S.D. Smith blogs about writing advice he heard from Orson Scott Card and whether that advice is universally applicable. How much, if any, should an author voice be heard, noticed, observed, seen, read into as it were. What I mean to say is what place has narration outside observations from the story’s characters?
Smith refers to P.G. Wodehouse as an author whose voice is heard loudly within his stories, but I’m not sure that’s quite right. I just read a short story, similar in style to many other short stories of his, in which a narrator is introduced to the reader and then he takes over the story completely. It was a story within a story. The Oldest Member of the Drones Club (or another one I didn’t notice) tells a motivational story to a young member who wants to quit playing golf. Wodehouse isn’t telling us the story so much as the Oldest Member is, so all of the narrative flourishes come from a character in the story, not really the author. That’s close to the way the Wooster and Jeeves stories are written too. Bertie Wooster is talking to us, not a background narrator.
In this way, I think Wodehouse comes close to following Card’s advice that a writer should remain invisible.