Still got some reading to do before my next book review. Picked up yet another book about Wyatt Earp and the OK Corral. I don’t know why I keep reading these things. Officially, I’m a Wild Bill Hickok partisan, but there aren’t as many books being written about the Prince of Pistoleers (got to check if there’s anything new out there). But that OK Corral business just keeps fascinating people. The book I’m working on seems promising, in terms of fresh information.
That put me in the mood to watch “Tombstone” again. Like all Earp movies, it falsifies all sorts of stuff, but it works so well as a film – and they did make the effort to make it look authentic. Love those costumes.
And it has some great epic moments. I so love epic moments, where your heart soars a few yards, like Soti in The Year of the Warrior. Made me wish I could write some of my own.
And what do you know? I have some to write! A Work In Progress nearing completion, just needing a few more edits to steer it the tradition of Cecil B. DeMille. Or Sergio Leone. Or whoever directed “Tombstone.” (I forget.)
I finished another draft of King of Rogaland last night. Then this morning as I got up, I thought of a few lines I needed to add, to contribute to the general transcendence of the epic as a whole. Tonight, I start another read-through. I’m close now, I think. This book seems to have more moving, intersecting parts than anything I’ve written before. I think I’ve got most of my ravens in a row now – I’m only aware of one point I’m still not sure about.
Of course, you never know what self-inflicted follies, of my own creation, still lie in wait for me. That’s all part of the (epic) process.
When, as often happened, one of the raiders lost his mount, he would proceed, running on his own feet, being careful not to set too fast a pace for the ponies.
Recently I saw an old Audie Murphy movie which, even within the canon of Audie Murphy’s ouvre, was fairly non-memorable. Walk the Proud Land was an attempt on Murphy’s part to broaden his range through playing, not a gunfighter, but a man of peace. That man, a genuine historical character, was John P. Clum. The movie failed at the box office in its time, but it succeeded in piquing my interest in a man I’d wondered about before. I knew John Clum as editor of the Tombstone Epitaph, mayor of Tombstone, and a staunch friend of Wyatt Earp. I’d also read he was a devout Christian. I’d been mostly unaware of his exemplary career as an Indian agent.
John P. Clum was a Dutch Reformed boy from a farm in New York
state. Intending to enter the ministry, he attended Rutgers University, but had
to drop out due to lack of funds. His education did earn him a job as a weather
observer for the US Army Signal Corps in Santa Fe, New Mexico, however. This
led, through a college connection, to his appointment as Indian Agent at the
San Carlos Reservation in Arizona.
Clum was 22 years old when he arrived at San Carlos, not entirely sure what he’d find. In general, he was pleasantly surprised. He found the Apaches, by and large, decent (by their lights) and hard-working people, scrupulously honest, and historically eager to be friends with Americans (it was the Mexicans they hated). John Clum, Apache Agent, and It All Happened in Tombstone (a compilation of two books) begins with a narrative of United States relations with the Apaches, and it’s a sad and painful story. For every American willing to treat the Apaches decently, there seem to have been ten who, motivated by greed or bigotry, lied to them, cheated them, or killed them like animals.
Clum set about earning the Apaches’ trust, helping the
decent ones and punishing the (minority
of) bad actors. In time he was able to set up a working self-government system.
He was particularly proud of his efficient Apache police force, which operated
with distinction and crowned its achievements with the capture of Geronimo (the
only time – as Clum takes pains to point out – when he was captured without
voluntarily surrendering).
In time, however, bureaucratic interference and changed Indian policies left Clum with no alternative, in his own mind, to resigning his post and leaving the reservation. The later history of his Apache friends is sad to read.
There is considerable pride in Clum’s account, along with
great contempt for narrowminded and bigoted Americans who spoiled what might
have been an exemplary peace. The only character Clum seems to hate more than
these bureaucrats is the “bad Apache” Geronimo, whom he describes as a liar, a
master manipulator, and a merciless killer. He is particularly offended that his
friends ended up sharing Geronimo’s fate of exile and imprisonment, without the
advantages that Geronimo enjoyed – celebrity status and income from souvenir
sales.
The later part of his book is Clum’s own account of his career as mayor and editor in Tombstone, during the fabled days of the Earp-Clanton feud. He is staunch in his support of Wyatt Earp (who would seem, on the face of it, an odd friend for a good Dutch Reformed boy), and (regrettably) his account varies not at all from the well-known (and much-questioned) version told by Stuart N. Lake in Wyatt Earp, Frontier Marshal. What will be fresh for most western buffs is Clum’s own account of what he believed to be an assassination attempt against himself on a stage coach run, when he ended up leaving the stage and proceeding on foot, to be less of a target.
The book John Clum, Apache Agent was not written by Clum himself, but was edited by his son Woodworth Clum, from his father’s unpublished papers and reminiscences. The prose is not bad – generally avoiding the excesses of Victorian baroque. The main problem with this electronic edition is that it was obviously produced through OCR transcription, so there is the occasional misread word – as well as entire lines of text getting lost now and then. But it wasn’t enough to spoil the story as a whole.
If you’re interested in the Old West, John Clum, Indian Agent, and It All Happened in Tombstone makes interesting reading. I suspect Clum left out some of the juiciest – and/or most appalling – details, so the book is suitable for most readers.