"The Poet's Parnassus"

Among my Christmas gifts was a used volume called, Old Time Punishments, by William Andrews, a reprint of a book originally published in 1890.

In a chapter provocatively titled, “Punishing Authors,” I find this passage:

Authors and publishers were often nailed by the ears to the pillory, and when ready to be set at liberty the ears would frequently be cut off, and left on the post of the pillory. A farce called “The Patron,” by Foote, contains allusions to the practice. Puff advises Dactyl to write a satire. To the suggestion replies Dactyl: “Yes, and so get cropped for libel.” Puff answers him: “Cropped! aye, and the luckiest thing that could happen to you! Why, I would not give twopence for an author who is afraid of his ears! Writing — writing is, as I may say, Mr. Dactyl, a sort of warfare, and none can be victor that can be least afraid of a scar. Why, zooks, sir! I never got salt to my porridge till I was mounted at the Royal Exchange; and that was the making of me. Then my name made a noise in the world. Talk of forked hills and Helicon! Romance and fabulous stuff, the true Castalian stream is a shower of eggs, and a pillory the poet’s Parnassus.”

The Yiddish Policemen’s Union, by Michael Chabon

Michael Chabon is a brilliant writer, and The Yiddish Policemen’s Union is a masterful, scintillating book. It’s lyrical as a poem, funny as a Shecky Greene monologue, and engaging as a crossword puzzle. It’s the kind of book that makes lesser authors (like me) want to throw their laptops through the window and take up careers in online marketing.

And yet I don’t recommend it.

The Yiddish Policemen’s Union is a hard-boiled police novel, set in an alternate universe in which the state of Israel failed in 1948. The homeless Jews were (grudgingly) offered a home in the Alaska panhandle, around Sitka. There they have lived for almost 60 years (the book is set in 2007), but next year the mandate runs out, and the land is scheduled to be returned to the Tlinkit Indians (that’s pronounced “Clinkit,” by the way. You probably didn’t know that. I know it because I spent a summer in the Shumagin Islands, long ago).

It’s in this climate of insecurity and futility that police detective Meyer Landsman is taken to view the body of a gunshot victim in the seedy hotel where he’s lived since his divorce. The body turns out to be that of a once-famous young man, a chess prodigy, rabbi’s son and miracle worker who many thought would be the Messiah. Depressed, self-destructive, alcoholic, Det. Landsman sets about solving the mystery, sometimes helped and sometimes hindered by his half-Tlinkit partner and his ex-wife, who is now his boss.

Be warned—the rest of this review includes spoilers. Not spoilers about the plot, but about the meaning of the book. Of course, I may have misunderstood the meaning altogether, as ordinary chess players in this novel are baffled by the moves of the great masters. But I’ll tell you what I got out of it, for whatever that’s worth.

The lesson of The Yiddish Policemen’s Union is that the real danger in the world comes from the devout, whatever their religion. Chabon has cleverly, in his alternate universe, created a world without Islamic terrorism (because we all know there’d be no Islamic terrorism if there were no Israel). But there is terrorism nevertheless, coming out of those famously vicious groups, orthodox Jews and Christian evangelicals.

This book, it appears to me, is the heart-cry of the assimilated, secular, self-hating Jew. When the Muslim terrorist says it’s all the Jews’ fault, Chabon (it would appear) hangs his head and says, “It’s true. But it’s not my fault. It’s the fault of those black hats. They’re just crazy.”

So the book saddened me. I should also mention that I read it to the end, though—something which I rarely do with books that offend me deeply. This one was just too good to put down, even when I thought it morally perverse and dangerous.

Cautions for language apply—not only obscenity and cursing, but actual blasphemy. Also a lot of jokes about Jews that no Gentile could get away with.

Read at your own risk.

The Yiddish Policemen's Union, by Michael Chabon

Michael Chabon is a brilliant writer, and The Yiddish Policemen’s Union is a masterful, scintillating book. It’s lyrical as a poem, funny as a Shecky Greene monologue, and engaging as a crossword puzzle. It’s the kind of book that makes lesser authors (like me) want to throw their laptops through the window and take up careers in online marketing.

And yet I don’t recommend it.

The Yiddish Policemen’s Union is a hard-boiled police novel, set in an alternate universe in which the state of Israel failed in 1948. The homeless Jews were (grudgingly) offered a home in the Alaska panhandle, around Sitka. There they have lived for almost 60 years (the book is set in 2007), but next year the mandate runs out, and the land is scheduled to be returned to the Tlinkit Indians (that’s pronounced “Clinkit,” by the way. You probably didn’t know that. I know it because I spent a summer in the Shumagin Islands, long ago).

It’s in this climate of insecurity and futility that police detective Meyer Landsman is taken to view the body of a gunshot victim in the seedy hotel where he’s lived since his divorce. The body turns out to be that of a once-famous young man, a chess prodigy, rabbi’s son and miracle worker who many thought would be the Messiah. Depressed, self-destructive, alcoholic, Det. Landsman sets about solving the mystery, sometimes helped and sometimes hindered by his half-Tlinkit partner and his ex-wife, who is now his boss.

Be warned—the rest of this review includes spoilers. Not spoilers about the plot, but about the meaning of the book. Of course, I may have misunderstood the meaning altogether, as ordinary chess players in this novel are baffled by the moves of the great masters. But I’ll tell you what I got out of it, for whatever that’s worth.

The lesson of The Yiddish Policemen’s Union is that the real danger in the world comes from the devout, whatever their religion. Chabon has cleverly, in his alternate universe, created a world without Islamic terrorism (because we all know there’d be no Islamic terrorism if there were no Israel). But there is terrorism nevertheless, coming out of those famously vicious groups, orthodox Jews and Christian evangelicals.

This book, it appears to me, is the heart-cry of the assimilated, secular, self-hating Jew. When the Muslim terrorist says it’s all the Jews’ fault, Chabon (it would appear) hangs his head and says, “It’s true. But it’s not my fault. It’s the fault of those black hats. They’re just crazy.”

So the book saddened me. I should also mention that I read it to the end, though—something which I rarely do with books that offend me deeply. This one was just too good to put down, even when I thought it morally perverse and dangerous.

Cautions for language apply—not only obscenity and cursing, but actual blasphemy. Also a lot of jokes about Jews that no Gentile could get away with.

Read at your own risk.

“Why Faith Is Not a Private Matter”

Brit Hume suggested on air that Tiger Woods seek the Lord Jesus Christ for answers to his current problems, and people started talking. Selwyn Duke says the religious and the political are closely tied and always have been, so certain folk can reevaluate their offense to religious or specifically Christian evangelism when political evangelism goes on all the time. He writes, “I mean, could you imagine, let’s say, Jay Bookman stating, ‘You know, I like universal health care, but, hey, dude, whatever works for you’?”

"Why Faith Is Not a Private Matter"

Brit Hume suggested on air that Tiger Woods seek the Lord Jesus Christ for answers to his current problems, and people started talking. Selwyn Duke says the religious and the political are closely tied and always have been, so certain folk can reevaluate their offense to religious or specifically Christian evangelism when political evangelism goes on all the time. He writes, “I mean, could you imagine, let’s say, Jay Bookman stating, ‘You know, I like universal health care, but, hey, dude, whatever works for you’?”

Popular Plays

Terry Teachout links to lists of plays produced across America compiled by American Theatre. To Kill a Mockingbird is very popular, and Terry will have more analysis tomorrow in the Wall Street Journal. (via Books, Inq.)

Tomorrow: Terry’s article in the WSJ is here. Despite my comment made from a quick scan, To Kill a Mockingbird did not make the top 11 most produced plays list. He notes: “It suggests to me that American theaters have a pronounced bias in favor of new and newish plays by American authors, especially ones that have high public profiles. (Six of the top 11 plays of the past decade have been produced on Broadway, while five of them won Pulitzer Prizes.) Up to a point, that’s good news.”

Book Reviews, Creative Culture