One thing that can be said for Dean Koontz is that he likes to mix it up. His characters may tend to look similar (as what author’s don’t?), but he likes to experiment with his stories. 77 Shadow Street, I think, is unusual among his books in featuring quite a large cast of characters and constantly jumping the point of view from one to another. I wish I could say I thought the experiment was a great success, but I wouldn’t call it a total failure either.
77 Shadow Street is the address of an exclusive residential apartment building, something like the Dakota in Manhattan, home to a number of wealthy and/or famous people. They include a drunken ex-senator, a stock broker with military experience, a single mother who writes hit country songs, a female novelist raising an autistic daughter, a retired lawyer, a working hit man, a famous geneticist, and others. When they first begin to notice strange phenomena in their building—lights, vibrations, and strangers appearing and disappearing in antique clothing—they aren’t alarmed at first. Until the whole building is transported into a future time where the world is depopulated and strange life forms stalk the hallways, intent on turning them all into something other than human. Continue reading 77 Shadow Street, by Dean Koontz
, asking some hard questions about the book’s intent. Keller writes, “Evans wants to show that everyone who tries to follow biblical norms does so selectively—’cherry picking’ some parts and passing over others. She also says she wants to open a fresh, honest dialogue about biblical interpretation, that is, how to do it rightly and well.” But Evans apparently cherry-picks on her own, some of it for humor’s sake, some of it seriously. 
