Tag Archives: creativity

Seeds Among the Ruins and Silence

The greatest displeasure of the largest number
Is the law of nature.
– Pao Chao, “The Ruined City”

Paul J. Pastor writes about The Kalevala, an epic poem written from Karelian and Finnish folklore, focusing on “the great bard Väinämöinen” who chooses to live

on the island with no words
on the mainland with no trees.

After a long while, if I’m reading this correctly, Väinämöinen begins to sing the world into being.

Pastor applies this to our own small creative works. Silence, not just moments of quiet, but true silence that endures beyond our comfort can be “the great and difficult friend of the writer and the artist.”

We are not artistic dynamos. We cannot truly create anything of own mere will. We must rely on the Lord and his revelation, both general and specific. Noise, even a natural and healthy noise of life, can drain us—at least, it does drain me.

And yet what brings Väinämöinen, the bard of bards, into the fullness of his power is precisely that condition of emptiness that so disgusts or unsettles us. It is being in the boring-place, the empty-place, the still-place that something happens to him, something so vast that nature itself unlocks her most intimate secrets.

Photo by jean wimmerlin on Unsplash

The great bard began singing on a rock so bare we would have trouble finding a similar one today, but we may find a deafening silence among ruins, a place where

. . . grains of sand, like startled birds,
are looking for a safe place to settle.

Bushes and creepers, confused and tangled,
seem to know no boundaries.

These verses come from fifth century Chinese poet Pao Chao (or Bān Zhāo). In “The Ruined City,” he describes a vast plain with visible canals and roads cut into it, all leading to crumbled ends and weeds.

The young girls from east and south
Smooth as silk, fragrant as orchids
White as jade with their lips red,
Now lie beneath the dreary stones and barren earth.
The greatest displeasure of the largest number
Is the law of nature.

This too is silence and a little despair; we need more than human hope to endure it. Can we throw seeds into the wind that will sprout in what time the Lord will give them? Kyrie, eleison.

Hawthorne on Having a Government Job

In The Custom House essay that precedes The Scarlet Letter, Nathaniel Hawthorne chafes at his inability to write and laments the dulling effects of his day job.

Suffice it here to say that a Custom–House officer of long continuance can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind.

An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that while he leans on the mighty arm of the Republic, his own proper strength, departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self–support.

. . .

Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle’s pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam’s gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the devil’s wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self–reliance, and all that gives the emphasis to manly character.

Even with this, he didn’t quit his day job. He was fired.

What do you think? Does a regular paycheck pull a man away from self-reliance, or this just the way creative types talk when they can’t sell something?

Willing to Fail: Adorning the Dark

Author and musician Andrew Peterson has written a book on artistic creativity for everyone, called Adorning the Dark. It will be released in four days. (Already Amazon’s #1 seller in Music Encyclopedias. What?)

On his promotional site (from which I pulled this graphic above), Peterson describes the book.

This isn’t a technical “this is how you write a song” kind of book. There are plenty of those, and I don’t happen to think they do much good. I wanted to write something that would be helpful to all manner of disciplines: songwriters, novelists, poets, painters and pastors—but also parents and teachers and accountants and carpenters. One of my soapboxes in the book is that everyone’s creative. Everyone. And my hope is that the principles I cover in “Adorning the Dark” can be helpful no matter what field you’re in.

Wanting to Be Smarter Than God

Sunrise

God in his grace also provides the solution: the God-man, the Word made flesh bore the sins of people of all nations in his body on the tree. We see him pinned there by our foolish pride. Our pride that thought it could build a tower bigger and better than God. That God that spoke us into existence with a word made his Word become flesh (Jn. 1:14) and that flesh was put to death on our behalf to save us from our wicked desire to be smarter than him.

Pastor Sean Nolan repents of his desire to be clever.

An Artist’s Failure to Work

An artist’s failure to work is rarely mechanical—fingers that fail to curl around a pen or a brush—but spiritual: a fear that has rendered them artistically blind or deaf. The solution to them all is to draw closer to God, the source of all order, rest, and freedom, and of every image, sound, and word. — Carey Wallace