Tag Archives: Evan Smoak

‘The Last Orphan,’ by Gregg Hurwitz

“This man, he sounds like a force to be reckoned with. And it seems … it seems he got his first taste of wisdom. It can be intoxicating. There’s so much to see that you were blind to before. The problem? He thinks he has it. Wisdom. But no one has it. We just wear it from time to time when we’re lucky.”

I wonder if other people enjoy Gregg Hurwitz’s Orphan X novels as much as I do. For this reader, these books are more than well-written. They possess a solidity. A punch. No energy is wasted, just as the hero wastes no energy when he fights: “People think of a superpower as going fast when everyone else moves slow. But that’s not as useful as going slow when everyone else is moving fast.” It could be that I respond viscerally to the character’s OCD, his feelings of alienation, of being separated from the rest of humanity. Or maybe the powerful prose works the same for everybody. The books certainly sell well enough.

The Last Orphan, the latest entry in the series, begins with our hero, Evan Smoak, in Iceland, where he has traveled for no other reason than to sample a local vodka in a bar on a glacier. Vodka is one of Evan’s few, small indulgences – taken in strictly controlled quantities, and only the best. Iceland recurs as a reference point again and again in The Last Orphan, indicating something pure, refined, cold and remote. Evan Smoak’s personal, unachievable ideal for life.

But life is messy, and even Evan Smoak, the Nowhere Man, the freelance hero no one can find, can’t keep himself out of its mess. In The Last Orphan, a very carefully planned and executed government operation manages (just barely) to capture him. Confined in restraints, he is offered an assignment by the president of the United States herself (she’s a woman in this alternate universe). She wants him to take out an international wheeler dealer named Luke Devine. Luke Devine has pulled political strings to stall an environmental bill the president wants passed. But he also controls dangerous agents suspected of very bad acts. If Evan can eliminate him, she’ll give him a full pardon.

Evan couldn’t care less about the president’s bill, but he soon learns that Devine’s personal security men have been doing some horrific stuff, and seem to be guilty of at least two unsolved murders. Once Evan (with the help of his teenaged hacker ward, a girl named Joey) understands the kind of surveillance power Devine wields, he’ll have to figure out how to keep an innocent family safe as a side job.

There are echoes of The Great Gatsby in the descriptions of the wild parties (actually orgies) Devine holds at his Long Island estate. We get to see how several of the regular series cast members are doing now, which is gratifying. And Evan Smoak, against his will but with a sense of moral obligation, is forced to move a little further out of his protective shell as he attempts to outthink and outmaneuver the most intelligent – and dangerous – adversary he’s ever faced.

The Last Orphan is a wonderful book, expertly written. Author Hurwitz even includes one of my favorite author’s tricks – one that should only be attempted rarely, and by a master – a one-line chapter.

I loved it. I wish it were twice as long.

‘Dark Horse,’ by Gregg Hurwitz

Aragón set the glass down, pushed it away. “Maturity is graduating from the belief that the world misunderstands you to the awareness that you misunderstand the world.” He laced his fingers together. “Who I have failed to become is the story of why my daughter suffers. That load of product I burned yesterday? I could have burned it, burned them all, two years ago or three. And then maybe she would be safe. I didn’t need you to tell me to do it. I didn’t need you. But clearly I did.”

The Orphan X series by Gregg Hurwitz is an amazing set of books that keeps getting better and better. I have a couple personal quibbles, but reading the latest, Dark Horse, was a delight overall.

As you may recall, Orphan X is Evan Smoak (also known as the Nowhere Man). A former super-secret government agent, he managed to get free and now operates as a freelance white knight, rescuing people in bad trouble. He lives in an expensive Los Angeles penthouse apartment. It’s a sterile, minimalist space where he finds comfort in his OCD.

That space was violated in the last novel, and now he’s in the process of rebuilding. But he’s interrupted by a plea for help from someone to whom he ordinarily wouldn’t give two seconds – a drug lord from the Texas border country.

Aragon Urrea tries to operate at a higher level than the cartels. He eschews terrorist tactics, contributes to the welfare of the people in his territory, and has always maintained his family’s home as an island of normal life. He has raised his daughter Anjelina to be a good person. But now she’s been kidnapped by a cartel, from her 18th birthday party.

Evan doesn’t like the idea of working for a drug dealer, but Anjelina is an innocent. He agrees to try to get her out, which involves infiltrating the cartel.

But that’s not Evan’s only problem. He’s having trouble relating to his teenaged ward, the female computer hacker Joey, who wants his permission to go on a solo road trip. Evan has no idea how to deal with adolescent rebellion, but he knows he doesn’t want her running around unprotected in this dangerous world.

And then there’s his almost-girlfriend Mia, who lives in the same building, and is facing a personal crisis beyond Evan’s power to help. Except that she wants him to give support to her son Peter. Another kid needing guidance from a guy who never experienced a real family.

Dark Horse is more than an action thriller. It’s about a damaged, obsessive-compulsive man forced (reluctantly) to engage with the world of human feelings and needs, far outside his comfort zone. He can put a bullet through a human heart with no trouble – but can he comfort a broken heart?

Author Hurwitz has been constantly raising the level of the Orphan X books. They’re becoming (in my opinion) something really wonderful and moving. I highly recommend them. Cautions for language and mayhem.

My only problem was that some PC elements were inserted where they really weren’t necessary. I hope the author gets over that.

‘Hellbent,’ by Gregg Hurwitz

Hellbent

She felt like an anchor to him, not dragging him down but mooring him to this spot, to this moment, locking his location for once on the grid. For the first time in his life, he felt the tug as something not unpleasant but precious.

In the course of Jordan B. Peterson’s 12 Rules for Life, which I reviewed a few inches south of this location, he mentions that thriller writer Gregg Hurwitz is a friend of his. This reminded me to check on what Hurwitz has been doing lately. Lo and behold, he has a new Orphan X book out. I snatched it up greedily, and was richly rewarded. Hellbent is a humdinger, the best (in my opinion) of a superior series.

As you may or may not recall, Evan Smoak is Orphan X, the Nowhere Man. He was recruited out of a group home as a boy, to be part of the CIA’s ultra-secret Orphan Program. The Orphans, all people without families, were trained to be deadly assassins and commandos. Not only were their actions deniable by the government, their very existences were deniable.

Around the time Evan’s lifelong nemesis Van Sciver (Orphan Y) took control of the program, Evan managed to escape, with the help of Jack Johns, his mentor and surrogate father. Now, still with access to secret bank accounts, he lives a hidden life in a large LA apartment. His existence is spartan, his apartment almost empty of adornment. He spends his time helping people, but actual human relationships would give Van Sciver – who’s still searching for him – points of access, so Evan doesn’t have any.

But now Jack has asked him for a favor – to collect and protect a young woman in danger, Joey. Joey was scrubbed out of the Orphan program, but Van Sciver is still trying to hunt her down and kill her, along with another ex-Orphan and the boy he has been mentoring. In order to carry out Jack’s wishes, Evan will have to allow another human – and a pretty disorganized one – into his ordered life. And for him, that may take more courage than fighting a team of Orphans and Secret Service mercenaries, plus the MS Thirteen street gang (which he’ll also have to do).

Exciting, clever, and very moving in parts, Hellbent delighted me. I recommend it very highly. Cautions for language, violence, and mature themes.

‘The Nowhere Man,’ by Gregg Hurwitz

The Nowhere Man

Evan struggled to find the words. “For as long as I can remember, I’ve been out in the cold, nose up to the glass, looking in. I may not get to come inside…. But I’m sure as h*ll not gonna let the wolves in at everyone else. No. That’s one thing I’m good for.”

This is the second book in the Orphan X series by Gregg Hurwitz. In The Nowhere Man, Evan Smoak, former secret government assassin, present-day free-lance rescuer, continues his strange career. He saves people’s lives pro bono, generally by killing someone who can be stopped in no other way. But this book takes the story in a new direction. Someone very, very good at surveillance and special ops manages to capture him. It’s just business, as his captor has noticed Evan’s elaborate, high-security online financial activities. He wants Evan to transfer a large amount of money to him, on pain of torture. But he gradually realizes that Evan is a different kind of target than any he’s ever dealt with, and he decides to put his very life on auction.

I found the tension almost unbearably high in this one, as I’ve always found stories about imprisonment and escape emotionally difficult. Evan’s challenges rise to the level of the existential, as he comes to the end of his (considerable) personal resources, and reaches the point where he needs the help of others, something very hard for him to accept.

Once again, I found this Orphan X book riveting, and I highly admired the author’s skill at cranking up the tension while turning out superior prose. The depth of the characterization gives the book substantial weight. The plot is sometimes a little implausible, but we’re treading the borderline between novel and comic book here, so I just went with the ride. And an exciting one it was.

Cautions for language, violence, and adult situations. I also ought to mention that Evan practices transcendental meditation, which I don’t care for. But all in all, this is about as much quality entertainment for your book-buying dollar as you’re going to find anywhere.

‘Orphan X,’ by Gregg Hurwitz

Orphan X

I was surprised how much I enjoyed this book.

Evan Smoak, hero of Orphan X by Gregg Hurwitz, does not officially exist. As a young boy he was taken (voluntarily) from a group home for orphans, to join a secretive US intelligence team. Members of the Orphan Program are highly skilled agents and assassins, entirely deniable and expendable in case of capture. Evan was raised in near-isolation by his handler, Jake Johns, a good man who taught him not only tradecraft, but human values as well. He instilled in Evan his own Ten Commandments, rules of operation by which he has lived ever since.

But around the time he was thirty, Evan decided to come in from the cold. He left the program, at great personal cost. Now he’s a kind of freelance hero. When he helps someone out of a life-and-death situation, he tells them to give his phone number to one other person, and only one. This keeps his work from becoming overwhelming.

But when he gets a call from a woman in debt to the Las Vegas mob, whose father is being held hostage until she pays up, and then shortly after is contacted by another “client,” he knows his system has been compromised. Someone with skills similar to his own is hunting him. Who should he trust? How can he be sure who really needs his help?

And what should he do about his neighbor, a single mother, to whom he’s attracted? Particularly considering the fact that she works in the District Attorney’s office?

Gradually, he starts to break Jack’s Ten Commandments, one after another.

One can’t help thinking of a cross between Jason Bourne and Batman here. But Orphan X digs deeper, uncovering layers of dysfunction and contradiction in the personality of a man who lives to do good, but doesn’t know how to relate to other human beings. When I was a kid, I used to watch TV Westerns, in which the heroes often seemed to travel from place to place with no other occupation than Righting Wrongs. When I got older, I began to wonder how they paid the bills (for the record, The Lone Ranger, at least, owned a silver mine). But there’s a deeper question – where does the hero go to meet his own emotional needs? Is he really a good man if he doesn’t dare – or know how – to love?

Orphan X is the first book of a series that I eagerly anticipate following. There’s one sequel to date, which I’ll review soon. Aside from the exciting (sometimes improbable) plot and vivid characters, the writing here is top notch. Cautions for language, violence, and mature themes. Highly recommended otherwise.