The concert was too short, and so was the hair

The Sissel concert on PBS last night was great. It was filmed in the picturesque Norwegian town of Røros in wintertime, the music itself performed in a historic church there. Very classy and reverent, I thought. And, needless to say, The Greatest Voice in the World soared through the pure, arctic air, delivering beauty like an angelic UPS truck. Or something.

My only unhappiness concerned Sissel’s hair. As is so often the case.

I care about women’s hair. It has something to do with an experience I had once, which it would be lugubrious to recount now (I suspect I’ve already told the story in this space, or on the old site, anyway). But I’ve always had strong opinions on women’s hair.

If you look at pictures of Sissel in the early stages of her career, you’ll see a lovely young girl with long, thick, honey-colored hair. That’s how she looked when I first became a fan, and that’s the image I imprinted on.

But it all changed around the time of the Winter Olympics in Norway in 1994. There she appeared, suddenly, and to the great shock of most, at the opening ceremonies with short, dark hair. Her hairstyle has changed constantly in the years since, but has generally been more or less that sort of thing.

Since her marriage broke up she seems to have grown it out a little, but for the concert she appeared in some kind of avant-garde coiffure that looked both oily and swirly. It was not becoming, in the eyes of this obsessive fan.

Why do women do this? I don’t know a lot about women, it goes without saying, but I’m pretty sure they tend to be more insecure about how they look than men are. That being true, why do they consistently put themselves in the hands of hairdressers of ambiguous gender, and trust them when they say, “Oh, darling, we’ll just streak your hair with purple, and lacquer it, and make it stand out straight from the left side of your skull so you look like a character from Anime! You’ll look divine!”

Any man can easily tell you what we want in a woman’s hair. Like most things about men, it’s very simple: “Long. Grow it as long as you can. Never cut it. Split ends? What are those? Dry, fly-away hair? Who cares?”

Show me a woman who wears her hair extremely long, and I’ll show you a woman who understands men deeply.

Of course a woman who wears her hair extremely short probably understands men deeply too.

Which sort is wiser, I’m not qualified to say.

Pullman Against The Theocracy–Whatever That May Be

Emily Karr writes for NRO:

And it isn’t just the God-fearin’ folk [Philip Pullman] finds frightening—he duly recognizes the atheistic USSR as one of the most cruel and effective theocracies in history. In an essay in the Guardian, he explains that “the real division is not between those states that are secular, and therefore democratic, and those that are religious, and therefore totalitarian. . . . You don’t need a belief in God to have a theocracy.” It’s no coincidence that he often refers to the poseur-God who is murdered in his trilogy as “the Authority,” for it is the enforcement of any authority he despises more than God. His opinion of Catholics who take offense at his book? “Nitwits,” he says.

One is tempted to write a book with a main character named “Philip Pullman,” described with his background and vital statistics, then replace his personality with that of a power-hungry tyrant who kidnaps and slaughters children to further his own goals. Perhaps go so far as to make the literary “Philip Pullman” responsible for the enormity of pain and suffering in the world. If he objects, call him a nitwit for failing to see the deeper meaning in your work.

Did you borrow my dictionary?

As long as I have a post idea I haven’t used yet, I feel rich in material. What I always forget is that my idea bench is usually about one player deep.

I’d been meaning to do a post about how Christians have gone from complaining about the commercialization of Christmas to complaining about being left out of the holidays entirely, for some time. Last night I used it, and tonight I find myself swept and garnished of topics.

Which won’t stop me from posting. I’ll just write about myself. Haven’t tried that in, oh, a day or two.



I’m in the midst of a Christmas card crisis.
I’m one of those tedious people who send a Christmas letter with their cards, and I have an annual protocol for it. First I write the letter. Then I translate it into Norwegian, so I can send it to my friends and relatives in the Old Country first, since mail takes longer to get there.

An indispensable tool for me over the years, in setting those letters in Norwegian, has been a book I acquired (oddly enough) during my sojourn in Florida. It’s an English-Norwegian dictionary, where you can look up the word in English and find the Norwegian equivalent (“Boat,” for instance, is “båt.” “Tree” is “tre” [which also stands in for “wood.”]. Squirrel, oddly enough, is “ekorn” in Norwegian. I’m not kidding).

But this year I’m being handicapped by the complete disappearance of my dictionary. It ought to be somewhere right around here by the computer, since I always leave things where I last used them, and never straighten the desk up. But I’ve been through all the piles and it’s nowhere.

I blame the elves (“nisser” in Norwegian).



Speaking of Norwegian,
I see that my PBS station is broadcasting the new musical production, “Northern Lights: An Evening With Sissel” tonight. Chances are your PBS station is broadcasting it too, one of these nights, during the sacred Pledge season. I’m no great booster of PBS, but this is your chance to discover why I’ve been promoting this woman all these years. I expect you to watch it. You will be tested on the material.

Silent Night and Day

More coming tomorrow. Snow, I mean. My old bones tell me we’re getting an inch or two more snow.



That’s a lie, by the way.
My bones are indeed old, but they’re as surprised by the weather as I am most of the time. I get my weather off the radio and the internet these days, and those portents agree that it’ll probably snow tomorrow.

It looks very much as if our White Christmas is secure for 2007. Or “White Holiday,” as they say nowadays. I suppose singers make it, “White Season,” so it’ll scan. Anything to avoid the embarrassing, shocking word, “Christmas,” containing, as it does, the foul, profane syllable, “cris,” which must be kept at all costs from the ears of our children. (Or your children, anyway. I’ve done my bit for carbon neutrality and the maintenance of the gene pool by keeping my DNA to myself. No need to thank me. Just send a present.)

I’ve noticed there’s been some uproar from Christian groups over the Christmas advertising of the Kohl’s department store chain. The Kohl’s commercials (which star a very attractive woman who’s got a sort of Terri Hatcher thing going, I couldn’t help noticing) feature trappings and symbols that look Christmas-y in a generic, non-sectarian sort of way, but the music they use (to one’s amazement once one realizes it) is Cole Porter’s “De-Lovely,” hitherto never considered a trademark of the season.

All in all I disapprove. But I can’t help noting a certain irony in the situation.

Because I’m old, as mentioned above, and I can remember back in the 50s and 60s, when all the stores had Christmas sales, and Christmas decorations, and they played Christmas carols over the loudspeakers—and some of them even had crèches in their display windows.

And you know what? Christian leaders hated it. You’d hear it in their sermons, and read it in their letters to the editor. “Christmas is a holy festival of the Faith!” they’d say. “How dare these merchandisers hijack this blessed season for sordid gain!”

Which should be a lesson to all of us to be careful what we ask for.

Because the merchandisers have now done just what we wanted them to. They divorced their business entirely from our religious festival.

And we’re not happy at all with the result.

Drowning in Verbage

Peter Suderman blogs, “The difficulty with reading these days is not that there is too little being written, or that no one is doing it, or even that no one is doing it well. It’s that there’s too much to read, too much to process. We are not short for words. We are drowning in them.”

Weekend reading report

We got more snow today. I’m not sure how much. Three inches, maybe. It looks likely to be one of those ol’ fashun winters, like we used to have when I was a kid, back in the Later Pleistocene. One of my earliest memories is of going out of the house with Mom and my brother Moloch, through snow about waist high (considering that I was about three feet tall at the time), to my Dad’s old, World War II-era car. Might have been a Studebaker. He had one at some point along there.

The only thing is, that isn’t a real memory. Or rather, it’s a memory, not of the actual event, but of the film of it that Dad was taking with his Brownie movie camera that day. I’ve seen the movie enough times that, in my mind, I think I actually remember being there. But it’s all a construct.

Memory fascinates me. Especially my early memories. I have this idea (probably picked up from that quack, Freud) that if I could just pull the right memory up into God’s light, I’d solve all my problems.

Well, not the problem of making it through another winter, but other problems.

This weekend I read two books which follow up other books I recently reviewed, so what follows isn’t really meant to be a couple of reviews, just reader’s impressions.

Odd Thomas is the first of the three Odd Thomas books by Dean Koontz published to date. It was a hard read in a way, because I already knew (from Brother Odd) how it was going to end.

Nevertheless, Koontz completely blindsided me with the climax. And thinking back, I realize he telegraphed it from the beginning.

Well done!



Dragons From the Sea
is a sequel to Judson Roberts’ Viking Warrior. Both are extremely well-written Young Adults about a young man in 9th Century Denmark who rises from slavery to become a warrior, and gets drawn into a grim drama of murder and revenge.

I enjoyed this volume almost as much as the first one. My only reservation is that in this episode Halfdan, the hero, joins a major Viking attack on France. Although the leaders justify the action as a necessary preemptive strike (I don’t think Roberts has a contemporary political message in mind here; he’s following history pretty closely), the realities of the thing are pretty brutal, and Halfdan does things it’s hard to root for.

(I pretty much dodged this problem in my Erling books. I sent Erling on one raid, but had it happen off-stage. Generally I kept him busy with politics and magical enemies.)

I still recommend Dragons From the Sea. It might not be for the more sensitive of the younger readers, though. (The violence isn’t gratuitous, and there’s no sex.) Good book.

Short Stories or Novels?

“Is writing short stories first a good way to start ‘breaking into’ writing novels?” Author S.L. Farrell tries to answer this one with many commenters joining in. Farrell says short stories and novels are different. “You don’t learn to play piano by learning to play guitar,” he says. (via Jason Sanford, who is blogging on sci-fi, fantasy, and mystery now)

Mysterious Map of America to Be Displayed

The 1507 Waldseemuller map will go on display in the Library of Congress this month, but historians don’t understand it fully. The map was designed only thirteen years after Columbus landed on this side of the ocean, and modern scholars don’t know how the mapmakers knew enough to draw the land and oceans as accurately as they did.

TINFOIL HAT: So, why don’t we know how they could have designed this map? Could it be that someone doesn’t want us to know? Martians, or perhaps more likely, Brazilians?!?

Christmas Trees by Robert Frost

“He asked if I would sell my Christmas trees;

My woods—the young fir balsams like a place

Where houses all are churches and have spires.

I hadn’t thought of them as Christmas Trees.”

From “Christmas Trees” by Robert Frost

Book Reviews, Creative Culture