Tag Archives: Andrew Klavan

Klavan on death panels

Andrew Klavan has an opinion on whether “death panels” are a legitimate concern or not.

It begins to occur to you that this is how you are going to die: by the fiat of fatuous ideologues—that is to say, by the considered judgment of a government committee. They are going to snuff you out and never lose a minute’s sleep over it, because it’s only fair, after all.

The basic fallacy, it seems to me, is the assumption that “socialized” and “compassionate” are the same thing. This is where liberals are blinkered. They believe that their virtuous intentions (and in most cases they are extremely virtuous) will guarantee virtuous outcomes. “Don’t talk to me about real-world consequences! I’m talking about my feelings here!”

Thanks to Dave Lull and Loren Eaton, who both sent the link.

Master on Master: Andrew Klavan writes of Wordsorth

Andrew Klavan, at City Journal, presents an essay on William Wordsworth as a precursor to the present-day neocon movement. It’s gooooooooood.

Around the same time, the poet married Mary Hutchinson, a woman of such quiet serenity that a friend once joked that she never said anything but “God bless you!” The needs of their rapidly growing family necessarily turned his thoughts to more practical, and therefore more conservative, concerns. The financial help and patronage of Lord Lonsdale gave him new sympathy for the aristocracy. And the more he mulled the philosophical consequences of the French disaster, the more he came to respect the institutions and traditions that had guided Britain’s more stately procession toward greater freedom.

I might have made made more of a point of the connection of Wordsworth’s final philosophy to the doctrine of the Incarnation, but then I couldn’t have written the essay in the first place.

The Last Thing I Remember, by Andrew Klavan

Andrew Klavan’s The Last Thing I Remember is his first young adult thriller. That doesn’t mean a grizzled old man like me can’t enjoy it, though, and I did.

Nobody sets up a grabber opening like Klavan, and it would have been hard to better this one. As the story begins, we find our hero, high school junior Charlie West, waking up strapped to a heavy metal chair, in a room full of torture instruments. He has wounds and burns that he can’t remember getting. In fact, the last thing he remembers is a fairly ordinary day of school (which turns out, on closer examination, to have been not so ordinary at all). Outside the door, he hears men talking, and the one in charge says, “Kill him.”

Now we both know they won’t succeed at that, because otherwise there’d be no book. What follows is a two-stranded story—Charlie describes his desperate escape and his attempts to get back home and avoid the police (who are hunting him), alternating with his memories of that “ordinary” last day—the karate demonstration he did for a school assembly (he has a black belt, and it’s a good thing, too), working up the nerve to talk to a pretty girl and getting her phone number, a session at the dojo and a talk with an estranged friend, work on a history paper, and bed.

The formula for a good thriller is to put your hero in an impossible situation and find ways for him to survive and reach his goals, even though the impossible situation gets even worse. Klavan hits every stop, and the story just speeds along. It seemed too short, and now I’ll have to wait a whole year to find out what comes next.

Charlie is a Christian and a patriot, and just the kind of hero you want your kids to have.

I have some minor quibbles. Charlie frequently draws strength from a quotation from Winston Churchill that he got from his karate master—“Never give in, never give in… never give in except to convictions of honor and good sense….” It gets a little didactic, but of course this is a young adult novel, and you almost have to do that if you want to teach the reader anything. Nuance doesn’t go very far with younger readers.

I found that lesson a little painful, personally. The principle’s a good one, but there are a lot of people out there—especially young people—who aren’t in a position to act as Charlie does. These people are in situations where they literally have no power, and trying to “never give in” will only make their situations worse. I know, because I was one of those kids once.

But that’s something that’s probably more significant to me than to most people. This is a book you’ll want your son or daughter to read (mild violence, no sex or bad language), and you’ll enjoy reading it too. A lot.

Klavan scores again!

Does just one black character make the whole novel black or is there a special section for mulatto novels with characters of both colors? And if all the novels about black people are in the black section, does that make the Literature section the white section? Why don’t we call it that then? I’m confused.

Read the whole thing here.

Repost: Hunting Down Amanda, by Andrew Klavan

(And another Klavan review recycled tonight. Have a good weekend. I’ll be playing Viking for a Sons of Norway youth event at Danebo Hall in Minneapolis on Saturday. I’ll let you know how it goes, if I live.)

Hunting Down Amanda is a masterful book. It’s fascinating in its own right, as a brilliantly crafted, smart, moving thriller.

It’s also fascinating to the Christian reader as an artifact of the conversion process. Because Klavan, who was not a Christian when he wrote it, was clearly on the way, and his growing interest in matters eternal informs the whole product.

The Amanda of the title is Amanda Dodson, a five-year-old girl who, when the story begins, witnesses a terrible air crash. She wanders to the crash site, and is carried out by a man. Her mother, who has been searching for her, sees this and says, “Oh God. Oh God. Now they’ll come after her.” Continue reading Repost: Hunting Down Amanda, by Andrew Klavan

Repost: Damnation Street, by Andrew Klavan

(Tonight, another reposted Klavan review.)

One-line review of Andrew Klavan’s Damnation Street: “Woo-hoo!”

I got a Barnes & Noble gift certificate for Christmas, and Damnation Street was one of the books I chose to get with it. I don’t generally buy hardbacks, but I felt this was a special case.

It was, in fact, a more special case than I knew. Because it appears that Klavan’s Weiss and Bishop books (the previous ones are Dynamite Road and Shotgun Alley) are not going to be an ongoing series, but a trilogy (unless I read the ending wrong). Continue reading Repost: Damnation Street, by Andrew Klavan

Repost: Shotgun Alley, by Andrew Klavan

(Mark this down as a good day. I got an e-mail from somebody I’d been waiting to hear from, who’s sending me a FREE BOOK ABOUT VIKINGS [more information on that later]. I got going on a project I’ve been putting off in the library, and actually found it engrossing. Time flew. Also my doctor told me I could go off the iron supplement she’s had me on, which means I ought to have a lot less heartburn in my life. Below is another Klavan review, this one from October, 2006.)



Hard-boiled detective stories are one of my favorite genres.
So it was good news for me when I learned that Andrew Klavan, my favorite contemporary author, had begun a detective series (I love series! It’s almost like having real friends!).

And I wasn’t disappointed. If Klavan’s Weiss and Bishop series isn’t moving Hard-boiled into fertile new territory, it’s at least discovering new treasures in the old fields.

You gotcher tough-guy protagonist. You gotcher smart-guy protagonist. You gotcher psycho killers and your dangerous dames. You gotcher dead bodies and threats and violence. You gotcher subtextual deconstruction of postmodern philosophy. What’s not to like? Continue reading Repost: Shotgun Alley, by Andrew Klavan