I understand when a cast of characters is in high school, the plot usually entails going to class, but I remember the third novel, Rise of the Circle, ending on big decisions and cosmic revelations. This novel, Omni’s Fall, begins with our hero struggling through math class.

I guess that means it’s just another Monday.

Teenaged metahuman Connor Connolly feels compelled to act, even when he doesn’t know what to do. That gets him into big trouble and threatens to end his heroic career. The authorities over him keep telling him to stand down and not draw attention to himself, while at the same his Batman-like mentor is calling him out to missions. After each feat of heroism, his metabands, the technology that makes him a superhero, look more damaged than before. Should he keep using them? As soon as he decides to rest a while, another threat or opportunity arises.

The plot and structure of the book are fun and maybe hold together, but they aren’t strong. I liked the villain and the new developments to the world. I still like the characters. But everything together didn’t work as well as I wanted it to.

It’s one thing for the hero to press on when everything is telling him to play it safe. Maybe he can’t stop, because the threat will run him down or the bad guys will get away. Maybe he’s the only one with all the facts to bring justice. It’s another thing for the hero to keep risking his life because “somebody’s got to do something.” No one throws himself in front of a runaway train because somebody has to do something to stop it. Of course, when you open the possibility of being able to stop the train with your super strength, how big does that possibility have to be for you to make the jump?

With the threat of his metabands failing, Connor must confront the possibility that he may no longer be able to fight bad guys as Omni, but when that argument comes up, he gets defensive and denies all of his worries like a man denying he has colon cancer. He isn’t mature enough to have the power he has, and he isn’t mature enough to recognize his immaturity. The fear of having your power taken from you is a good theme, but this story doesn’t go deep enough to make it compelling.

The threats raised in The Second Wave continue to swell in the third book of Tom Reynold’s Meta Superhero series, Rise of the Circle. Connor Connolly’s hometown, Bay View City, is under lockdown by a superpowered tactical team which had been working for The Agency until opportunity turned them into the very beings they opposed. Now, Alpha Team is forcing all other Metas out of the city upon threat of execution.

Connor doesn’t want to leave, because that feels like giving up, but he does for his and his brother’s safety. And also because his high school was destroyed and he needs to keep up the appearance that he’s still a 16-year-old nerd.

Without spoiling the story, I want to praise Reynold’s plotting and tension. The good part of this book is the narrative intensity that carries smoothly from the last book–high, original stakes and dangerous villains. Superman isn’t saving Lois for a third time here. The personal stakes arise naturally, and the main villains are legitimately terrifying.

But this is the weakest of the three books for a few reasons, the biggest of which is all the explanation. There’s the new school, secret Meta training, lots of new people to meet, new teenage dynamics, and too much stuff to explain. We learn a lot in this book. Did we need all of it?

Another reason I mentioned in the previous review. The narrator tends to state the obvious. I could rephrase that as the author not trusting his readers. There’s a point in which the hero needs to hide, so he ducks out and allows others to cover for him. The bad guys come in and ask if anyone else is here. The following line, as I remember it, goes, “‘We’re the only ones here,’ he lied.” It’s just one word of explanation, but really? That scene sticks out because of all that came before it.

More than the other books, this story feels propelled by the hero’s need to do something. He can’t play it safe, and he knows doing something will likely get him killed, but this is a Very Bad Situation and someone must do something. A couple of these scenes of compelled response look like the characters have read the script, which is never good.

Here’s hoping the fourth book is much better.