My soul is being tried by reading Thomas Paine. A couple of his points are good, but most of his argument against Christianity shows his ignorance of the Bible. He may not have read it through and is relying on his exposure to preaching and Christian associates. I don’t know that, but to follow Paine’s reasoning I could easily believe he has never read through the Bible even once (“for I keep no Bible,” he admits) because he appears to ascribe to the idea that possibility is evidence for reality. If it’s possible none of the Biblical books were written by their authors, then they probably weren’t because doubt is evidence enough.

Doubt coupled with ignorance makes a winning argument.

But that’s just what’s been on my mind lately. This post, for your blog-reading amusement, is about Charlie Brown’s mockery of naturalism. My children are slowly destroying a 1959 paperback called We’re On Your Side, Charlie Brown, comics taken from But We Love You, Charlie Brown Vol 1. It wasn’t in great condition before it began circulating among their books, but I doubt it’s in used-bookstore-acceptable condition now.

I came across this strip last night. Lucy and Linus are staring at the sky. Lucy tells him, “Clouds are very peculiar, Linus . . . Sometimes they seem to form actual words. . .” (ellipses in the original). Charlie Brown hears this while passing by and states, “Those aren’t clouds. That’s sky-writing!”

Lucy faces him in silence for a few moments. Then watching the sky again, she says, “Clouds are very peculiar, Linus . . . Sometimes they seem to form actual words. . .”

Master Brown confronts Lucy’s assumption that the “actual words” were formed through natural, unthinking processes and to no avail. Lucy will not be persuaded, out of pride no doubt. But for Brown, the common man, persuasion is not the goal. Declaring the truth is enough.

From Jared: “Life is Not Long, But It’s Hard: A Christmas Reflection”

“When Herod realized that he had been outwitted by the Magi, he was furious . . .”

“He was on the point of retreating when his eye fell upon the fireplace–one of those vast tavern chimneys where there is always so little fire when there is any fire at all, and which are so cold to look at. There was no fire in this one, there was not even ashes; but there was something which attracted the stranger’s gaze, nevertheless. It was two tiny children’s shoes, coquettish in shape and unequal in size. The traveller recalled the graceful and immemorial custom in accordance with which children place their shoes in the chimney on Christmas eve, there to await in the darkness some sparkling gift from their good fairy. Eponine and Azelma had taken care not to omit this, and each of them had set one of her shoes on the hearth.

“The traveller bent over them. . . .” Read the rest at Semicolon, “Christmas 1823.”

A political diversion–Best of the Web highlights a segment of Hardball with Chris Matthews (scroll down to “Matt Damon Wants You“) in which a caller named Meghan asks actors Robert DeNiro and Matt Damon, “Would you go to war if you were asked?”

“Well that’s such a complex question,” Mr. DeNiro replies, and the two actors hem-haw a bit. Mr. Damon, who was talking about the need for “a shared sense of sacrifice” just before Meghan’s call, gets around to suggesting the president’s daughters should go if they are of age.

The transcript notes applause to this non-answer.

This time of year, I’m leaving work just about the same time the last light is failing. This is the pattern we live with in Minnesota, the pattern I grew up with. It’s woven in my DNA. This isn’t usually the coldest time of year (certainly not this year—the temperature is peaking around freezing, and we’re still snowless, though there are rumors of maybe a few flakes by Christmas). But it’s the time when the nights are longest. The time when the sun rations out tiny bowls of thin light-gruel to the orphans, and there’s little point in asking for more.

And that’s one reason I love Christmas. Because Christmas is the time when we defy that darkness. We burn up fuel that could be hoarded, feast on food that could be cached, and sing loudly that we believe in Light, and Light is coming back.

Sure, most of our customs have heathen origins. So what? I don’t care about the religion of the first man to trim a Yule tree any more than I care about the religion of the guy who built my house. If it’s a good house that keeps me warm in the winter and provides a place for me to gather with my family, that’s plenty for me.

I figure I know Odin and Thor as well as anybody, and they don’t scare me. Their bad elements don’t hurt me, and their good elements enrich my life. C. S. Lewis thought the old myths contained “good dreams” sent by God, stories that prepared heathens to recognize the gospel when it arrived.

I believe it.

I remember going out to do chores on the farm during Christmas season, when I was a boy. Was it cold? It was biting cold. It was burning cold. I pulled a ski mask over my face, and soon had a beard of ice forming around the mouth hole. It was dark out there—not city dark, where there are lights from house windows and street lamps to give relief, but country dark. Dark you could fall into and never hit bottom. Up above, the stars burned like an ammonia fire behind a moth-eaten blanket.

And as I trudged along, the snow squealing under my feet with a sound of tortured iron, I sang Christmas carols.

And that made the whole thing magic. That put me into a story, a pageant. It didn’t make the killer night warmer, but it made it beautiful. Deadly and beautiful, like a fine weapon.

A sword for the Lord.

Thank God for Christmas, I say.

They went, the Ghost and Scrooge, across the hall, to a door at the back of the house. It opened before them, and disclosed a long, bare, melancholy room, made barer still by lines of plain deal forms and desks. At one of these a lonely boy was reading near a feeble fire; and Scrooge sat down upon a form, and wept to see his poor forgotten self as he used to be.

Not a latent echo in the house, not a squeak and scuffle from the mice behind the panneling, not a drip from the half-thawed water-spout in the dull yard behind, not a sigh among the leafless boughs of one despondent poplar, not the idle swinging of an empty store-house door, no, not a clicking in the fire, but fell upon the heart of Scrooge with a softening influence, and gave a freer passage to his tears.

The Spirit touched him on the arm, and pointed to his younger self, intent upon his reading. Suddenly a man, in foreign garments: wonderfully real and distinct to look at: stood outside the window, with an axe stuck in his belt, and leading an ass laden with wood by the bridle.

“Why, it’s Ali Baba! ” Scrooge exclaimed in ecstasy. “It’s dear old honest Ali Baba! Yes, yes, I know! One Christmas time, when yonder solitary child was left here all alone, he did come, for the first time, just like that. Poor boy! And Valentine,” said Scrooge, “and his wild brother, Orson; there they go! And what’s his name, who was put down in his drawers, asleep, at the Gate of Damascus; don’t you see him! And the Sultan’s Groom turned upside-down by the Genii; there he is upon his head! Serve him right. I’m glad of it. What business had he to be married to the Princess!”

To hear Scrooge expending all the earnestness of his nature on such subjects, in a most extraordinary voice between laughing and crying; and to see his heightened and excited face; would have been a surprise to his business friends in the city, indeed.

“There’s the Parrot!” cried Scrooge. “Green body and yellow tail, with a thing like a lettuce growing out of the top of his head; there he is! Poor Robin Crusoe, he called him, when he came home again after sailing round the island. “Poor Robin Crusoe, where have you been, Robin Crusoe?” The man thought he was dreaming, but he wasn’t. It was the Parrot, you know. There goes Friday, running for his life to the little creek! Halloa! Hoop! Halloo!”

Then, with a rapidity of transition very foreign to his usual character, he said, in pity for his former self, “Poor boy!” and cried again.

“I wish,” Scrooge muttered, putting his hand in his pocket, and looking about him, after drying his eyes with his cuff: “but it’s too late now.”

“What is the matter?” asked the Spirit.

“Nothing,” said Scrooge. “Nothing. There was a boy singing a Christmas Carol at my door last night. I should like to have given him something: that’s all.”

(from A Christmas Carol, chapter 2 – “The First of the Three Spirits”)