vandagriff said.

The Trouble with the World

Earlier this morning, I read some a piece on how smart phones and similar tech have banished boredom from our lives and caused the very same problem for us. We don’t know how to be bored, or better said, we don’t know how to go without entertainment. Some say it comes from having small minds, but more than that, it trains us in small instant pleasures that will not build us up.

Have you ever asked yourselves why no one notice something wrong, perhaps something horrible, happening right under our noses? Whatever the reasons may be, we are polishing up our blind spots so that we will miss even more of those problems with our mobile tech and other distractions.

We don’t have to check email while waiting on the cashier. We don’t have to give our kids movies while we do errands around the city. It isn’t that children shouldn’t play when they are essentially waiting on us. It’s how we are training them to play–what we’re telling them is important.

Patrick Kurp wrote about this last year. He said, “T.S. Eliot claimed most of the trouble in the world was caused by people who want to be important. I would add a corollary: Most of the people in the world who want to be important have convinced themselves they are bored and that life is boring.”

These self-important people do not see the value in small things or quietness. They want the exotic orchid, not the difficult research and travel to obtain it. But then, am I any better?

WWI and Tolkien’s Fantasy

John Rhys-Davies on how The Lord of the Rings may have been influenced by World War I.

“Tolkien’s experience of war left him with ‘a deep sympathy and feeling for the “tommy,” especially the plain soldier from the agricultural counties.’ He based the character of Samwise Gamgee on common soldiers that he had known during the war, men who kept their courage and stayed cheerful when there was not much reason to hope.

‘Calvary’ Isn’t for Hipsters

World magazine is praising a new Irish movie called Calvary, which depicts a Catholic priest whose life has been threatened by a parishioner who suffered abuse by another priest in the past. Writer and director John Michael McDonagh wanted to talk about serious issues in this film, not smirk like a hipster at anyone who claims to believe something.

The film is not made for ironic hipsters who are slouching through life, never coming up with any emotional or intellectual response for anything. As if that’s too—‘Oh, I don’t want to get into all that, let’s just watch some TV show.’ To me, it’s a film made for those people, who I assume is all of us, who are striving for some kind of philosophical decision about why we’re here. Fox Searchlight probably won’t like me saying this, but it’s a film about death. There’s lots of references to death all the way through, and it’s coming to terms with what’s going to face us at the end of our lives.”

He goes on to describe his love for Flannery O’Connor.

‘The King’s Hounds,’ by Martin Jensen

This one should have been a winner. Certainly for me. A hard-boiled mystery set in the Viking Age, written by a modern Dane to illuminate King Cnut (or Canute, or Knut) the Great, conqueror of England, a remarkable man mostly forgotten by history. I really wanted to like this book.

Sadly, I was disappointed with The King’s Hounds by Martin Jensen. Not that it was awful. It just didn’t grab me much.

Our detectives in this story are Winston, an English illuminator (he paints pictures in books) and Halfdan, a half-Danish nobleman’s son, recently deprived of his family estates.

They join forces while on their way to the city of Oxford, where King Cnut has called an assembly. A noblewoman has summoned Winston to draw a portrait of the king for her. But when they get there the patroness is gone. Instead they meet the king who (for somewhat unconvincing reasons) decides Winston is just the man to investigate the recent murder of a Saxon nobleman. They have a three day deadline, or the king will Be Displeased, and probably kill them.

So they start wandering around the town and its many visitors’ camps, asking questions. Along the way Winston falls in love, Halfdan kills a couple assassins and saves a pretty girl’s life, and a bewildering number of nobles are forced to reveal their secrets.

It’s hard to say why it all bored me, but it did. The authenticity level wasn’t bad. The royal deadline on the investigation should have raised dramatic tension. But it seemed like just one repetitive scene after another. Characters blurred into one another; even Winston and Halfdan didn’t really come alive for me.

I don’t think I can blame the translator. I was impressed with the absence of the stiffness I generally note in translations from Scandinavian novels. In fact, the prose kind of reminded me of my own – except that I would never put neologisms like, “bugging me,” “debriefed,” and “gold digger” in a story set in the 11th Century.

Didn’t work for me, to my great regret. Your mileage may vary. Only mild cautions for language and mature content.

The Ghostwriter Speaks

“There’s an old saying that you should never judge a book by its cover. Today, perhaps, that conventional wisdom has rarely had more meaning. To a degree that might astonish the reading public, a significant percentage of any current bestseller list will not have been written by the authors whose names appear on the jackets.”

Andrew Crofts, “one of Britain’s most invisible and yet successful writers,” has written out his experiences as a ghostwriter for 40 years. Bestselling ghosted works include a lot of “misery memoirs.” (via Prufrock)