Tag Archives: movies

Song of the Sea Movie

In case you didn’t see this at the beginning of summer, here’s the teaser trailer for the next animation from the people who brought us The Secret of Kells.

“SONG OF THE SEA tells the story of Ben and his little sister Saoirse — the last Seal-child — who embark on a fantastic journey across a fading world of ancient legend and magic in an attempt to return to their home by the sea. The film takes inspiration from the mythological Selkies of Irish folklore, who live as seals in the sea but become humans on land. SONG OF THE SEA features the voices of Brendan Gleeson, Fionnula Flanagan, David Rawle, Lisa Hannigan, Pat Shortt, Jon Kenny, Lucy O’Connell, Liam Hourican and Kevin Swierszsz. Music is by composer Bruno Coulais and Irish band Kíla, both of whom previously collaborated on The Secret of Kells.

Andrew Klavan To Write Kermit Gosnell Movie Script

The movie project about America’s worst serial killer is moving forward with the announcement that Andrew Klavan will write the script. He says the challenge will be writing a movie that people will want to see, because the base story is almost too repulsive. He tells NRO what’s most important about the Gosnell story:

I’m a crime writer. It’s a great crime story. But you know, I notice I’ve gone through this whole interview without saying the words “abortion” or “abortionist.” But that’s a part of it too, a central part. I’m in a sort of — I won’t say “unique” but certainly strange position on this. I’m a natural-born libertarian. With every fiber of my being, I want people to live the lives they want to live, whether it suits me or not. You want to be gay? Have a good time. You want to condemn gays? Knock yourself out. You want to dress up as Beyonce and get a tattoo of Louisiana on your forehead? I’m the guy who’ll buy you a drink and say, “Nice tat, Yonce.” I know a lot of women who’ve had abortions — people I like and love. I know a lot of people who are pro-abortion, likewise. But moral logic has convinced me that this is wrong — more than wrong – as wrong as a thing can be. It’s not about your feelings versus mine. It’s not about social conservatism. It’s not about libertarianism. And it’s not about feminism either or “women’s health care.” What nonsense that is. It’s an actual question of good versus evil. And listen, in the end, that’s what all great stories are about.

(via ISI)

Two Tolkien Movies Aiming for Easter Release

Two films, Tolkien and Tolkien & Lewis, are being developed by small companies with the hopes of capturing the ticket money of a bunch of us Tolkien/Lewis fans. (via Overstweet)

Derrickson Talks Horror, Reality with New Movie

Scott Derrickson is the writer and director of the new movie, Deliver Us From Evil. He was also the man behind for Sinister , The Exorcism of Emily Rose, and The Day the Earth Stood Still. He believes fear strips away the lies we usually tell ourselves and forces us to face reality. He sat down with Steven Greydanus to talk about his style and the new movie.

More here.

12 Steps to Enjoying Movies More

Jeffrey Overstreet has started a 12-step group for “More Rewarding Moviegoing.” He says, “Sight Club is like a 12-step program. We’re here to cultivate ‘eyes to see’ and ‘ears to hear’ in a world full of darkness and noise. Movies give us a world of opportunities.”

YA Fiction and Superhero Movies

Alan Jacobs is laying out the facts on Twitter right now.

“Noteworthy: the real problem with YA fiction (much of it is bad) is the same as the problem with superhero movies (most of them are bad).”

“If you think there is something *intrinsically* juvenile about stories that concern beings with superhuman powers, then you’re committed to saying that the Iliad, the Odyssey, the Aeneid, the Divine Comedy, Paradise Lost, etc. etc. are juvenile. Which is manifest nonsense.”

“So the problem is not that we have too many superhero movies, but that those movies are unimaginatively conceived and incompetently written.”

“Much dislike of YA fiction & superhero movies is grounded in two things:19c pref. for realism & Modernist pref. for ‘difficult beauty.’ But if you go pre-c19 you can find plenty of aesthetic models that don’t privilege either realism or difficulty. The Modernist preference for difficulty was consolidated by the professiorate: we need difficult texts to justify our jobs.”

“But some of the most beautiful poems I’ve ever read are perfectly clear and call for little or no professional interpretative assistance.”

And Alex Knapp chips in: “Clarity doesn’t mean simplicity and difficulty doesn’t mean complexity. But oh how critics love to assume that this is the case.”

16 Book Adaptations for the Movies This Year

15 book-to-film adaptations coming out before the end of 2014. Children’s books have been popular. Why hasn’t anyone approached me about adapting “Hand, Hand, Fingers, Thumb”? It would make an awesome comedy trailer or short film.

One film not on this list is Edge of Tomorrow, which looks fun. It’s based on Hiroshi Sakurazaka’s novel All You Need Is Kill. Get a brief review of the book here.

Crowdfund a Movie on Kermit Gosnell

This is where we are in the world today. We self-publish our own books. We can solicit our own funds for movies. We can circumvent the nightly news, if it still exists.

Here’s a trio, who have made award-winning documentaries in the past, wanting to blow the lid off the media silence on the man they call the most prolific serial killer in America.

There are at least two angles on the media silence on this case. The biggest one is that Gosnell is an abortionist operating within the scope allowed by those who have argued they want abortions in our country to be safe and rare. This man’s clinic was nowhere near safe, so the political agenda doesn’t support exposing him at the risk of undermining the most scared battleground for the political left.

The second angle is not as politically defined as the first. It’s what Ann McElhinney describes in the video below. The women who were murdered were poor, unseemly, and minority–the kind that gets killed everyday in some cities, so what’s the news? You might think those who cry loudly about the rights of woman and minorities would cry out about this too, but perhaps their classism gets in the way. Maybe it just doesn’t trump the first angle. Abortionists are priests in the Church of Ne’re Do Ill. The blood on their hands is only red fruit punch.

If you have the funds to contribute to this, I encourage you to consider it.

Are Movie Titles Getting More Bland?

An upcoming animated film, based on the book The True Meaning Of Smekday, will be released as Home. Which of these titles is more interesting to you? Studios may have a habit of preferring bland titles over interesting ones.

Film review: “The Hobbit: The Desolation of Smaug”


The main takeaway that I take away from watching The Hobbit: The Desolation of Smaug, second in Peter Jackson’s very fat movie adaptation of a fairly thin book, is that I have no interest in buying the DVDs. I want to see the movies in theaters, don’t get me wrong, but I can’t find in my heart any desire to buy them and watch them again.

The main reason, I think, is that there’s too much Peter Jackson here. The mix works out to about 50% Tolkien’s story, 50% Jackson’s special effects indulgences. He promised us a Hobbit fleshed out with material from the Silmarillion and other Tolkienian sources. But in fact most of the added stuff is just fluff – improbable chases, a Rube Goldberg strategem for fighting the dragon (voiced by Benedict Cumberbatch, and wonderful to see in itself), and an entirely implausible romantic subplot. Also a fighting female elf, unknown in the original material.

As with the first film, it’s visually wonderful. Glorious, beautiful, dazzling. But I kept getting pulled out of the story by Jackson’s self-indulgences. I don’t think he trusts the material. In the classic moviemakers’ tradition, he wants to do the story the immense favor of improving it in his own image.

I kept wanting to tell him to sit down, shut up, and let Tolkien talk.
My movie companion thought it was better than the first one. He may be right. But I continue to feel that great opportunities were lost here.
Cautions for frightening scenes and fantasy violence. OK for kids above, oh, eight, I’d say.

Oh yes, I wanted to mention that the wise old dwarf Balin is played by Ken Stott, who played Inspector Rebus in the second Rebus TV series, reviewed here.