But the girl’s fine eyes were on his, in helplessness and in appeal. And his father had said, many times, “When you have to do something right, boy, don’t stop to count how much money you got in your pants.”

Sometimes the great John D. MacDonald just liked to play plotting games, dumping an assortment of characters down in some location together, shaking them up, seeing what happened. That’s how his early (1952) novel, The Damned, works. This book reveals interesting strata of art – on the surface, it’s a fairly standard, sexy men’s novel of the time – some tough guys, some pretty women, some discreet sex, and a fair amount of violence. But even at this early point in his career, MacDonald is mining his material for high grade ore.

On the Rio Concho in northern Mexico, a ferry gets blocked. So a string of cars headed back to the U.S., most of them driven by Americans, is left waiting in the hot sun, their occupants impatient and uncomfortable to various degrees.

There’s the businessman coming back from the first infidelity of his married life, his heart full of guilt and his floozy by his side.

There’s the pair of newlyweds, accompanied by his mother (!). The bride is beginning to realize that the guy she’s married isn’t a grownup man, and probably never will be.

A tough petty criminal, wanted for murder, uncomfortably aware that the police are on his tail.

The small-time nightclub comedian, with two country girls he’s trained as strippers. He’s beginning to suspect, uneasily, that the girls are smarter than he is.

And an expatriate American rancher, comfortable in his skin and in the sun, the only one among them who understands – or cares to understand – the Mexican people all around.

We’ll see some fighting, and some death. People will be confronted with hard truth, about themselves and others.

Oddly, the story is left kind of open-ended. The author leaves it to the reader to ponder where these people will end up down the road, once the ferry is running again. And the narrative is framed by the simple life of a local man, as different from that of the Americans as a space alien’s would be – but a valuable life, good in its own way.

There was a remarkable moment in The Damned that moved me a great deal. A rare moment in a MacDonald book, as he rarely deals with issues of faith (except for one novel which I’ve avoided). A couple of the characters – ones you’d never expect – break out into singing the old hymn, “I Love to Tell the Story.” The reactions of the listeners are instructive.

The Damned is 1950s pulp literature that rises above its genre. Recommended, with cautions for adult themes.