On the beach at Southend, England, a ragtag group of young “guerilla filmmakers” is shooting a movie, one they hope will lead to their big break. Their “star,” a washed-up, alcoholic TV actor, appears to be dozing by the pier. But he’s not dozing – he’s dead. It looks as if he fell asleep there the night before and froze to death. But the crime scene investigator notices suspicious signs. This brings in the police team – Inspector Joe Hogarth and his younger subordinates, Detectives Palmer and Simmons. Then, when Hogarth’s oldest, greatest enemy appears, a villain who’s now a member of Parliament (Tory, of course), Hogarth’s back is well and truly put up—for better or worse. So begins The Poison Path, by Solomon Carter.

I’ve read one Inspector Hogarth book before. I found it well-written but rather dreary; the hero is solitary, depressed, and has a drinking problem. This is a later book, and he seems to be doing a little better – there’s some subdued flirtation with his female subordinate, Palmer. Still, he remains driven, lonely, and obsessed. He’d fit in well in a Scandinavian Noir story, I think. One interesting and unusual element was that our hero is not always right, like so many fictional detectives. In fact, he’s wrong quite a lot of the time. Mostly, he lets his feelings run away with him.

So, all in all, The Poison Path wasn’t bad. Not my favorite kind of story, but I’ve got no real complaints.