Tag Archives: Merlin

Rise of the Merlin: The Darkness Within

A lot of foreshadowing preceded episode six of Rise of the Merlin. We’ve seen a woman watching Merlin and riding beside him in his imagination, and in the last episode we learned she was King Custennin’s daughter, Ganieda. But what happened to her? Why did Custennin accuse Merlin of refusing to save her?

Now we know the intense story that provoked the legendary mage to run from civilization when we first met him. After leaving his tutelage with the Hill Folk, he meets a woman who’s hunting a boar, follows her to her fortified city, and learns she’s the king’s daughter. He also learns the people are Atlantean whose boats had been separated from King Avallach and thought to be lost. Both groups thought they were the only ones to survive the ruining of Atlantis.

Did I mention Ganieda is adorable? A year later, she and Merlin are married, and they live happily ever after, which is enough to drive any man mad. (I was going to leave it at that to avoid spoiling the story, but I’ll go ahead and say it. Bad things happen, and Ganieda dies. I’ll get to Merlin’s reaction in a minute.)

Ganieda is a figure from the old Welsh stories, but she isn’t described there as Merlin’s wife. She’s his sister or even his twin. In one story, she’s the wife of a Scottish lord who battles and kills Merlin’s patron. In another account, the Scotsman and patron fight together. Either way, the patron dies and Merlin is distraught, while Ganieda is an observer either grieving or reacting to her brother. Lawhead makes this relationship more personal and so the tragedy that pushes Merlin to madness makes more sense.

At the end of episode two, we meet Merlin under a rock in the pouring rain. This was his response not only to losing his wife (who was with child) but also to his reaction to that loss. We see a moment of that reaction in the trailer. We hear about it when he returns to Maridunum the first time. In two different battles, Merlin falls into a battle trace. The first wins him the throne of Maridunum for his defense of the king and the people. The second is his merciless rage over the death of Ganieda, when the barbarian raiders return to the scene of their crime. Dozens of barbarians charge one admittedly intimidating young man and none survive. Even after they realize they’re getting slaughtered and begin to run, Merlin pulls them back to gut them. It’s this and one more outburst that drives him to renounce his life for many years to follow.

With the finale coming in two weeks, viewers have at least one question to consider, and it’s raised by Charis (in episode four, I think). Though Merlin has refused to take up Avallach’s sword for fear of his battle rage, Charis asks whether the salvation of Britain will require it. When the Saxon hoards are crushed, as surely they must be, will it be the people led by High King Aurellius or Merlin on their behalf? And what terror will Morgian accomplish?

Rise of the Merlin: Who Is High King?

The Pendragon Cycle: Rise of the Merlin continues grim and sober in episode five. Last time, Merlin met two of the lesser kings and persuaded them to pledge loyalty to Aurellius, or at least think about it. This time, he rides into The Old North to urge Custennin and the Northern kings to join. Tension has been building since he left Ynys Avallach. None of the kings have welcomed the prospect of fighting the Saxons, seeming to prefer keeping their heads down until the fight comes to them.

Custennin doesn’t welcome Merlin either, but for different reasons. They have history, which has been described and hinted at. In fact, everyone who remembers him knows of these dark deeds. If you’ve seen the trailer, you’ve seen a key moment that has defined Merlin’s present-day character but has yet to be explored for viewers. I think we’re going to get that in episode six. I’ll let you know.

This episode is entitled “The Price of Failure,” which is how Merlin approaches the anger he gets from Custennin. He believes he failed. On the other side of Britain, Uther explores his failures by continuing to bark at the lesser kings when he should be building their confidence in their cause and Aurellius as the High King. He’s not working with soldiers; he’s working with proud men who are used to commanding those around them. Scottish actor Chick Allan (shown above) plays the proud, but sensible, King Gorlas, who may be the strongest warlord among them. Will he submit to Aurellius’s leadership?

As you can tell, the series plot isn’t galloping along. It’s walking at a good pace, focusing on the main characters. This ep. relieved a little tension with two climatic scenes near the end, but the main wire that’s been taut for so long doesn’t slack. The brief scene at the close had me asking, “What?” aloud, because I thought that’s what we were getting this time. Now, I have to wait a week.

I’ve read comments from people who aren’t watching the series complaining about the Christian themes they’ve seen or heard about. It’s lightly handed (is that a phrase?). It’s more demonstrative in this ep. than the fourth and is perhaps most in the foreground in the second, but it comes to mind now because even this light theme gives everything the depth of interest it needs. A story needs a soul, a hearty soul that breathes life into every details. Kudos to the showrunners and writers for having the depth of soul to craft a good story.

Rise of the Merlin: The King of Maridunum

We see brutal melee in the fourth episode of The Pendragon Cycle: Rise of the Merlin as Merlin, Pelleas, and Uther travel north to rally lesser kings to fight for Aurellius against the Saxons.

First, Merlin recommends the High King take refuge in Ynys Avallach, the realm of former Atlanteans, now considered fairies or elves by men. King Avallach is hailed as the Fisher King, because they find him fishing, but I don’t know if the writer is teasing us with Arthurian easter eggs or intends to identify him as the Fisher King who keeps the Holy Grail. It could be the latter, because Avallach is wounded as the Fisher King is wounded and his kingdom is in decline.

Thinking Merlin may be raising an army for himself, Uther insists on travelling to Maridunum with him. When they arrive, we learn more of Merlin’s past and why Uther has good reason to fear him. In the image above, Finney Cassidy as Aurellius is in the foreground, Myles Clohessy as Uther behind him.

A lot more fighting this one, some of it brutal. About half of it had me wondering what a real melee would look like. I’d think there’d be more shield usage and no cracking someone’s helmet with your sword hilt and pushing them behind you. Aurellius goes against a brute in one scene that leaves you feeling the blows.

I didn’t talk about the power-hungry Morgian before. She appears again in this episode, having established herself as the wife of one of the lesser kings (and, of course, rooting for the Saxons). It’s clear she was a bad egg from the start. She sought out the deal Taliesin rejected at the start of the series. I’d love for it to turn Faustian on her because she’s earned that, but I doubt that’s where the story will take us.

Speaking of that, I assume this seven-episode series will leave us somewhat hanging. This is only the first part of a longer story. Will they attempt to wrap it up, believing they can’t afford a second season?

Rise of the Merlin: A Fatherless Child

The third episode of Jeremy Boreing’s The Pendragon Cycle: Rise of the Merlin continues in the series’ strengths. Tom Sharp as Merlin (shown above) brings appropriate gravity to the role of a 75-year-old mage who has been an established legend for many years, according to all the people who meet him.

It begins with Merlin in the wilderness and a voiceover telling us what people say about him — that he was mad, that he was a king of renown, a bard, a prophet, and a slayer of hundreds. A figure and voice reminiscent of the old man who confronted Taliesin charges him to “go back the way you came.” And so, our man with falcon eyes returns to the land of the living.

The easiest way for me to review each episode would be to simply recap what happens. I don’t want to do that. I want you to enjoy the show yourself, whether it be on DailyWire+ or on another method of release (surely they will sell DVDs). Still, I’ll share what I can.

Merlin delivers the episode’s theme when telling Aurellius, “First, there is a sword, a sword of Britain and the sword is Britain.” Aurellius is of Roman decent and aims to reclaim his father’s land from the Saxons (or Saecsens, as the show spells it). One historical account says he was the one who directed the building of Stonehenge, which would be an impressive real-world tie-in. Right now, he is avenging his father’s murder and rallying other warlords to his banner.

Aurellius’s brother is Uther Pendragon, who appears as his more pessimistic partner in the fight. The story makes it clear Aurellius is in charge, but Uther looks to be his equal in many ways.

This series isn’t going to put the cookies on a low shelf. Viewers may ask if they are supposed to know who someone is or how to read Welsh, and if you’ve taken a course in Arthurian legend, then yeah, you should know. The rest of us will need to get comfortable with ignorance. I haven’t felt lost yet, and most of my knowledge of Camelot comes from the musical.

I love what they’ve done with magic, so far. Episode one got gritty with the pagan stuff, but when our leading men exercise power, it’s natural and sometimes marvelous.

And there’s a scene in this one that is a bit more thrilling for its close resemblance to the hobbits hiding from the Black Riders. I almost stopped it to stare at the tree roots. It’s not the same forest, but when you see it, you’ll know what I’m saying.

The Pendragon Cycle: Taliesin Episodes

DailyWire+ has released its beautiful, 7-episode series The Rise of the Merlin, based on The Pendragon Cycle, Stephen Lawhead’s six book series, to regular members last Thursday. The first two eps are up along with a podcast that explains some of the details.

The first episode introduces Charis of Atlantis and the destruction her civilization. It’s an impressive scene in a Greek-style arena. Charis is the head of a seven-person team, male and female, who summersault over running bulls (see the photo of a Minoan fresco above). It isn’t just sport. It’s ritual for the bull god, Bel, to whom Charis is praying when we first see her.

The Atlanteans speak a language invented for the show by Spencer Klavan. It has a great, authentic sound. I picked up notes of Indo-European and Phaffinnic intonations under a clear faux-Latin influence. (I say this as a guy who can spot the subtle flavors in a Hersey’s, so I know what I’m talking about. Don’t get me started on peanut butter blends.)

Twenty years after their home is destroyed, the Atlanteans have established a kingdom in southern Britain, where the Cymry find them, having fled their land to escape barbarian raiders. Taliesin, a bard, is the adopted son of King Elphin. On the first evening, we hear him sing for King Avallach, Charis, and the other Atlanteans a moving song about the Welsh king Pwyll meeting the fairie lord of Annwn in the forest. It’s the first of two songs Taliesin sings in these episodes, and I like them, though they aren’t 4th century ballads. (I assume Lawhead wrote them.) This one in particular has been stuck in my ear for days.

The theme of this part of the series is the move from paganism to Christianity. Both main characters reject offers to sell themselves completely to their pagan gods, and at the end of episode one, the Lord catches Taliesin by surprise. “Look upon me then, Shining Brow!” It’s marvelous.

I love the look of this series so far. The actors are wonderful. (James Arden looks and sounds great as Taliesin.) Dialogue is strong. My one criticism is that a few scenes feel clipped. A dramatic scene at the start of episode two could use a few more minutes of explanation. Or maybe it lacks a foundation. They do explain why everyone is angry in that moment after the scene, but I could use three more minutes of talking it over—maybe hearing the offer put on the table and hearing it rejected before tempers flare.

Episodes drop every Thursday. I’ll try to review the next ones as they come out.

The mark of Merlin

Today started out kind of gray, but it gradually grew brighter and warmer. Right now it’s just about a perfect spring evening.

Got an amusing letter, from a friend. I’d give his name, but maybe one shouldn’t throw names around on the internet. Though one feels one ought to cite one’s sources.

Anyway, the letter came as a surprise. It was a one-page, photocopied missive, telling about what he’s been reading, and about being on vacation in Oregon. He said he found himself near the town of Merlin, Oregon. And he had a bunch of USPS dragon stamps.

He couldn’t resist sending a letter with a dragon stamp and the postmark, “MERLIN.”