Tag Archives: Dante

Rejected Book Tour and Reading Dante in Ukraine

An original limerick for your weekend.

In meetings at Kensington Cross 
For lingo I searched at a loss. 
One word—marinara 
Was all I could bear, uh, 
For the spots on my shirt were all sauce.

No shirts were stained in the composition of that limerick. Now, on to the links.

Memoir: Rob Henderson has a memoir releasing next month called, Troubled: A Memoir of Foster Care, Family, and Social Class. J.D Vance praised it for a “gripping” message. Others called it “extraordinary.” But major city bookstores don’t want to schedule tour events for him, even though he had tens of thousands of social media followers (over 137k on Twitter).

Sherlock Holmes: Getting the great detective into print was a challenge for Conan Doyle in that he hoped to publish one of the better markets. Historian Lucy Worsley, who has a new BBC series on the author’s relationship with his detective, says the first stories were rejected thrice.

The rejections scarred Arthur and made him slightly ashamed of his character, because he wanted to be a high brow writer. Nevertheless, he persevered because he was short of money, and he had a family to support, and he was also very, very hardworking, and energetic.

After Sherlock’s first two outings, both of which were lacklustre in terms of readership, his literary agent suggested a new magazine called The Strand, which was a mid-market magazine aimed at commuters, who were hustling and making a life for themselves in the busy throbbing urban world of London, in the 1890s, that Arthur struck gold.

Self-Awareness: We seem to be overly aware of ourselves, don’t we? But we aren’t yet schizophrenic. “The cult of the ironic, distanced observer, aware of his own awareness, unable to break out of his solipsistic construction of himself and his world, has displaced what is now seen to be the naive, immediate relationship with reality as it is felt. This point of view has developed its own orthodoxy, even if most of us go about our lives as though we were actually involved with things, events and people not entirely of our making.” (via Rob Henderson)

Enraptured: February 12, 2024, will be the 100th anniversary of the first public performance of George Gershwin’s Rapsody in Blue. World Radio had a segment on it earlier this month, discussing the piece and how it’s been altered in many recording.

Dante’s Inferno: Somewhere in Ukraine right now, my friend who publishes books orders printers in the bombed out city of Kharkiv to produce thousands of copies of Inferno. The trucks deliver weapons into Kharkiv. And, going back, empty, they decide to pick up thousands of copies of Dante’s Inferno.

“This is an image of war that happens as I write it: cars are bringing weapons into the besieged city that’s bombed daily, and they leave full of books.” (via The Book Haven)

Photo by Danya Gutan on Pexels.com

How Dante Saved Dreher from Depression


Last year, we wrote about Rod Dreher’s book, How Dante Can Save Your Life,, noting that following your heart will kill you dead and sin is a damaged form of love.

Chris Fabry interviewed Rod about his experience going through depression, attempting to reconcile with his family, and learning more from Dante than his counselor. If you haven’t read his book already, this will give you insight into what you’ll find there.

Sin as a Damaged Form of Love

Rod Dreher has written a personal reflection on Dante’s Divine Comedy in a book called How Dante Can Save Your Life. Readers are posting mixed reviews, partly, it seems, because they don’t understand the depth of the subject matter. Dreher quotes a review and offers some reflection on the family matters he revealed in his book:

Given his life experiences, it would have been easy for Dreher to paint himself as a victim and blame everyone else for his woes. But neither God nor Dante allows him to do so. Rather, as he descends the levels of the inferno and then ascends the cornices of purgatory alongside the Florentine poet, he comes face to face with his own propensity to make golden calves out of his family and his tradition: in a word, southern ancestral worship. Yes, his father and sister must bear some guilt, but Dreher alone allows himself to become bound to these false idols.

He says, “For me, Dante’s understanding of sin not as lawbreaking but as a damaged form of love was important to understanding my crisis situation, and how to break out of it.”