Christmas is over for many of us (discounting those who observe the Twelve Days, the Eastern Orthodox, and me [because my family’s gathering this weekend]). So perhaps it would be OK for me to vent a little about a Christmas pet peeve.
As you may have noticed, I’m pretty tolerant of Christmas observances (or so I imagine. Don’t correct me, please). I don’t bemoan the commercialization much, I don’t attack Santa Claus, I don’t denounce the Christmas tree as a heathen shibboleth. When it comes to colored lights I’m essentially a little kid, and it’s pretty easy to make me happy with a Christmas tree and chocolate.
But I have a few gripes, primarily in the music department.
I don’t mean the obvious stuff. I won’t go into that Christmas Shoes song they keep playing on Christian stations (kill me now!). I’ll pass by The Little Drummer Boy, making his racket to keep a new Mother and her Baby awake all night. I won’t even spend time on Santa Baby.
I want to go where a deeper problem is. I want to single out a beautiful, well-written carol which I love, and which seems to me slightly insidious.
The carol is It Came Upon the Midnight Clear, by Edmund Sears: Continue reading A cut-rate carol from Sears