Tag Archives: Tony Dunbar

‘Night Watchman,’ by Tony Dunbar

I’ve been reviewing – rather sourly – a collection of Tony Dunbar’s Tubby Dubonnet novels which I got in a free deal. I’m not in love with the books, but I got them for nothing and I don’t hate them, so I’ve been reviewing as I read along. I’m not sure it’s entirely fair of me to repeatedly criticize books I don’t like a lot, rather than just leaving them alone, but such are the terms of my life at present.

It should be noted that one book is missing from this collection, a story about Tubby during Hurricane Katrina, which is not included due to publisher issues. The next in order is Night Watchman. I liked this one even less than the previous ones, for political and world-view reasons.

As Night Watchman begins, Tubby Dubonnet, moderately lazy New Orleans attorney, is in Naples, Florida with his new girlfriend, who’s beginning to hint that Tubby should relocate there for a more permanent relationship. In a fit of intimacy-aversion he flees back home. As he journeys, he recollects when he first moved to the city as a college student. He fell in with a group of hippies and was present at an anti-Vietnam War rally where he watched a young man he barely knew get shot to death by a drive-by shooter. He wonders who the victim was, and whether the killer was ever punished.

When he arrives back home and starts making inquiries with the police, he’s surprised to encounter not only the blue wall of silence, but threats from the Cuban refugee community. It will all lead to betrayal by a friend, his own abduction and torture, and to the kind of anticlimactic resolution that is so characteristic of these books.

The writing was good, the characters were fine, as usual. And as usual, I don’t get the Big Easy vibe. But particularly in this book, I didn’t like the politics. The big villains here are anti-Castro Cubans, the kind who are on the wrong side of history, don’t recognize the glorious benefits Communism has brought to their island, and still bear grudges about seized property. The prison camps, tortures, mass executions and loss of civil liberties aren’t deemed worthy of mention. There’s even a hint of that hoary old conspiracy theory that anti-Castro Cubans were responsibility for the murder of JFK.

As you’ve probably guessed already, that’s not how I remember the period, and it’s not how I view Communist Cuba.

Otherwise, Night Watchman was all right.

‘Lucky Man,’ by Tony Dunbar

The sixth volume in Tony Dunbar’s Tubby Dubonnet series is Lucky Man. As usual with this series, I felt a bit disoriented as I read, like a newcomer to a social group trying to keep up with people discussing personalities and events I’m not familiar with.

Anyway, in the last book, Tubby, a New Orleans lawyer, served as campaign chairman for Judge Hughes. Now Judge Hughes comes to him with a problem. He’s been subpoenaed by the new district attorney, a fanatical reformer. The DA is threatening to indict Hughes for a sexual indiscretion at work unless he fingers other judges for corruption. The trouble is, Hughes says, he doesn’t know about any serious corruption (a little hard to believe in New Orleans, this reader thought) and he doesn’t want to perjure himself (or for his wife to find out).

Meanwhile, Tubby is dealing with the presence in his house of his friend Raisin, temporarily between addresses. Raisin turns out to be a difficult roommate, and he’s going through relationship drama. Tubby himself is contemplating moving to the country, under the influence of a girlfriend who hates the city.

The story involves a homeless man living under a house, an escort service, and a man who dies from swallowing poker chips. It features that favorite fictional trope of our age, the hypocritical born-again Christian. Lucky Man was colorful and entertaining, but left no major impression on me.

‘Crime Czar,’ by Tony Dunbar

I got a collection of Tony Dunbar’s Tubby Dubonnet novels cheap, and by golly I’m going to read my way through them. They’re not entirely my kind of book, but I don’t hate them either, and cheap is good at this time in my life. So I’ve gotten to Crime Czar, the fifth book of the series.

When we last saw New Orleans lawyer Tubby Dubonnet, he had survived being kidnapped by bank robbers during the greatest flood in the city’s history. Things generally came out all right from Tubby’s point of view, except that his friend Dan got shot in the stomach saving Tubby’s life. At first it looked as if Dan would pull through, but now he’s back in the hospital, fading out. During a lucid moment, he whispers a cryptic message to Tubby.

Tubby experiences a new sensation now – a need for retribution. He knows who shot Dan – a dead-eyed, jug-eared professional killer who may or may not be dead. But Tubby wants the boss, the mastermind, the “crime czar” behind the killing.

His path to the reckoning will not run smooth – not in a Tony Dunbar novel. There will be frequent interruptions and sideshows involving the birth of Tubby’s first grandchild, a judge’s reelection campaign, the county’s corrupt sheriff, a client framed by the police, the return to town of a girlfriend, and a spunky young prostitute out after her own vengeance. These books often remind me of the stateroom scene in “A Night at the Opera,” where the comedy comes from no particular joke, but simply from the ridiculous introduction of one new character after another into a limited space.

And I guess that has something to do with why I don’t love the Tubby books as well as other people do. They kind of remind me of a party, and I’m uncomfortable at parties.

But Crime Czar was amusing. Also, I noticed for the first time that Tony Dunbar is in fact a pretty good prose stylist, capable of lines like, “she saw that his eyes were like crowder peas with woolly caterpillars crawling over them.”

Pretty good.

‘Shelter from the Storm,’ by Tony Dunbar

I’m also on the waiting list at St. Olaf’s.”

“Saint who? Who the heck is he?”

“I don’t know. It’s a college in Minnesota. One of the boys I met on my trip to France is going there.”

“Minnesota,” he repeated, incredulous. “Please pass me a scone.”

“I’d like to see more of the world,” she said.

The exchange above is from a conversation between Tubby Dubonnet, hero of Shelter from the Storm, fourth book in Tony Dunbar’s Tubby Dubonnet series, and one of his daughters. It’s typical of the droll quality of the dialogue in these books, though I mainly chose it because it’s a rare reference to Minnesota and a Norwegian-American school.

By the way, it’s “St. Olaf,” not “St. Olaf’s.” A typically Catholic mistake.

Anyway, in Shelter From the Storm, a Texas outlaw named LaRue has hired some local criminals in New Orleans to help him crack a bank safe deposit vault during Mardi Gras, when he figures no one will be paying a lot of attention. (He is correct in this.)

What he doesn’t expect is rain – not just ordinary rain, but a torrential monsoon that cancels parades and floods the streets and knocks out power in the city. When things go wrong, LaRue has a tendency to shoot people. One of the people he shoots happens to be a new legal client of Tubby Dubonnet’s, and Tubby takes that seriously. He can’t call the police because the phones are out and they’re kind of busy rescuing people, but he’ll chase the miscreants on his own. Even if it means neglecting the new girlfriend he’s met.

If that seems a little over the top, well, Tubby can surprise you sometimes. He’s a fairly lazy fellow, but he has spirit. These books are rich in quirky characters – a little too quirky for my taste sometimes, though amusing.

As I’ve said before, I don’t love the Tubby Dubonnet books, but I don’t hate them either. I have a fairly low threshold for quirkiness, and New Orleans isn’t really my kind of town.

I must also complain that Shelter from the Storm ended with a sort of a cliff-hanger, which is an offense in my code.

But the books are popular, so what do I know?

‘Trick Question,’ by Tony Dunbar

I’m still getting accustomed to Tony Dunbar’s Tubby Dubonnet novels, set in New Orleans. They’re not my usual kind of fare; I like my heroes to have a little more existential angst and shining armor on them. But the series is growing on me.

In Trick Question, Tubby gets a desperate plea for help from a fellow lawyer. That lawyer is working a murder case as a court-appointed advocate. His problem is that he’s a hopeless lush, and he’s done almost no prep work, and the trial is about to begin and the judge won’t postpone. Tubby’s a sucker for an old friend, and he hates the idea of a defendant getting railroaded, so he agrees to do the best he can in the few days available.

The defendant, Cletus Busters, is the janitor at a medical research facility. One night he opened a freezer door, and a man’s frozen body tipped out onto him. The body was that of a scientist who’d been using that laboratory. He had complained in the past about Cletus playing with the laboratory mice. Also, drugs stolen from the lab were found in Cletus’ apartment.

In addition, Tubby is doing some estate work for a young female boxer, and he gets a peek into the world of that rising sport.

The whole subject of women’s boxing gives me the willies, personally, so that was uncomfortable. But eventually (spoiler alert), Tubby comes over to my view, so that was OK.

Cletus the defendant turns out to be a voodoo practitioner, but that’s played mostly for laughs, so I didn’t mind that too much either.

Trick Question was entertaining. Still not exactly my cup of jambalaya, but I can see why people are fans. Only mild cautions for subject matter are in order.

‘City of Beads,’ by Tony Dunbar

Tubby went into his own bedroom and checked the drawer in the little table by the bed to see if his own pistol was still there. It was, and he picked it up. It was an old and heavy gun, a Smith & Wesson .38. When you ordered shells for it at the gun store it was like ordering a double bourbon at a bar. People gave you respect because you were old.

The second Tubby DuBonnet book in Tony Dunbar’s well-known series is City of Beads. The city, of course, is Tubby’s New Orleans home, where he practices law in a fairly desultory manner.

Tubby is settling into the routine of practicing law on his own, after his partner betrayed him in the last book. He’s upset to learn that an old friend, a man who made money exporting peanut oil for foreign aid programs, has been found dead in the hold of one of his own barges. But he didn’t drown in the oil – it was murder. It’s hard to figure out why anyone would kill the man, and Tubby promises the widow he’ll poke around.

At the same time, he’s been retained by a local casino. The money’s excellent, though they don’t seem to have much real work for him to do. But he’s enjoying the company of the beautiful blonde they appointed as his liaison.

There’s another woman too, though – an attractive black woman who just happens to have committed a revenge killing.

In addition, one of Tubby’s adult daughters is involved with an environmentalist group, investigating river pollution. Some people don’t like the questions she and her friends are raising, and Tubby agrees to help out just to keep an eye on her.

I’m still not sure what to make of the Tubby DuBonnet books. At the end of the last one I decided I should approach them as dark comedy, but I didn’t find City of Beads all that funny. And the hero, though he’s supposed to be pretty street smart, seems to me to survive as much on luck as on intelligence.

I wonder if I’d appreciate the books better if I’d ever been to New Orleans….

‘Crooked Man,’ by Tony Dunbar

Tony Dunbar’s Tubby Dubonnet series has often been recommended to me, but I’ve resisted. Not sure why. After reading Crooked Man, I still haven’t made up my mind how I feel about it, but I liked the book better at the end than in the early stages.

Tubby Dubonnet, for those of you who (as I was) are unaware of him, is a divorced criminal lawyer in New Orleans. That in itself suggests he’s no moral paragon, but he does maintain two rules of ethics in his practice – never screw a client, and never lie to a judge. By the standards of the place, that makes him pretty upright.

He has a colorful cast of clients. Right now he’s negotiating a malpractice settlement for a transvestite stripper who got a bad skin-darkening treatment from a doctor, and trying to coax payment for divorce work from a buxom blonde who may be available for a different kind of transaction. But when Darryl Alvarez, a nightclub manager, asks him to keep a locked sports bag in his safe for a couple days (he swears there’s nothing illegal in it), Tubby goes against his own better judgment and accepts it. This soon puts him in an awkward ethical position, not to mention a dangerous one. Tubby is a clever man, and he’ll need all his cleverness to stay alive.

I prefer my heroes a little more principled than Tubby Dubonnet, but by the end of Crooked Man – which was a lighter concoction than I expected – I was enjoying the story. I bought a whole set of the novels, so I’ll be reviewing more.