Walker plays the sax

Today is a rainy day, cool but not cold. My lawn is starting to green up.

I still expect another snowfall before spring.

I meant to post the pictures below on Monday, but was prevented for reasons explained yesterday. Then I figured I’d better review the Barnitz book while its memory remained fresh (memories go bad faster than ripe bananas for me these days). So I left it to today to report on my big weekend project.

The Vikings had two kinds of swords. One, called a sverd, was a double-edged, one-handed broadsword. The other was similar to the sverd, but had only one cutting edge. This somewhat cheaper sword was called a saex (or seax, or sax). There was also a shorter version called a scramasax, which was used as a utility knife, chef’s knife and backup weapon. A few weeks ago I bought this replica scramasax on eBay:

Saex1

The knife itself is pretty decent. It appears to be a copy of a 7th Century Frankish scramasax presently located in the Cleveland Museum of Art (which I’ve visited, years back—great arms and armor collection). A knife like that is kind of early for my own Viking “impression,” but it wasn’t uncommon for weapons to be passed down from generation to generation.

The main problem with this knife, and the reason, I suspect, why the guy on eBay is selling them off cheap, is the sheath that comes with it. This sheath’s first sin is the black leather, which is something all serious reenactors eschew. It seems the Vikings did not blacken their leather.

Secondly, the sheath has too narrow a “collar.” The collar is important in a knife hung horizontally (in the Viking manner), because you need to hold it in the sheath with friction, as you can’t depend on gravity. But this sheath’s collar is too narrow to allow the knife to be completely sheathed. The guard comes up against it and is too big to squeeze inside. The only way to use this sheath is to slit the collar’s closed side, creating a pair of “wings” on either side that hold the knife only loosely. Since the knife is grip-heavy, this makes it prone to slipping out, especially in the action of live steel.

So I made a sheath of my own. It looks like this:

Saex2

I’m pretty happy with it. It’s tight enough to hold the scramasax securely, and the rear belt loop is far enough toward the collar to make it hang pretty straight. You’ll note that the knife is suspended with the cutting edge upward in this configuration, but that’s something many reenactment groups prefer, or even insist on. It has the advantage of putting the weight down on the knife’s spine, which then doesn’t cut into the bottom of the sheath (an academic point here, since I gelded the blade for live steel use). And it’s no problem to draw that way, because it’s worn behind the back.

My real innovation is the shape of the collar. Instead of it being cut straight across, it’s cut at an angle. This wasn’t the result of a plan, but of the shape of the piece of scrap leather I was using. Once it was done, though, I found I rather liked it. It has a humped, whale-backed appearance that looks very Scandinavian to me.

Probably wouldn’t be approved by the English reenactors, though. But I already know the English reenactors would laugh my impression off the field.

My vengeance, needless to say, would be terrible to behold, but that would be bad for transatlantic relations.

The Deepest Sea, by Charles Barnitz

Sorry about not posting last night. I was… indisposed. I’m not going to go into more detail, because it was pretty disgusting. Don’t even think about it. I’m trying not to.

And that was a great pity, because it tacked a nasty ending onto a glorious day. The temperature was something like 80°, a record for the date. As I took my evening walk (wearing a tee-shirt) I just wanted to spread my arms and sing out—

“DON’T BE TAKEN IN!”

Don’t forget it’s March, fellow Upper Midwesterners! Haven’t you paid attention to what I’ve been saying about the deceitfulness and tricksieness of Madame March? When she gives you a beautiful day like this, it’s only for the purpose of softening you up for the big double cross. Beware! Beware!

On the other hand, she did come in like a lion. Maybe she’s tired.

No, no, no, no! Listen to me—even I am falling for it.

Cooler today. Rain coming tonight.

When frequent commenter Dave Alpern sent me a pile of books to read a while back, he included the novel The Deepest Sea by Charles Barnitz. I read it with much interest and considerable enjoyment.

If my own The Year of the Warrior ever had a sister, it would be The Deepest Sea.

I hasten to add that I don’t mean to suggest he copied my book (the first part of TYOTW came out in 1995; the Barnitz book in ’96). I’m sure he’s never read any of my books (who has?).

But clearly he was trying to do the same thing I was attempting—to tell a rollicking Viking story in a non-clunky form. I tried to do it by putting on a stage Irishman’s brogue and trying to be creative with idiom. Barnitz tries to do it by creating a character who’s been alive since Viking times (I won’t tell you how) and so speaks our language. This results in a Dark Age narrator using terms like “off ramp” and “middle managers,” which irked me at first and never entirely pleased me, but I got used to it.

The book started a little slowly, but (as many people have told me about my own books) it grew on me as I read, and I spent Sunday afternoon and evening not putting it down. One problem I saw is one I can identify with—delayed introduction of the fantasy element. Jim Baen was always complaining about that with me. “This is a fantasy, isn’t it?” he’d say. “We don’t publish historical fiction.”

There’s a natural impulse to try to draw your reader in with naturalistic narrative before taking the risk of introducing the fabulous. But the fact is, if you delay the magic too long, its introduction jars the reader. In a book like this one, where you’re planning to bring a dragon onstage later on, it’s good to set it up with something a little stronger than mystic dreams and soothsaying.

I can quibble with some of the Viking stuff. Barnitz has a character named Snorri and one named Skallagrim, in a book set in the 790s AD. But we know from the sagas how each of those names came to be (they started as nicknames), and that was in Iceland some time after the date of this book. Also he has a minor male character he calls Hjordis, which is a woman’s name. He also thinks people sat around belowdecks in Viking ships. They didn’t. (One reenactor has described Viking ships as “floating water tanks.”)

But these are nitpicks. The book grabbed me before long, and had me by the short hairs by the time it was done.

The hero-narrator is Bran Snorrison, the son of a Danish settler in Clontarf, Ireland. He falls in love with the sister of his chieftain, and goes on a Viking raid to England, in order to either win enough money to sue for her hand, or kill the Irish nobleman who is betrothed to her (and who is along on the raid), or both. He gets separated from the army, and finds himself traveling cross-country in the company of a strange young woman who attaches herself to him for no reason he can understand. She has a secret, which is revealed in a very effective climax.

The anticlimax pleased me less well, but that’s mostly because of my taste in music.

I was worried in the beginning by Barnitz’s flip attitude toward his Vikings, and I was afraid I’d be treated to another “dumb warriors” story, but the characters and the stakes got more serious as time went on.

I was also worried that there’d be a lot of Christian-bashing, but I was surprised to see Barnitz depict the monks of Lindisfarne (which makes a big part of the story) with considerable respect. This is not a Christian novel by any means, but it could have been much worse.

All in all I liked it a lot, and wish there were more.

But there aren’t. Barnitz hasn’t published a book since this one.

Not a good omen for our sub-genre.

Mentoring

Mary DeMuth is blogging about mentoring, both spiritually and in the craft of writing.

For ten years I wrote in obscurity, nary a mentor in sight. I honed the craft, stumbled over my prose, read books, made my husband read my creations. By the time I met my first writing mentor, I’d been down a very long road of writing in the quiet margins of life. I don’t begrudge that time because I found my voice and learned how to write for the sheer joy of it.

Should They Write What They Know?

Should female writers compose stories teased from their lives at home with family? Muriel Gray urges them to avoid that track:

Judging by the increasing lack of inventiveness and imagination amongst too many, though not all, women authors it would seem that we have either been persuaded to stay within a narrow experience in order to be “taken seriously”, or more worryingly we are cautiously self-censoring because we are afraid of the gathering forces that are threatening feminism both domestically and internationally. As a judge in this year’s Orange prize, it’s hard to ignore the sheer volume of thinly disguised autobiographical writing from women on small-scale domestic themes such as motherhood, boyfriend troubles and tiny family dramas. These writers appear to have forgotten the fundamental imperative of fiction writing. It’s called making stuff up.

Understanding the Market

Mike Silva offers some good, hard words about attending a writers conference, several dos and don’ts, including this:

On a panel at ACFW, I recommended The Time Traveler’s Wife as the best book I’d read in 2005. In a rare moment of foresight, I included a warning that it might be offensive to some, but for months after that, I still heard about grumbling: “I can’t believe a Christian editor would recommend that book.” Dear ones, you have a responsibility to know what’s being written in the market. Most CBA editors are ABA readers. If you aren’t, that’s a serious handicap. Yes, do skip the sex/language/violence, but don’t misunderstand: you need to find out why an editor is recommending a book. That’s your ticket into his stable.

Nominated!

Thanks to the Book Chronicle for long-listing BwB for its new Litty Awards, “the first annual award for litbloggers.” I hope we judged for our remarkable potential over our actual blogging. Yes, I’m speaking for myself.

I see dark clouds anyway

If today’s weather were a meal, I wouldn’t be able to afford the restaurant where they serve it.

It’s 65° right now, and tomorrow’s supposed to be even nicer. When I took my evening walk, it seemed like everybody else in the community had the same idea. Pasty-faced Minnesotans were crawling out of their lairs, blinking in the sunlight, and stretching themselves like badgers (Gophers would be more appropriate, since the badger is Wisconsin’s animal, but badger sounds better).

Life felt good.

Which, of course, it isn’t.

I don’t do much politics here, with good reason, but I’d like to go on record with the opinion that the Islamists have now been notified that they can have anything in the world they want, including the full submission of the United States to Sharia law, if they remain ruthless enough for long enough.

I’m sure the American left will be perfectly content to watch their gay friends being stoned to death, just as long as we’re not at war. The important thing is not to be at war.

My big question is, once Islam has conquered the world, and the only war left is the one between Sunnis and Shiites, which side will the left support?

Confession of an approval junkie

I’m a slave of mutabilitie, as Chaucer might have put it. One e-mail, and all of a sudden my attitude changes and the world looks brighter.

The e-mail to which I refer is one I got this afternoon, from a woman representing the local chapter of the Nordmanns Forbundet, a Norwegian-American friendship organization I once actually belonged to (though in Florida). They had a speaker cancellation for their April meeting, and she wondered if I could take the gig at short notice. She’d met me when I spoke to a Sons of Norway group in St. Paul last year.

Somebody needs me! I regard myself with scorn in my mind’s eye, saying, “You pathetic loser. Somebody shows you a little attention and you wag your tail like a dog.”

Yeah, I do. Having no self-esteem of my own, I depend entirely on outside reinforcement for my satisfaction.

I think my depression the last few days may have been a symptom of an unconscious feeling of closure. I’ve always considered my lecturing career a sort of dragging appendage of my novel writing, like a long tail. I’ve basically stopped advertising myself as a lecturer since I lost my publisher, so I’d figured the Owatonna gig on Monday was the final shot. The last gasp of the tail end of my life as an author.

But now it’s OK, at least until the middle of April. I’m not quite gone yet.

A second consideration is that it pays an honorarium, which will help with my ongoing financial crisis. It occurs to me that this is one of God’s methods of providing for me on a One Day At A Time basis, just like the Bible says.

I’m always hesitant to talk too loud about these manna deliveries. I don’t want to sound like one of those enthusiasts who gets a smile from a girl and decides it’s God’s will that he marry her, or has a cancer remission and loudly proclaims he’s been completely healed forever. Guh-lory!

So I sin in the opposite direction, denying God the praise He deserves.

But today I’m giving credit where credit is due.

Did I do good, God? Huh? Huh?

More reasons I don’t miss being a kid

It’s dark and rainy today, and it’s dark and rainy in my soul.

I went to bed early last night, really tired, and then couldn’t get to sleep. I woke up early and couldn’t get back to sleep. These are things that haven’t happened much since I started the CPAP, and I don’t know what to think of it. Maybe my body’s still adjusting to the new sleep patterns. Maybe it’s an emotional reaction to having to pretend to be normal and talk with people at my lecture the other night. Maybe my suppressed psychosis is finally manifesting itself.

In any case, I’ve been low all day.

Found this site by way of Townhall.com. People list the odd things they believed when they were kids.

I’ve got some of those.

I believed a pack of nasty, winged dogs lived under my bed (but only at night). It was very important never to dangle my hand down over the edge where they could bite it. They couldn’t reach far out from their hiding place, though. Why a dog that lived under a bed would need wings, I never wondered.

I believed that there were other dangerous things after me in the night, beyond the winged dogs. But they couldn’t hurt me if I kept my sheets and blankets up right under my chin. If my neck got uncovered while I slept, though, I was in trouble.

I believed (or suspected) that all objects had personalities and feelings, like in the cartoons. To this day I feel guilty about throwing anything away. I know the objects are hurt by the rejection.

I used to wonder about that animal they always showed drawings of on weather reports. You know, that animal with the small head, thin front leg, and big hindquarters. My father eventually explained that it was a map of America.

When they did the Emergency Broadcast System tests on TV, I believed I was expected to hide under a table, like we did under our desks in school, during the bomb drills.

I believed that the Revolutionary War Battle of Concord had been fought in West Concord, Minnesota, a town near where we lived.

My mom told me that babies came from a seed that passed from a husband to a wife. So I figured the seed passed through their hands when they held hands during the wedding and the pastor pronounced them man and wife.

Brother Moloch and I had fun with our little brother Baal when he was scheduled for his first dentist visit. We told him they’d give him a shot with a big, square needle, and we made up a bunch of other harrowing stuff. This was standard family humor—we like ridiculous exaggeration. We thought he got the joke. He didn’t. They literally had to drag him into the office, screaming—and it was only a check-up.

Book Reviews, Creative Culture