Those Good Ol’ Books of Yesteryear

Stefen Beck describes a curious West Virginia bookstore before praising what may be one of this summer’s bestsellers, The Dangerous Book for Boys. Have you heard about this one? Good Pete! The video promotion on Amazon.com is a seller.

In an Amazon.com interview, the author says, “I think we’ve become aware that the whole ‘health and safety’ overprotective culture isn’t doing our sons any favors. Boys need to learn about risk.” Amen. He describes a British game called “conkers” which is the same game I made up when I was a boy, not with horse chestnuts but with our toy jeeps and figurines. Mounds of fun. And it has “Latin Phrases Every Boy Should Know”? I’ve got to get hold of that.

The agency of innocence

This poster from Despair.com embodies a vision I’m coming to embrace in my own life. In the spirit of that sentiment, I’ll discuss a question commenters Sherry and Kathleen Marie raised on my last post, which was (in essence), “How does a head case like you get an agent?”

The answer is, “Once, by luck. Probably never again.”



(I’m not going to name my agents, by the way. They’re good guys who agented part time and never made it to the top of the pile. They made some choices that probably weren’t optimal, but then so have I.)

I’ve sometimes referred to “my agent” in blog posts, but that was an abbreviation of convenience. In fact they were a two-man shop. I’ll call them Primus and Secundus. Primus was the senior partner, and I dealt with him mostly when I actually had book contracts. I dealt with Secundus when I was out in the cold, at the beginning and at the end.

I got acquainted with them (by correspondence; I’ve never actually met either man) back when I was writing short fantasy stories. They were editors for a certain prominent fantasy and science fiction magazine, and they immediately impressed me with their taste and good judgment (by buying the first short story I ever sent them).

After a couple fruitful years (in which I never managed to sell a story to anybody else) they announced they were resigning from the magazine and opening an agency. They asked me if I’d care to come on board, and I jumped at it, knowing that getting an agent in the first place is one of the biggest hurdles a prospective author faces.

Then followed about ten years of nothing. I dealt almost exclusively with Secundus during that period, and they sent my first manuscript, and then a second, off to one publisher after another. Each one bounced back, although I got some flattering rejections.

I noticed, as time passed, that the agency was… less than energetic. Very compatible with my own personal style, of course, but not what you really want in an agent. They’d send a book off to somebody, and a year and a half later I’d ask them whether they’d heard anything, and they’d say, “Oh yes, we’ll have to give them a call.” Then another year would pass before the final rejection came.

Finally Jim Baen of Baen Books took the bait, and I started dealing with Primus.

Four books later, Jim Baen invited me never to darken his transom again, and I was back with Secundus.

And the slow, measured rhythm of submissions resumed. And again I’d ask them after a year or two if they’d heard anything, and again I’d get the impression that they’d forgotten about me completely.

Then one day I e-mailed Primus (I forget why it was him and not Secundus), and got no response. When I e-mailed him again, he replied that I should contact Secundus.

And Secundus told me that a) Primus was in bad health, and b) they’d recently noticed that nobody was returning their calls or messages. They deduced from this fact that they were out of business.

But Secundus said that he’d been in contact with a woman from a major agency, and she was interested in hearing from me. So I carefully sent her an e-mail with my personal bibliography, along with sample chapters from an unpublished book as an attachment.

No response.

I’ve done some research on this agency, and I have my doubts. For one thing this agency proudly declares itself a pioneering feminist agency. It was begun for the express purpose of getting more women writers published.

This makes me wonder if, after all these years, Secundus has ever actually read one of my books. Maybe he thinks I’m a woman. It’s a little troubling when your own agent misunderstands you so fundamentally.

So here I am. I’ve asked a couple writer acquaintances for references, but the one contact I’ve gotten went into the hospital about the time I e-mailed him, and so nothing has happened to date.

As you’d expect, knowing me, my hopes aren’t high.

What I need to do is go to one of the agent sites (here and here) I shared a while back, buckle down and start sending out query letters.

Maybe when this bout of light-headedness (and heavy-bottomedness) is past.

Tony Connor’s Aftermath

According to Dana Gioia, poet Tony Connor’s “work is both original and entertaining …. Connor does not simply report events, he vividly recreates them, shaping each scene with the skill and care of a novelist …. his work remains clear-headed, intelligent and immensely readable.”

Take for example this poem of heros and apathy, “Aftermath”:

Slumped in a prickly armchair

on a humid summer night,

I listened dully to dogs

barking with brainless pleasure

far away and in this street

under the Victory flags.

The bronze eagles with spread wings,

flightless on walls and porches,

reflected the light from stars,

as my slow imaginings

moved between foreign corpses

and these Stars and Stripes of ours.

Read on

Trust me–you don’t want to live in my world

Warning: All I’ve got to post t about is what I did today. Which, as faithful readers know, is a subject both dull and irritating.

I actually accomplished a small achievement. One of the burdens of my job, a job which I generally like very much, is the business of book returns. No matter how canny you try to be when ordering textbooks in fall and winter, you always end up with rows and rows of unsold books, staring back at you with a “You brought us out here for this?” expression on their spines. (Yes, books look at you with their spines. They’re books, for pete’s sake. If they have eyes at all, they have them all over, like the living beasts in Ezekiel.)

I hate doing book returns. It’s one of many activities which normal people accomplish without a second thought, but are like East German tax audits to me. I hate to call strangers on the phone, for one thing. And of all the things I could call them about, asking their permission give back something I asked them for in the first place is one of the worst. One of the numerous absolute rules in my shabby little interior world is that I should never ask for anything that might possibly be refused. Refusal—rejection—is intolerable. Refusal is judgment on my personal worth. There’s no possible reason anyone would ever turn me down on anything, except that they hold me in utter contempt.

Sometime last term, one of our instructors ordered five copies of a particular book, then changed his mind after it had been delivered. So (at great expense in emotional effort) I called the distribution company and faxed them the information the lady said she needed to provide a return document.

But when I’d done that, I got a fax back from her saying she had no record of that book in their stock lists.

This was in April. Since that time I’ve had the books sitting in a box in my office, and I’ve told myself every day, “I’ve got to call her back and find out what the hang-up is.”

Today, I called at last. The lady I’d dealt with was on vacation, but the lady I talked to said I needed to talk to another number (some sort of publisher/distributor division of labor). The lady I talked to at the new place took my information, then e-mailed me a .pdf of the return document I needed. I put the box of books in the mail this afternoon.

Success!

My reward? I get to do the same thing with a bunch of other books and publishers.

Headed home, I noticed that all the traffic lights were out in my neighborhood. I wondered if we were having a power outage.

We were. The problem, apparently, was some kind of fire or accident just down the street from me. The street where I’d planned to walk after work, taking advantage of the rare sunny afternoon in a rainy week.

And, of course, when the fire department barricades a street, I don’t go up it even on foot. Somebody might tell me I wasn’t allowed to come that way, and that would be a judgment on my personal worth (see above).

So I mowed my lawn. Which is just as good, and accomplishes something besides.

The moral? The moral? After a day like this you want morals from me? As my enemies have always maintained (when they’re not refusing me things), I’ve got no morals.

Macmillan CEO ‘Borrows’ Google Laptops

A publishing CEO decides to play the game, “Let’s See How You Like It,” with Google. He takes a couple laptops from the Google Booth at BookExpo and when discovered says he was doing to Google what Google Books is doing to publishing companies.

A CEO did this. Who says you have to grow up to be a success? (via Digg.com)

Speaking truth to D-Day

Today is the anniversary of the Normandy invasion in 1944.

I was all prepared to do a knee-jerk patriotic post, going on and on about the courage of our fighting forces.

But I’ve been reading lefty blogs and watching network television news lately, and the scales have fallen from my eyes (pardon me while I put the scales back in the bathroom, where they belong). I now see what a horrible crime our participation in World War II was. In fact, I’m at a loss to explain how the enlightened voices of our mainstream media can continue to cover up the horrific crimes of Roosevelt, Eisenhower, and their henchmen. Where are the Cindy Sheehans, the Rosie O’Donnells, the John Murthas of the (so called) Greatest Generation? When will the truth be told?

Today, while archiving old books in the library, I found a small pamphlet tucked into one of them. It’s a contemptible piece of war propaganda published by the USO. I’ll show you a couple pages here; but it actually folds out to six pages, front and back.

Look at the front page:

USO1

The first thing that strikes the enlightened reader is the picture of the soldiers. I suppose the fact that one is a sailor, one a soldier and one a marine is supposed to suggest some sense of diversity. Ha! You call that diversity? They’re all white. They’re all male. None of them is visibly disabled. The fact that they’re hugging might suggest that they’re gay, which would be worth something, I suppose, but they’re probably just drunk, celebrating the massacre of innocent civilians somewhere.

You’d almost think that they thought in those days that an army existed for the purpose of fighting wars, rather than for providing educational opportunities to impoverished young people.

Barbarians!

Note also the second quotation under the picture. The word “Jap” is used openly. Do you need further evidence that this was a purely racist war, in which Roosevelt and his striped-pants buddies trumped up the flimsy excuse of a minor misunderstanding at Pearl Harbor, in order to prosecute a genocidal war against Asians, in order to steal their… whatever it was Japan had that they wanted to steal?

Note also that the soldiers are referred to as “men” fully three times, just on this page. No mention at all of the thousands of female soldiers who were fighting and dying all over Europe and the Pacific, whose story has been cruelly suppressed by the male hegemony, even unto this day!

But what really settles the matter is the back page:

USO2

Note the names of the two chairmen—Rockefeller and Bush (and yes, Prescott S. Bush was the father of George H. W. Bush, and grandfather of George W. Bush).

What further proof do you need that the whole war was a farce, started by liars purely for oil?

The only thing that’s missing is Halliburton.

But it goes without saying that the lack of any mention of Halliburton is the most definitive proof that the whole thing was their insidious plan.

Garçon, How Old Is This Mushroom?

A mushroom and a couple parasites have been discovered in a seriously old chunk of amber. Which brings a question to mind. (It does not beg a question, because begging the question means circular reasoning.) How do you read Genesis?

I got into a discussion about the age of the universe on Thinklings, and I thought I’d bring up the topic here though not for debate because we don’t want to reach our target heart-rate on this blog. So, how do you read Genesis? Does it appear to be straight-forward history, despite the miraculous content? Are there literary cues you can point to showing it to be symbolic?

I’ve heard some people extract odd meanings from the first few chapters, because they don’t appear to be familiar with reading ancient literature. Genesis isn’t written a like modern book, so it can’t be read like one.