Tag Archives: Colin Conway

‘Cutler’s Bargain,’ by Colin Conway

I think I’m done with Colin Conway’s John Cutler books.

I like author Conway’s 509 series, which is a sequence of police procedurals involving a rotating cast of Washington state cops. He’s also written a series about “the Flip-flop Detective,” which is supposed to be light in tone. The John Cutler books, on the other hand, are contemporary Noir. John Cutler’s world is grim and shadowed, full of betrayal and moral compromise. I thought things might lighten up as the character developed, but I’ve finally concluded that that’s not the intention.

In Cutler’s Bargain, book 5 in the series, John gets an offer from a client willing to pay well. She’s a wholesome-looking woman who grows marijuana in a cellar underneath a strip mall she owns. She had been keeping the operation secret, but now somebody has broken in through a window and tried (though they failed) to get downstairs into the “grow.” She wants to know who leaked the information.

John isn’t eager to get involved with illegal drugs (this book was written before legalization), but the problem is interesting and she promises to pay double. Meanwhile, a friend has asked John to talk to a boy and try to steer him away from gang involvement – something he approaches without much confidence.

Cutler’s Bargain kept my interest all through, but – as with all these books – the final result was disappointing. The story ends on a highly ambivalent note, with Cutler negotiating a resolution that merely balances one evil against another.

The writing is good (in spite of the misuse of the word “flaunt”), but I’m tired of the depressing endings. Your mileage may vary.

‘Cutler’s Friend,’ by Colin Conway

I like Colin Conway as a writer. One of the things I like about his work is that he generally keeps the politics low-key.

That is not true, however, of Cutler’s Friend, the third volume in his John Cutler series. The author published those first three books early in the 2000s, and the era may be part of the problem. This book is (in my opinion) more suited to the zeitgeist of that decade than to the present.

At the beginning of Cutler’s Friend, John has stabilized his life somewhat. He is now a licensed private investigator in Spokane, and he has a regular girlfriend.

He gets a visit from Mike, his former partner on the Seattle police force. Mike has, John discovers, become a pretty nasty racist, largely because his wife Tina left him for a black professional athlete. John wouldn’t care to do a favor for Mike at this point, but it’s Tina who needs help. Her new husband has been murdered, and she’s been arrested for it. Mike wants John to prove she’s innocent.

As John begins the investigation, the job raises tension with his girlfriend Erika, who is black. She starts discussing racial issues with John, and distancing herself from him. He finally realizes that he has to choose between helping an innocent woman and keeping his girlfriend.

This book pushed all my buttons – negatively. It started with a scene where John is dealing with a guy in a wig and a dress, in which he keeps condemning himself for “prejudice” when he forgets to use “her” preferred pronouns. Then we go on to the scenes with Erika, where the point seems to be that, as a miserable white man, there’s nothing John is allowed to do but kneel in repentance and apologize forever.

This bothered me a lot. Because if that’s the way the races have to relate to one another, it will always be impossible for us love each other, or even to be friends. It’s a formula for eternal racial segregation. I have to believe there’s some better way.

If I weren’t already fond of the series, I’d have dropped it with Cutler’s Friend. But I’m reading on. People learn and grow, and I see no signs of this kind of self-conscious political correctness in Colin Conway’s later work.

‘Cutler’s Chase,’ by Colin Conway

“What?” I asked.

“You used to be a cop.”

“And?”

“You seem to hate them.”

“I don’t hate them.” I stood. “But I hate who I became while I was one of them. That’s a truth I will never escape.”

The second novel in Colin Conway’s John Cutler series is Cutler’s Chase. This book has him back in Spokane, where he’s working as a nightclub bouncer. He’s flirting with a woman who likes him, but he’s afraid to get close to her because he’s sure she’s bound to reject him in the end. And he’s found a friend in a guy in a neighboring apartment, a retired Marine.

There is a murder, and Cutler finds himself, uncharacteristically, taking on a responsibility – for the murder victim’s dog. He’s certain who the killer is, and he won’t listen to the decent detective who asks him to stand aside and let them do their job. He gets in a lot of fights. There’s a major plot twist at the end (which I have to say I saw coming).

But Cutler’s Chase was a good book, and not as dark as the first book in the series. I recommend it.

‘Cutler’s Return,’ by Colin Conway

I like Colin Conway’s books generally, so I figured I’d try Cutler’s Return, the first installment in his new John Cutler series. It’s rather different from his other work, and presents certain challenges.

John Cutler used to be a policeman in Seattle. His career blew up through a combination of bad luck and bad decisions. One of his bad decisions was his relationship with Paige, a stripteaser. He understood as well as anyone that there was no future with her, but she was like an addiction to him.

Since then he’s been living in the eastern part of the state, subsisting on temporary jobs. One day Paige calls him up out of the blue – she says something has been stolen from her, and she’ll pay him to come back and find it for her. He needs the money, but the chance to see Paige again is an equal draw. But when he gets back to Seattle, things start going wrong from the beginning. The detective who destroyed his career is still around, and still gunning for him. There’s a murder, and John is an obvious suspect. Everybody is lying, and John may not possess the self-mastery he’ll need to solve the mystery and keep himself out of prison.

Colin Conway knows how to write, and delivers his usual solid prose. Unsympathetic main characters are always a challenge for a writer, and it must be stated that John Cutler is often hard to like. He has major anger issues, and doesn’t always control them. However, this is the first book in a series, and it seems probable that John will be learning hard lessons as he goes on.

I also have to mention that I found the final showdown scene a little weak – it’s one of those action sequences where the hero survives almost purely through good luck.

Still, it’s a promising series. If you haven’t read Conway before, though, I’d suggest you start with something else. Cautions for language and mature themes.

‘The Graffiti Conspiracy,’ by Colin Conway

This is another installment in Colin Conway’s The 509 series, about policing in the Spokane area. I like Conway’s novels very much, his short stories (oddly) not much at all. But The Graffiti Conspiracy is a novel, and a pretty good one from where I sit.

Detectives Quinn Delaney and Marci Burke are assigned to the murder of Earl Ricci, a maintenance man for a real estate management company, who was shot to death while covering up graffiti painted on the back of a vacant building.

There are several suspects, including the talented young man who painted the graffiti, and former associates of Ricci’s (at one point he was accused of stealing money from an fleabag hotel, the Hope, which has since been gentrified. This theft, the subject of one of the 509 short stories, shows up in one way or another in several of these novels).

The solution, once it is found, does not involve any shooting or chases. Just a sad story in a sad world, where confused people take the line of least resistance.

Like all the other 509 novels, The Graffiti Conspiracy is character-driven and highly believable. Cautions for adult matter, and moral ambiguity.

I enjoyed it.

‘When the Wicked Rest’ and ‘Murder by Any Other Name,’ by Colin Conway

I have bestowed glowing reviews on previous books in Colin Conway’s 509 series of police procedurals set in Washington state, east of the Cascades. When I purchased When the Wicked Rest and Murder by Any Other Name, I didn’t realize that they were not novels but short story collections set in the 509 area.

I discovered I don’t enjoy Conway’s short stories nearly as much as I enjoy his novels. The novels are well-written, character driven, and compassionate. The stories (at least in these collections) are more concentrated. They mostly deal with criminals – either losers who have no hope, or successful ones who make you fear for the world. Neither is much fun, at least for this timid reader.

One story in particular, in Murder by Any Other Name, is especially horrific. It’s called “Angel.” It’s a prison story, a short peek into Hell. Well done, but the stuff of nightmares.

My bottom line on these two story collections is that they’re good (in Chesterton’s sense of being good shots) but also not good (in Chesterton’s sense of shooting one’s grandmother from a distance of 500 yards).

Maybe you appreciate this kind of stuff more than I do. Cautions for extremely disturbing content and lots of bad language.

‘The Path of Progress,’ by Colin Conway

“That’s a lot of pre-planning,” Johnson said.

“This isn’t the fifties, man. Planning a murder is fairly easy now because of TV and the movies. All anyone has to do is pay attention and take notes. Hollywood has done the heavy lifting for them.”

I’ve recently rediscovered Colin Conway’s 509 series, about law enforcement in eastern Washington state. Most of the stories take place in Spokane, but rural areas come into it at times. My personal favorites are the Dallas Nash stories, but all the main characters are good.

The Path of Progress plays out against the backdrop of Camp Faith, a homeless encampment in a distressed part of Spokane. Both political parties are doing their best to exploit the situation, but the neighbors are increasingly unhappy and demonstrative. Lately, area businesses have been experiencing a string of burglaries.

Leya Navarro is a detective on the Property Crimes squad. She’s a conscientious cop, a married working mother (and a church member), not sure what to think about Camp Faith. She’s assigned to the burglaries and given a partner to work with – a detective named Damien Truscott. This doesn’t delight her. Everyone’s suspicious of Truscott, because he used to be in Major Crimes and then transferred to Property. Nobody goes from Major to Property, a step down in status, unless they’ve screwed up somehow.

Their investigations gradually home in on a local pawnbroker, but all his records seem solid. In time the situation escalates to murder, and then the Major Crimes guys enter the story. The chief MC detective here is a somewhat driven fellow named Andrew Parker, and the focus mostly shifts to him.

There are no gunfights or car chases in The Path of Progress. Just realistic police work performed by well-rounded, believable, and sympathetic characters. I like this approach very much.

I also appreciate that, although no preaching is done, Christian characters are treated with respect. You might think a book focused on the homeless problem would involve a lot of politics, but the ordinary people in The Path of Progress seem mostly troubled and confused. Like the rest of us.

I recommend The Path of Progress, along with the whole series. I really can’t think of any content warnings, though I may have missed some rough language or something.

‘The Fate of Our Years,’ by Colin Conway

I was reading Colin Conway’s 509 series, about policing in eastern Washington state, for some time, and enjoying the books. I’m not sure why I lost track of the series – maybe because the books feature revolving main characters and I had trouble keeping track of them. But I need to get back to them. They’re really good. I liked The Fate of Our Years a lot.

Dallas Nash is a detective. He lost his wife a while back, and is mourning hard. He talks to her (when no one’s listening) and avoids music generally, because so many songs remind him of her. But this doesn’t interfere with his work – in fact, he works obsessively, because it’s the only thing that keeps his mind off his grief. Nevertheless, he’s afraid the other cops will learn that he’s seeing a psychologist – it marks you as weak and unreliable.

In The Fate of Our Years, he has to investigate the stabbing death of an old man who was once accused of rape, and the beating death of a homeless man. Neither of these cases are the work of super-criminals. We’re dealing with plain, unromantic police work here, the grinding away until something comes loose.

But the real interest is in the characters. I particularly like it when characters surprise you with unexpected character facets – there are a couple such instances in The Fate of Our Years.

Also, it featured a born-again Christian character who is presented in an entirely positive way. There’s no incentive to do that in today’s publishing world, so I was grateful.

Recommended, with cautions for mature material.

‘The Eviction of Hope,’ ed. by Colin Conway

I have enjoyed Colin Conway’s 509 series, detective novels set in the Spokane, Washington area. When the story collection, The Eviction of Hope, showed up, I realized I hadn’t read one of the books in a while, so I got this one.

The concept (based on a real-world situation) is that “The Hope,” a residential hotel, once a grand place but now home to transients and drug addicts, is being sold for gentrification. That means the residents, some of them hard-luck civilians, others low-level criminals, are being thrown out onto the streets. Author Conway gathered a group of established crime writers to imagine some of the stories of those dispossessed people.

I am of two minds about the stories in this book. They are well-written. Several of them grabbed me.

However, most of them are downers. One, in particular, involves a Christian woman who disappoints us morally.

All in all, The Eviction of Hope was depressing but well done.

Cautions for language and mature situations.

‘Cozy Up to Blood,’ by Colin Conway

I’m very fond of Colin Conway’s 509 police procedural series, so I thought I’d try out one of his Cozy Up series. Cozy Up to Blood is third in a fairly bizarre series of “Cozy” mysteries. Imagine a cozy whose hero is Murray Lee, a 6’ 3” former biker, covered in tattoos (he does, however, like to knit). He’s on the run from Satan’s Spawn, a biker gang he betrayed for the sake of a woman. Now he’s in the FBI witness protection program, but he keeps blowing his cover because he gets involved in murder mysteries. So the Spawn get word of where he is, and he has to flee again.

In Cozy Up to Blood, Murray turns up in Belfry, Oregon, an island town, just before the bridge washes out in a flood. The town is flooded with tourists who’ve come for a festival celebrating a series of books and movies about sparkly vampires, clearly based on “Twilight.” There’s really no murder mystery in this story, but Murray does investigate a couple thefts (styling himself a “salvage specialist” in the Travis McGee tradition) while trying to figure out how to escape his biker pursuers, who are waiting to roar into town as soon as the flood subsides.

This book didn’t work at all for me. I got the impression that it was supposed to be a comic story, but the jokes didn’t work. I liked Murray okay, but I have no interest in reading more of his adventures.