Are we celebrating yet?

My final impression of my medical tests yesterday is this—if someday I were absolutely forced to acquire one chemical dependency or another, I’d definitely go for Valium.

I sat around for several hours without a care or worry. I’ve been trying to recall the last time I’d felt that way in normal life, and I don’t think there ever was one.

Nobody told me anything about what they learned—not that I asked. Hey! I was on Valium! But my in-depth research on the net (admit it—you do the same thing to when you get a health problem) indicates that I probably have an ulcer or two, and they’re testing biopsies to see whether it/they is/are caused by the coveted h. pylori.

Personally, I draw some satisfaction from the idea of having an ulcer. From childhood I’ve seen ulcers as a sort of red badge of courage, identifying really serious, responsible adults.

Today is Israel’s 60th birthday. Happy birthday, Israel. I’m not a devotee of Left Behind or The Late, Great Planet Earth, but I do believe that Israel exists for a divine purpose, and came into existence in fulfillment of God’s promises.



As it happens, this year is the 150th anniversary
of Minnesota’s statehood. All across the state, you can see the celebrations, the decorations, the bunting, the fireworks.

I’m kidding. So far almost nothing has happened in commemoration of the date, as far as I can see, and I don’t expect to see much.

I remember the Centennial. I was seven years old that year. I remember special events in school, and a big parade in our little town, complete with celebrities from Twin Cities TV stations, riding on floats.

The difference is, of course, that back then we were proud to exist. Today we’re ashamed. If you took a poll, I suspect more than half of all Minnesotans would tell you that the only really appropriate way to celebrate would be to give all the land back to the Ojibway and the Lakota, and crawl back to Europe.

The only reason we don’t do that is because nobody would know what to do with the Hmong and the Somalis.

My submission for our official Sesquicentennial song:

I’m from Minnesota.

Where brave Paul Wellstone took a stand.

We stole it from the Native Americans,

Except for that little pointy chunk at the top, which we stole from Canuckistan.

I’m from Minnesota.

A very up-to-par land.

We are the source of the mighty Mississippi, according to traditional, Eurocentric map-making techniques,

And also of Judy Garland.

I’m from Minnesota.

Where we still root for the Twins.

Our winters are pretty uncomfortable,

But they help us begin to do penance for our numerous sins.

Update: It occurs to me that I might have subconsciously cribbed the above from a poem James Lileks posted a while back over at www.buzz.mn, and which I can’t find now. If that turns out to be true, let me know, and I’ll ritually disembowel myself.

Nothing to report

For those of you who were wondering, the test went fine, and now I’ll have to wait for the results.

I had to take an anesthetic and a relaxant, and they warned me seriously not to make any important decisions today.

Well, what decision could be more important than settling on a subject for today’s post?

So no topic today, on Doctor’s orders.

Leaving Everything Behind

Here’s a report of trash in the Arizona desert apparently left behind by would-be immigrants crossing the border. I gather the traffickers insist that no one take anything with them–no extra clothes, backpacks, or family photos. I keep thinking that only a few time and location details would need to change to make this an old story about slavery. This looks like evidence of a preparation for their exploitation. Who could defend this?

Life imitates the dull parts of art

I assisted the police with their inquiries last night.

If you read English mysteries, you know that’s a code phrase for sitting in jail. In my case, I mean the expression literally. A policeman asked me questions, and I answered them. Unhelpfully, but the best I could.

I noticed cops poking around a house across the street last night. I don’t generally watch what goes on in the neighborhood, because I don’t want to be one of those people. But when the police are prowling, it’s entertainment. (And, by the way, isn’t it nice to live in a country where, for most of us, the police are interesting rather than terrifying?)

One of them came over to my house and rang the bell. He showed me a picture on a police report and asked me if I’d ever seen this guy at that address. I told him I hadn’t. “Just a D.U.I. case,” he said.

Right. That’s what they wanted me to think. Probably so I wouldn’t panic, jump my mortgage and flee the local tax base in terror. I know how things work. I read thrillers.

Tomorrow I go in to the hospital for some tests. So if I never post here again, you’ll know the Mystery Psychopath tracked me down there, posed as a doctor, and tied up that loose end forever.

Many Voices

The MetaxuCafe is discussing and reporting on the PEN World Voices Festival 2008 with some good photos too. A couple notes from the top post: “[Salman] Rushdie is a Harry Potter fan.”

“Rushdie, Eco and Vargas Llosa now began batting The Count of Monte Cristo back and forth, debating whether or not such ‘bad writing’ as this can also be great writing. All three seemed to agree that bad writing could be great writing and that this often happens.”

Cold conflict

I just finished Dean Koontz’ Icebound. This isn’t a review (it’s not my favorite of his work—it’s an early attempt to do an Alistair MacLean sort of book, originally published under a pseudonym. As a MacLean-type story, it’s long on action and suspense, short on characterization, making it not my sort of thing, overall), but it seemed to me an excellent example of plot-building in a sort of purified form.

You take a group of scientists and put them on the polar ice cap. They’re involved in an experimental project to blow a big chunk off the ice cap, creating an iceberg in order to study the feasibility of towing it southward, so as to provide fresh water for agriculture. In order to do this, they’ve just finished burying sixty shaped explosive charges deep in the ice. The next step, obviously, is to retreat as fast as possible to their base camp, miles away, and wait for the boom.

But just as they finish burying the last charge, there’s a huge earthquake. The area where they’re working becomes detached from the main ice cap, and our characters are trapped on a brand new iceberg with all those timed charges.

And then the worst ice storm in decades hits, making it impossible for ships or helicopters to evacuate them.

And then they discover they have a psychotic murderer in their midst.

That, friends, is how you raise the stakes in a story.

That’s plot in its rawest form. Put your characters in a horrible situation, then make it worse. And then make it worse again.

As I said, this is very pure plotting, very simple, done in primary colors. Your own story may deal with threats and struggles of much more subtle or internal nature. The conflict in your story may be an interpersonal struggle between business rivals or even friends. It might be the struggle of star-crossed lovers to overcome obstacles to their marriage. The conflict could even be within one character’s mind and soul.

But the principle remains the same. Some Hollywood mogul once gave his formula for an epic movie—“Start with an earthquake, then build from there.” You can call it escalation. You can call it, “Being mean to your characters.”

But it’s what plot is. It’s what keeps the reader interested.

A Bit of News with Linkage

I wasn’t much of a blogger last week, and I won’t be much of one this week. Part of my busyness will be preparing for Mother’s Day next Sunday. I have a beautiful, enchanting wife, a mother of four, who deserves better from me at every turn, and I want to tell her so next weekend. If I can get around to it.

Anyway, here are some links of potential interest.

“Just last week, The Capital Times, a 90-year-old daily newspaper in Madison, Wis., ended its print version and began publishing only online.” A strong business/technology magazine publisher is working that way too.

Kristen asks about books being made into movies in light of Prince Caspian’s release next week.

The creator of “Family Guy,” Seth MacFarlane, has signed deal with 20th Century Fox TV “that would make him the highest-paid writer-producer working in television.”

Patrick Kurp is reading A Step from Death by Larry Woiwode:

Some of the most moving pages I’ve read thus far in A Step from Death concern the late William Maxwell, the novelist who edited Woiwode’s early work at The New Yorker. They shared another bond: Both lost their mothers while they were still boys – a loss always at the heart of Maxwell’s fiction. When they first speak of the unhealed rupture in their lives, Maxwell begins, “To lose a mother at that age –,” and stops. Woiwode writes:

“It’s all he says, and we sit in the resonance you feel in the air after a church bell rings in the steeple next door, and then a tear slides from a corner of his eye – the right the most prone to spill – and although he has said it to me, I know he’s referring to himself, too, and his mother, who died when he was ten, and he doesn’t say a word more. We attend to the resonance like tuning forks vibrating at the same frequency. He is sixty, resilient, cheerful, the only person I know who can speak with joie de vivre while tears runs, but he’s never been able to accept her death.”

P. D. James on Modern Society

P.D. James discusses life in today’s world:

Our society is now more fractured than I, in my long life, have ever known it.”

The isolation, she argued, flows from a fear of difference and is fed by the sense, common in our disparate communities, that engagement is not worth the risk.

“Increasingly,” she said, “there is a risk that we will live in ghettoes with our own kind.” Behind the disintegration was a spread of “pernicious” political correctness that made attempts at understanding harder.

“If, in speaking to minorities,” she added, “we have to weigh every word in advance in case, inadvertently, we give offence, how can we be at ease with each other, how celebrate our common humanity?”

“Look at those,” she says, pointing to the heavy bars on her windows. “This is how we live now. Behind bars in our own homes. I find it intimidating but I understand that it is sensible. Several of my friends have been mugged. Some of them quite horribly.”

The problem, she says, starts with the breakdown of the family and refusal of men to act like men. (via Books, Inq.)