Category Archives: Non-fiction

The poetry of Utsira

Because I’m short on ideas tonight, I’ll share a nice passage from the book I’m reading now, In Forkbeard’s Wake by Ben Nimmo. It’s the sort of book I like to discover, a sailing memoir involving the seas I describe (as a rank landlubber) in my Viking novels. Here Nimmo writes about the Norwegian island of Utsira, where (as it happens) one of my great-great-grandmothers was born:

It’s one of the peculiar facts of history that many of the world’s most moving poems aren’t actually poems at all. The King James version of I Corinthians 13 (faith, hope and charity) and the Third Collect in the Anglican Evensong are hymns without tunes; the closing paragraphs of The Lord of the Rings are the final chords of a symphony…. As far as I’m concerned, though, the most bewitching use of words ever penned comes in the Radio 4 shipping forecast.

It reads like an incantation. No matter that it’s a simple and practical way of identifying sea areas by their outstanding geological feature. No matter that every word of the forecast has a precise and numerically defined meaning: the mysterious rune ‘Dogger, Fisher, German Bight: southwest four, a thousand and two, rising more slowly, fair, moderate to poor,’ simply means that the wind over the central North Sea and the Danish and German North Sea coasts is blowing from the southwest at between eleven and sixteen knots, atmospheric pressure stands at 1002 millibars and has risen by between 0.1 and 1.5 millibars in the preceding three hours, and that it’s not raining but that surface visibility is fluctuating between five nautical miles and a thousand metres. The shipping forecast is music in words.

Viking. The Viking banks, northeast of Shetland. Dogger. The Dogger bank, so overfished that it’s the only British bank worth less than Barings. German Bight, the German bay. Rockall and Malin, Trafalgar (early mornings only) and Finisterre, Portland and Dover, the cliffs and capes. Humber, Thames, Forth, Tyne, the rivers. Biscay and Irish Sea, the bays. Faeroes and Southeast Iceland, Fastnet and Scillies, the islands.

North Utsire and South Utsire.

Norwegians call it Utsira, with the stress on the first syllable: Ut-sira. It’s an island. Just one island, a lumpy rock a mile and a half long and two miles wide, nine miles off the Rogaland coast, surrounded by long chains of spray-washed skerries. In, as it were, skerried ranks. Its eastern and western flanks build up into brooding granite howes like the Lakeland peaks, frowning across the water. Between them a broad green valley runs north to south, plunging at each extremity into a rock-edged channel where the breakers burst in foam. The prevailing winds here are northwest and southwest. To the southwest, the next land is Shetland, over two hundred miles away. To the northwest, it’s the Arctic. When the northwesterly gales drive the waves onto the rocks, the whole island seems to shudder.

I’ve got a photo of waves breaking at a harbor entrance on Utsira as the desktop on my computer at work. It’s just the kind of grim, sea-lashed beauty that speaks to my blood.

I’ve got to visit there someday.

Nihilist kitsch and villages

I came up with something in the comments on my Wednesday post, and I liked it so well I’ll repeat it here, for the sake of those of you who don’t read comments.

It occurs to me that much of what passes for art today is a kind of “nihilist kitsch.” You know what kitsch is. It’s sentimental or cutesy art produced on the cheap for people without much taste. Black velvet paintings are kitsch. Pictures of Jesus with moving eyes that seem to follow you around the room are kitsch. Garden ornaments that depict a fat guy leaning over so that all you can see is his legs, his butt and his butt crack above his jeans, are kitsch.

When a little old lady, not very bright but devout, looks at her 3-D Jesus portrait, she sees it as very beautiful. This is not because it’s really beautiful (it’s actually pretty disturbing), but it’s lovely to her because she associates it with her sincere love for Jesus.

I think the pleasure an art connoisseur feels when he/she looks at a piece of art consisting of blood or urine or dung or garbage is a reverse form of kitsch. The viewer knows that what he or she is looking at is in no sense beautiful. But he/she enjoys it and praises it because it represents an assault on things that he/she hates.

So we’ve got the kitsch of love and the kitsch of hate. Both of them are kitsch.

But I know which one I prefer.

A little more about Jonathan Kellerman’s nonfiction book, Savage Spawn.

It’s a frightening book about children who seem to be born bad, and who can’t seem to be stopped except by death or lifelong incarceration.

Kellerman’s opinion (and he admits he can’t prove it) is that the cause is a combination of genetics and nurture. Some kids may be genetically designed for psychopathy, but a good upbringing might prevent it.

So how do we as a society intervene to rescue these marginal kids before bad environments send them on the road to something like Columbine?

Kellerman has a number of suggestions, which he admits are generally utopian. I don’t agree with all of them (especially the one that would make it a crime to teach a child to use firearms). Many of them make sense. None of them seem likely.

The problem, it seems to me, is that we’ve reached a cultural impasse. If we could give the government new powers to intervene radically in families, it might be worth it (if the power could be limited), if we had confidence that the government would use that power wisely. Unfortunately, “government” and “wisdom” are for the most part mutually exclusive terms.

My opinion is that the kind of radical evil in children that we see today is mostly a new thing, and it comes from the way society has changed. In the past most people lived in small, homogeneous communities—villages or tribes where everybody believed the same things, valued the same things, and were intimately involved in each other’s lives. The kids were monitored all the time, by the whole community.

When Hillary Clinton said “It takes a village to raise a child,” she was being disingenuous. She was right about the village, but the new-style village she wants is not a village but a bureaucracy (I’ve blogged about this before).

I think people need close-knit networks of likeminded relatives and neighbors, all gathered in the same place, to raise children in the most healthy way. But today we value diversity and individuality, which means a terrible, dangerous environment for children.

Will we figure out a new way to build villages? I hope so. But I don’t know how we’ll do it.

I’ll be off the blog for a couple days now. My relative Trygve from Norway will be in town, and I’ll be giving him the grand tour. I’ll tell you about it when it’s over.

Prometheus, bounder

Today it rained. This is a good thing, just here and just now. We’ve had it mighty dry for a spell in these here parts. I think a lot of farmers got a drink too, which is, needless to say, a lot more important than the state of my lawn.
I picked up a book called Savage Spawn, by Jonathan Kellerman, the mystery writer. I’ve already told you how much I enjoy his novels, so I was interested to check out this book, which is not fiction but a book of popular psychology about children who become cold-blooded criminals.
I’ll probably say more about his conclusions tomorrow, but today I want to quote a passage that impressed me:

Psychiatrist Thomas Millar, in an eloquent essay titled “The Age of Passion Man,” written nearly two decades ago, decried the tendency of contemporary Western society to glamorize hedonism and antisocial behavior, and to confuse psychopathy, which he regards as a form of malignant childishness, with heroism….
Confusing creativity with morality and psychopathic rebelliousness with social liberation led Norman Mailer to predict that psychopaths would turn out to be the saviors of society. Mailer was as terribly wrong about that as he was when he worked hard to spring career criminal Jack Henry Abbott from prison. Shortly after his release, Abbott murdered an innocent man. Oops. What impressed Mailer were Abbott’s writings, summarized in a thin book titled In the Belly of the Beast. A coolheaded review of this volume nearly two decades later reveals it to be a crude, nasty, sophomoric collection of self-justifying diatribes—prototypical psychopathy.
Muddled thinking about evil is by no means limited to the political left. Sex murderer Herbert Smith, sentenced to execution for raping and bludgeoning a fifteen-year-old girl to death with a baseball bat, was able to turn a phrase with some skill, and he conned William Buckley into thinking he was innocent. Buckley campaigned to get Smith out of prison, finally succeeding in 1971, whereupon Smith promptly and viciously attacked another woman. Smith then admitted that he’d been guilty of the first murder. Oops again.

Kellerman identifies here what I consider a major problem in our culture today. Beginning in the days of the Romantic Movement, we began to see the titanic, rebellious, Promethean social rebel (like Shelley or Byron) as the hero, the one who would free us all from Rousseau’s chains, who would liberate us all to become the gods and goddesses we were born to be. The parallel Romantic current, the more Christian and conventionally moral Romanticism of Wordsworth and Coleridge, found few followers. That strain was less sexy. It lacked the sweetness of forbidden fruit, and was much harder work.
Thus we came to believe, first of all, that great, creative souls must always reject conventional morality. Further down the slope we came to believe that whatever was socially transgressive must by definition be a work of genius.
This has given people with artistic pretensions a wonderful excuse to live lives of selfishness and self-destruction.
It has also been responsible for a whole lot of lousy art.

Mencken on Dull Writers and William J. Bryan

With the Scopes Trial Reenactment coming this weekend in Dayton, TN, I am reposted a bit I wrote back on October 24, 2004.

H.L. Mencken biographer and terrific New York drama/music/etc. critic Terry Teachout recently learned of a piece Mencken wrote for Vanity Fair in 1923 in response to a question about boring writers. The famous critical thinker (1880-1956) listed ten authors with a few additional thoughts: “Dostoevski, for some reason that I don’t know, simply stumps me; I have never been able to get through any of his novels. George Eliot I started to read too young, and got thereby a taste against her that is unsound but incurable. Against Cooper and Browning I was prejudiced by school-masters who admired them. As for Lawrence and Miss Stein, what makes them hard reading for me is simply the ineradicable conviction that beneath all their pompous manner there is nothing but tosh.”

Speaking of Terry’s biography, I saw it in an interesting rare book and memorabilia collection at my alma mater, Bryan College. Bryan is named for William Jennings Bryan (1860-1925), an orator for progressive politics and Biblical principles as well as a former candidate for presidency and the secretary of state under Woodrow Wilson. Bryan’s name is known to many as the man who argued against Clarence Darrow in the trial of John Scopes. The Scopes Trial drew a lot of media attention by design; the men behind the lawsuit, the ones who recruited Scopes to take blame for teaching evolution in public school, hoped to make a name for themselves and business for the area. Publicity encouraged Bryan threw his hat into the ring for the prosecution’s side which spurred Mencken to urge Darrow to join the defense. Mencken said, “Nobody gives a damn about that yap schoolteacher. The thing to do is to make a fool out of Bryan.”

The trial did not accomplish the planners objectives. It became a media event beyond their control. Darrow did put Bryan to an interrogation on the stand in an effort to make a fool out of him, and he cheated him out of a final address, in which Bryan planned to make his rebuttal. If you want to know what really happened there, forget about Inherit the Wind. Start here.

Bryan College wants to collect Bryan’s personal books and those about him, so they have worked toward that goal. A couple years ago they were offered even more–a large Mencken collection through a friendly association with a member of the H.L. Mencken Society. Representatives of the society came south to view an annual reenactment of the Scopes Trial in Dayton, TN. One of the members struck up a friendship with one of my English professors which eventually resulted in the generous donations of Mencken-related books and many copies of American Mercury, a journal he published. Today, Bryan’s library houses a unique and ironic collection of Bryan and Mencken material, side by side. With Terry’s book on the right side toward the back of the room.

Book Bomb Sort-of

I agree: “If you’re going to donate books to the local library, don’t just leave them in a suitcase outside the building.” Someone did that back on June 27 in Chicago. Large, leather suitcase on the sidewalk.

The police detonated it. [seen on Waterboro Library]

Adrian's Recommended Reading

England’s uber-blogger Adrian Warnock has a list of books which he believes every Christian should read:

  1. ESV Bible
  2. God is the Gospel by John Piper
  3. Humility – True Greatness by C.J.Mahaney
  4. Living the Cross-Centered Life by C.J.Mahaney
  5. Recovering Biblical Manhood and Womanhood
  6. Spurgeon’s Sermons
  7. Systematic Theology by Wayne Grudem
  8. C.H.Spurgeon, The Soulwinner
  9. What is Reformed Theology?

The list is certainly weighted toward certain authors, but the books look to be contenders for required reading. What do you think?
Please pray for Adrian’s health and that the Lord would give him grace to perservere through his sickness. He has shingles.