Tag Archives: Travis McGee

Fiction, Reviews

‘The Dreadful Lemon Sky,’ by John D. MacDonald

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A fellow who was pretty handy with a boat once said that anything you feel good after is moral. But that implies that the deed is unchanging and the doer is unchanging. What you feel good after one time, you feel rotten after the next. And it is difficult to know in advance. And morality shouldn’t be experimental, I don’t think.

Another deal on a Travis McGee e-book means another Travis McGee review, to the joy of all. Author John D. MacDonald was at the peak of his powers back in the 1970s when The Dreadful Lemon Sky came out; the result is a neat, tight, engaging mystery.

Our hero Travis McGee, Fort Lauderdale boat dweller and beach bum, is not technically a private eye. He basically does favors for friends and friends referred by friends, mostly recovering stolen property, retaining a large percentage of the value as his fee. The Dreadful Lemon Sky begins with something less than a “salvage” job. Carrie Milligan, an old friend, asks him to hold a large amount of cash for her for one month. If she doesn’t come to claim it by then, he should get it to her sister in New Jersey.

But it doesn’t take that long. A few days later, there’s a news item – Carrie Milligan was killed by a truck while crossing a highway near her home in Bay City (which appeared to me to resemble very much the city of Palm Bay, where I once lived). McGee and his economist friend Meyer sail north in McGee’s houseboat for the funeral. There he meets the sister along with Carrie’s circle of friends. And at that point McGee starts getting suspicious. Something is going on under the surface here – he will discover drug smuggling, political corruption, sexual kink and betrayal. The solution will prove to be a complex one, and cruel.

Every McGee novel includes scenes that stick in my mind, even after decades. This one includes a great moment where McGee rescues Carrie’s sister from being fleeced by a funeral director, and McGee’s meditation on the corrosive nature of corporate takeovers of smaller brands. Also, he rents a yellow AMC Gremlin in Bay City, which happened to be exactly the car I was driving back when I first read the book. We Gremlin drivers needed all the support we could get.

Great story. Great reading experience. Cautions for violence, drug use and a pretty lyrical sex scene.

Fiction, Reviews

‘The Green Ripper,’ by John D. MacDonald

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Death comes while you are struggling with your application or lack of application of the Judeo-Christian ethic. While you work out the equation which says, If I don’t kill him, he will kill me, so even if I have been taught not to kill, this is an exception—while you are working that out, he is blowing chunks of bone out of your skull. The quick and the dead is an ancient allusion. They were quick and I was quick and lucky.

I always knew it was coming. Even when this book first came out (and I read it back then) I had to expect that when John D. MacDonald gave his hero Travis McGee the girl of his dreams, a big, healthy, well-balanced woman who seemed to be made for him, he would have to kill her off in the next book. (The author is the true villain of every story.) And so it was. The Green Ripper is the darkest and saddest of the Travis McGee series, and incidentally a harbinger of what future detective fiction would be.

Gretel Tuckerman, Trav’s new woman, has taken a job at a property development and health spa near Fort Lauderdale. One day she notices a stranger on the grounds, and recognizes him from a brief encounter years ago in California. A couple days later she is dead, apparently the victim of a rare disease carried by an insect bite.

But before long, a stricken McGee and his friend Meyer get a visit from some government agents with questions. Thanks to Meyer’s security clearance, they get to ask a few questions of their own. It appears there’s a terrorist network within the US, connected to a secretive religious cult in California. It was Gretel’s misfortune to recognize one of its members, and apparently they murdered her by clandestine means.

This is where McGee goes underground. He assumes a new identity, that of a working fisherman with a drinking problem, headed to California to find his daughter, whom he believes joined the cult. He will find the cult. He will join them. Get to know them. Make friends.

And he will get terrible revenge.

Here, I believe, we see the genesis of the detective thriller as we know it today – the Jack Reacher and Gray Man books and others in the same vein, some better, some not so good. Most Travis McGee books are about the mystery, the problem, with a generous helping of violence thrown in. Today, most detective series are primarily about the violence, with just enough of a mystery to hold the plot together.

As an old fogy, I generally find the older way more enjoyable. And as far as I recall, MacDonald never again went as far into ultra-violence as he did in this story. It’s not that I judge The Green Ripper a bad novel, it’s just that the combination of grief and vengeance makes it a downer.

Also, Meyer, supposedly a genius, makes a lot of economic predictions in this book that haven’t played out well in the real world. On the other hand, we have here an object lesson about avoiding religious groups run by women.

So, not my favorite Travis McGee. But it’s a great series.

Fiction, Reviews

‘One Fearful Yellow Eye,’ by John D. MacDonald

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On this kind of a Monday I know I’m going to get killed in this line of work. It should interest the statisticians. As I am the only fellow in my line of work, it would give it a rating of 100% mortality. Just as, until we lost an astronaut, travel in orbit was the safest travel man ever devised with 0% mortality for millions upon millions of passenger miles. Safer than wheelchairs.

It’s always cause for celebration for this reader when another Travis McGee novel by John D. MacDonald shows up on bargain sale. This time it was One Fearful Yellow Eye, notable (in this reader’s opinion) for the quality of its prose.

Years ago, our hero Travis McGee, lanky and languid Florida “salvage specialist,” found a young woman named Glory contemplating suicide on a beach. She’d had an astonishing run of bad luck and tragedy. He took her home, fed her and reassured her and took her to his bed, and eventually she went on with her life. She met an older man, Dr. Fortner Geiss, a prominent Chicago physician, who admitted to her he was dying, but they gave each other a couple good years, in spite of his adult children’s hostility. Now he’s dead, and she’s discovered that his considerable wealth has disappeared. In his last months, he’d converted everything to cash, which is nowhere to be found. The inevitable – but counterintuitive in such a good man – conclusion is that he’d been blackmailed.

So Glory calls on McGee. His deal is to look for things people have had stolen from them, and if he finds it he keeps half. That’s okay with her.

McGee flies to Chicago and agrees to look into the problem. He’s a little out of his element in a Chicago winter, and Dr. Geiss’s son and daughter are no warmer – especially his daughter Heidi, a gorgeous ice queen. It’s not a big surprise when Heidi becomes McGee’s special rehabilitation project.

One Fearful Yellow Eye is not, in my opinion, one of the best McGee novels in terms of plot. I thought the ending strayed a little close to deus ex machina.

But in terms of prose, I’d rate it one of MacDonald’s best. He was soaring as a stylist in those days. Although I’d entirely forgotten the plot here, I found more lines and passages than usual that had stuck in my mind from previous readings:

“Then, bless you, I fed him that speech you made a lifetime ago on Sanibel Island. If there was one sunset every twenty years, how would people react to them? If there were ten seashells in all the world, what would they be worth? If people could make love just once a year, how carefully would they pick their mates?”

The day was like a dirty galvanized bucket clapped down over the city….

I found a parking slot around the corner from Heidi’s place, and as I was going to enter the downstairs foyer, I turned on impulse and looked upward and picked out a big fat drifting flake, stuck my tongue out, and maneuvered under it. Consumer report: The snow is still pretty good. Cold as ever. Melts as fast. And you can’t hardly taste the additives.

Anyway, I got a kick out of One Fearful Yellow Eye. Cautions for sexual situations and violence.

Fiction, Reviews

‘The Deep Blue Good-bye,’ by John D. MacDonald

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I am tall, and I gangle. I look like a loose-jointed, clumsy hundred and eighty. The man who takes a better look at the size of my wrists can make a more accurate guess. When I get up to two twelve I get nervous and hack it back on down to two oh five. As far as clumsiness and reflexes go, I have never had to use a flyswatter in my life. My combat expression is one of apologetic anxiety. I like them confident. My stance is mostly composed of elbows.

Another deal on a Travis McGee book by John D. MacDonald – and this is another important entry in the series, if only by virtue of its being the first.

I’ve told the story here before, because it amuses me. So I’ll just summarize it now. In 1963, Fawcett Publications, a major popular paperback house, hired a new author to create a detective series, replacing Richard S. Prather, their former top seller, who’d followed deeper pockets to greener pastures (to mix a metaphor). John D. MacDonald, the new kid, came up with a slightly reclusive hero, a beach bum living on a houseboat, called Dallas McGee (changed quickly to Travis McGee after the Kennedy assassination in Dallas, Texas). McGee called himself a “salvage expert,” but he didn’t salvage shipwrecks or cars. He recovered stolen objects or money, in return for half the value as a finder’s fee. The first book to appear, in 1964, was The Deep Blue Good-bye. (Every volume would incorporate a color in the title.)

McGee is persuaded by a friend, a dancer, to talk to another dancer named Cathy Kerr. Cathy is a country girl, a single mother, living hand to mouth. But she thinks she might have a right to a missing treasure. Her father, she explains, came home from the war with some secret package that he hid carefully, before being sent to prison for murder. He died before his release, but after a while his former cellmate Junior Allen showed up – a big, strong, dynamic type who swept Cathy off her feet and soon had her completely dominated. He also dug holes all over their farm. And one day he found something and vanished. Cathy is pretty sure he found her father’s stash, and she and her kid could sure use half of it, if McGee could get it back for her.

McGee doesn’t need work just now, but he’s impressed with Cathy’s dignity after all she’s been through. He traces Junior Allen’s footsteps, learning he was last seen on a yacht with a rich, beautiful woman. McGee finds the woman, Lois Atkinson, in her home, cast off by Allen and now a wreck of herself. Allen systematically broke her down and degraded her, and she has nearly starved herself to death in despair and self-disgust. McGee nurses her back to health, and at last begins a gentle affair with her, one which threatens to break through his prickly personal defenses.

But he still has Junior Allen to catch, and he formulates a devious plan to con the con man.

Unfortunately, as with all plans of battle, this one does not survive contact with the enemy. And Junior Allen is a formidable enemy indeed. The climax is one of the most harrowing and memorable in the series.

I read a review some time back that argued that The Deep Blue Good-bye is unworthy of the rest of the books, weighed down by the standard tropes of 1960s men’s fiction. I cannot agree. MacDonald certainly serves up the expected necessaries – plenty of violence and sex. But I think the original readers back in 1964 must have been puzzled by this book – there’s a lot of genuinely excellent prose here, and even the obligatory sex scenes are lyrical and revelatory of character, rather than sordid. (Though I do not approve of the sexual mores.)

Some of MacDonald’s prose – I would argue – is as good as that of his contemporaries Hemingway and O’Hara, only ensconced in far more interesting stories.

I drove back through late afternoon heat. The world darkened, turned to a poisonous green, and somebody pulled the chain. Water roared down the chute. Rose-colored lightning webbed down. Water bounced knee high, silver in the green premature dusk, and I found a place to pull off out of the way and let the fools gnash each other’s chrome and tinwork, fattening the body shops, busying the adjustors, clogging the circuit court calendars. The sign of the times is the imaginary whiplash injury.

Another notable element in this book was one moment – never to be repeated again that I can recall – when McGee hints at some trauma in his earlier life that left him perpetually commitment-averse.

To draw a line under it all, I highly enjoyed The Deep Blue Good-bye and recommend it. Not for kids.

Fiction, Reviews

‘Darker Than Amber,’ by John D. MacDonald

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She sat up slowly, looked in turn at each of us, and her dark eyes were like twin entrances to two deep caves. Nothing lived in those caves. Maybe something had, once upon a time. There were piles of picked bones back in there, some scribbling on the walls, and some gray ash where the fires had been.

Revisited another Travis McGee book by John D. MacDonald, because they never do get old. Darker Than Amber is one of the best, I think. The story works out as dark as the title promises, but that makes the moments of grace shine all the brighter.

Trav and his friend, the economist Meyer, are fishing under a bridge in Marathon, Florida when somebody drops a girl, wired to a cement block, off the deck above. Trav being Trav, he leaps into the water immediately, managing to get her back to the surface in time to save her life with artificial respiration.

She turns out to be a beautiful young woman named Vangie, but she’s no innocent damsel in distress. She’s a prostitute who worked her way up to a very nasty con game in which they not only robbed, but murdered, selected men. Because she experienced a moment of sympathy for one victim, her partners decided to kill her. But she’s “case-hardened,” as Travis puts it, and in the end she can’t be saved, either morally or physically. After a second murder attempt succeeds, Trav makes up his mind to balance the scales for her.

I first encountered Darker Than Amber in its movie adaptation, on TV (I reviewed that film here). The book, needless to say, is a lot better. What is portrayed as an extended, improbable slug-fest between Rod Taylor and William Smith in the film is in the book a very neat gaslighting sting that works, not perfectly, but well enough to satisfy the reader.

Darker Than Amber was published in 1966 and shows its age, but that’s part of its value, it seems to me. Trav’s sexual mores will satisfy neither today’s conservatives nor liberals, but they weren’t remarkable for his time – except perhaps for his admission that he can work up no attraction whatever to Vangie’s shopworn charms.

There’s a scene where a black character delivers a little lecture about civil rights. It must have sounded sophisticated at the time, but it too hasn’t aged well.

Still, that’s how the world looked in those days. The best thing about the book, as always, is Trav himself – he picks up the Philip Marlowe tradition of opening up to the reader about his inner life. But he takes it further. And the reader can’t help liking his self-deprecating manner.

Highly recommended. Cautions for mature subject matter.

Fiction, Reviews

‘The Lonely Silver Rain,’ by John D. MacDonald

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So we went to take a look. It took an hour and forty minutes to get there, first south and then west. A lonely road on the edge of the Glades. Lumpy asphalt running string-straight through wetlands past wooded hammocks where the white birds sat on bare trees like Christmas doodads, thinking white bird thoughts.

As I think I may possibly have mentioned before, I’m a hopeless fan of John D. MacDonald, and especially his Travis McGee novels, about a Florida boat bum and “salvage specialist” who recovers people’s stolen property and keeps half the value as his fee.  The Lonely Silver Rain holds a special place in the series, as its 21st and final installment. It was published in 1985, and the author died the following year.

Trav gets a call from Billy Ingraham, an old friend who’s a millionaire and a widower, who recently retired, acquired a trophy wife, and had a yacht custom-built to his specifications. The boat had barely gotten in the water when somebody stole it. Billy has heard that Trav once found somebody else’s stolen yacht. Could he do the same for him? Trav explains that the first recovery was kind of a fluke, but Billy promises a generous finder’s fee. Helped by his best friend, the economist Myer, Trav makes a plan to use aerial photography and systematic analysis to try to find the needle in the haystack. And, to his own surprise, he does find it.

But when he boards the yacht, now abandoned in an isolated bay in the Keys, he finds it trashed, with three corpses inside. A young man and two young women have been tortured and murdered here. Trav recognizes the signs – this is a drug deal gone bad. This is nothing for outsiders to mess with.

Trav backs out carefully, covering his tracks, and phones the Coast Guard anonymously to alert them. Then he tells Billy to forget he was ever involved.

Too late, it turns out. One of the dead women was the daughter of a high-level Peruvian gangster. Someone has decided that somebody must be made to pay for the murders, and somehow they’ve identified Travis McGee as the scapegoat. He’ll have to either handle the problem or find a way to disappear forever.

I remember that, when this book came out, some reviewers commented on what they saw as a weary, graying quality. The author’s chronological plan was for Travis McGee to age at a somewhat slower rate than people in the real world. Under that plan, McGee was now middle-aged, but still had good years in him (though he worries now and then about losing a half-step). But MacDonald was approaching 70 himself at the time (which even I admit is old, though I’m older than that now), and he was clearly experiencing intimations of mortality. There’s even a fleeting moment in this book, a sort of throwaway scene, where Trav acknowledges the possibility of the Great Beyond sending us messages.

The Lonely Silver Rain may not be the top entry in the Travis McGee series, but it’s written with all the skill and craft of a consummate professional. Plus, as a special bonus, there’s an episode at the end that adds a (possibly unintentional but touching ) coda that rounds out a classic detective series rather nicely.

Fiction, Reviews

‘A Tan and Sandy Silence,’ by John D. MacDonald

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But the Tibetan bar-headed goose and her gander have a very strange ceremony they perform after they have mated. They rise high in the water, wings spread wide, beaks aimed straight up at the sky, time and time again, making great bugle sounds of honking. The behaviorists think it is unprofessional to use subjective terms about animal patterns. So they don’t call the ceremony joy. They don’t know what to call it. These geese live for up to fifty years, and they mate for life. They celebrate the mating this same way year after year. If one dies, the other never mates again.

So penguins, eagles, geese, wolves, and many other creatures of land and sea and air are stuck with all this obsolete magic and mystery because they can’t read and they can’t listen to lectures. All they have is instinct. Man feels alienated from all feeling, so he sets up encounter groups to sensitize each member to human interrelationships. But the basic group of two, of male and female, is being desensitized as fast as we can manage it.

Got another deal on a Travis McGee book by John D. MacDonald. A Tan and Sandy Silence is, I think, one of the master’s best – a taut tale that borders on horror and reveals our hero at his most vulnerable.

Travis McGee, Fort Lauderdale “salvage specialist,” nearly gets shot one day by old acquaintance Harry Broll, a real estate developer who talks his way aboard Travis’ houseboat. He says he needs to find Mary, his ex-wife, to get her signature for an important real estate deal. He knows she’s been in touch with McGee, he says.

Travis is troubled by this occurrence in two ways – first, he’d never have allowed anybody to get the drop on him like that in the past. Is he losing his edge? Is he getting too long in the tooth for the business of recovering people and their property? Should he accept the offer of Jillian Brent-Archer, the lovely, wealthy English widow who’d like him to move onto her boat and be her constant escort? It would be a soft retirement, and not really all that demeaning.

Secondly, he realizes that Harry Broll was right about one thing – if Mary has disappeared, she’s probably in trouble. But if she was in trouble, she probably would have contacted McGee – which she hasn’t. So where is she?

Talking to Mary’s friends, Travis learns that she’s vacationing in Grenada. She sends postcards now and then. So everything’s all right, right?

But is it? McGee still isn’t sure. So he assumes a false identity and flies down to Grenada. Where he will encounter an evil that reminded me of the horrific “Un-man” in C.S. Lewis’ Perelandra. It’ll be a close-run thing, and the plot will require something fairly close to a deus ex machina to get our hero through this time.

John D. MacDonald was near the top of his game when he wrote A Tan and Sandy Silence (published in 1971). I’m not sure anymore (and I can’t find the reference) when it was that major literary critics suddenly decided it was okay to praise his work, but I know it was around the time this book came out. There were a couple fresh elements here – one is a fairly realistic description of head trauma and PTSD:

Forget the crap about the television series hard guy who gets slugged and shoved out of a fast moving car, wakes up in the ambulance, and immediately deduces that the kidnapper was a left-handed albino because Little Milly left her pill bottle on the second piling from the end of the pier. If hard case happens to wake up in the ambulance, he is going to be busy trying to remember his own name and wondering why he has double vision and what that loud noise is and why he keeps throwing up.

Another new element is that McGee makes some kind of resolution to change the way he deals with women in the future. But I never entirely understood what that meant.

Religion shows up a couple times; there are a couple pretty awful Catholics in this book, and a group of very nice Jesus Freaks (a brand new phenomenon just then).

A Tan and Sandy Silence is a harrowing book. It contains what I consider perhaps the most horrifying scene in the series. But it’s also engrossing and lyrical and deeply humane. Sometimes funny too. I recommend it highly. Cautions for adult themes.

Fiction, Reviews

‘A Purple Place for Dying,’ by John D. MacDonald

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He looked at me in a way which made me glad I would never have the job of quieting him down—twenty years ago—or now. He had the look of the long hard bones, the meat tight against them, laid on in the long flat webs of hard muscle, ancient meat of the western rider, sunbaked, fibrous and durable. He had made trouble in a lot of far places and settled it his way, or he wouldn’t have lasted.

I’d almost forgotten about A Purple Place for Dying, another in John D. MacDonald’s Travis McGee series. Even though it contains one of the great set pieces in the saga.

Travis is far from his Fort Lauderdale home in this one. He’s out west, where Mona Yeoman, the big, young, beautiful wife of a very rich man, has summoned him to a secret meeting in a lonely mountain cabin. She’s fallen in love with a man her own age, she says, and wants to get free of her husband. She wants Travis to help her work that out.

Travis isn’t much interested, until Mona is suddenly dead, pierced by a high-powered rifle bullet fired from a distance. And when he makes his way down the mountain to report the murder, nobody believes him. By the time the sheriff’s men get to the site, her body is gone. For all anyone can tell, Mona succeeded in running off with her lover, and McGee is just covering for them. Which means he’ll have to figure out what’s really going on.

He’ll meet Mona’s husband, a hard man but not a bad man; a man Travis respects. He’ll meet Mona’s lover’s sister, a lonely, damaged woman who’ll probably be alone forever unless she finds some real man with a gentle touch to heal her spirit (and you can guess where that will lead).

All in all, I don’t think Travis McGee is at his best too far from his house boat, especially when he leaves his economist friend Meyer behind. On the other hand, A Purple Place for Dying features one of his most imaginative fights – the defense, without a gun, of a desert mesa against two armed men. That was pretty cool.

Not the best McGee, but still better than most of the stuff you’ll see nowadays. Extra points awarded for patriarchal sexism.

Fiction, Reviews

‘The Long Lavender Look,’ by John D. MacDonald

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Making someone dead is a game for the unimaginative, for someone who cannot ever really believe they, too, can die. The curse of empathy is to see yourself in every death, and to see the child hidden in the body of every corpse.

It was around 45 years ago, in Missouri, that I picked up my first Travis McGee novel, The Long Lavender Look, from a rack in a grocery store or a drug store or something. The story proved to be quite a sordid tale of theft and prostitution and murder in a small town. It was the way it was told that grabbed me.

Travis McGee, freelance “salvage specialist,” is barreling south one night on a rural Florida road in Miss Agnes, his blue Rolls Royce pickup conversion, his friend, the economist Meyer, beside him. They’re headed home from a wedding celebration. Suddenly a near-naked girl runs across the  road in front of them, close enough to make McGee hit the brakes, putting Miss Agnes in a skid that lands them in a canal. Meyer pulls Travis from the water, saving his life, but a few minutes later Travis returns the favor when a passing motorist stops and shoots at them, shouting a message that makes no sense to them.

Finally they reach a small town by foot, but they’re soon arrested by sheriff’s deputies. Apparently the guy who shot at them was tortured to death that same night, and Travis and Meyer look like the most likely suspects. Under questioning, one of the deputies brutalizes Meyer, giving him injuries requiring hospitalization. Travis contacts a lawyer who gets them released, but not before warning the sheriff that he’s going to ruin him.

But that’s just the beginning. It gets a lot more complicated than that. As it turns out, the sheriff is a decent cop – though not without blind spots. Travis will stay around to get his own questions answered, and the death count will not be small.

The Long Lavender Look is a tough story, with a lot of collateral damage involved. But the author’s humane and poignant narration makes it all touching and memorable in the end. This is one of my favorite McGee books, and not just because it was my first.

Not politically correct (though there’s plenty of environmental concern), but that’s all to the good as far as I’m concerned.

Fiction, Reviews

‘Dress Her in Indigo,’ by John D. MacDonald

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The dregs of dreams were all of childhood, and in the morning mirror I looked at the raw, gaunt, knobbly stranger, at the weals and the pits and the white tracks of scar tissue across the deepwater brown of the leathery useful body, and marveled that childhood should turn into this—into the pale-eyed, scruff-headed, bony stranger who looked so lazily competent, yet, on the inside, felt such frequent waves of Weltschmerz, of lingering nostalgia for the lives he had never lived.

Another deal on a Travis McGee e-novel by John D. MacDonald pops up, and it is for me but the work of a moment to seize on it and make it my own. This one is Dress Her in Indigo, one of the most memorable installments, I think, in that memorable hard-boiled series. It poses certain challenges for me in reviewing it in this space. This is one of the books, in a series where sex is not infrequent, in which sex is particularly central. The book is an interesting artifact in that it arises from that moment in social history when the Swingin’ Sixties were morphing into the Hippie Era, and will be useful to future historians, if only as an expression of its time.

In general, Travis McGee, “salvage specialist,” makes his living finding lost money and property for people. But this job is different. His best friend, the ursine, affable economist known only as Meyer, asks him to help him do a favor for another friend.

T. Harlan Bowie is an investment counselor who grew very rich almost inadvertently, and is now confined to a wheelchair. His wife died not long ago, leaving him with an adult daughter he barely knew. The girl, “Bix,” was extremely beautiful and a very lost soul. A while back she headed off to Mexico with some friends in a camper, and now word has come that she died in an auto accident on a mountain road. All T. Harlan wants is to find out is what her life was like down there. Was she happy? Did she have good friends?

McGee has a bad feeling about this job from the outset, but he and Meyer set out for Oaxaca, her last known address. What they discover leaves them wondering whether they should just lie to the old man. Because Bix’s circle of friends were not nice people at all. They were involved in drug dealing and drug smuggling, and some pretty kinky sex games too. And murder, in the end.

But wait, it gets worse. The big secret is yet to be discovered, and when it is, McGee will be faced with one of the most difficult moral decisions he’ll ever have to make.

But back to the sex. Travis McGee is very far from being a role model, especially for the Christian reader. And one of the most interesting aspects of this book is a stark – comic in places – contrast that’s set up between his experiences in the sack (well-written without being explicit) with one woman who is extremely seductive and experienced, and another woman who is relatively innocent (at least by comparison). Spoiler alert: the innocent one comes out way ahead. If one were to think this out to the end, it might lead to possible arguments for lifetime monogamy, but of course no such argument is made here. Let the reader understand.

Anyway, Dress Her in Indigo is one of MacDonald’s best. Recommended, with cautions as noted above.