Substandard Spelling

The Chicago Tribune aulso got into th act, uezing simpler spelingz in th nuezpaeper for about 40 years, ending in 1975. Plae-riet George Bernard Shaw, hoo roet moest of his mateerial in shorthand, left muny in his wil for th development of a nue English alfabet. . . . But for aul th hi-proefiel and skolarly eforts, the iedeea of funy-luuking but simpler spelingz didn’t captivaet the masez then — or now.

From the article, “Push for Simpler Spelling Persists,” by AP Writer Darlene Superville. She says the idea of overhauling English spelling has not captured “th publix imajinaeshun.”

I Don’t Care If We Lose

Alan of Thinklings is talking about an article in which Peter Leithart argues that Modern Protestants can’t write. He says it has something to do with Zwingli. Maybe I’m in a mood tonight, but I find that I don’t care. I don’t care why we haven’t written well in the past. Some write now, and no light-weight, commercially successful novel from an evangelical author takes away from their artist effort. God will raise up artwork to glorify himself. I don’t care who complains about, heh, mere entertainment.

The Thinklings carry on part of the discussion in relation to movies.

On John McGahern

Erin O’Connor is talking about John McGahern:

There were many other things I should have been doing in my little garret in my remote, undisclosed Irish location, and morning tends to be my best time for getting things I should be doing done. But this novel was too terrible to be deferred. It needed to be dispatched with as much speed as several cups of strong milky tea could make me read. By “terrible” I should clarify that I don’t refer in any way to the quality of McGahern’s writing–quite the opposite. McGahern has an awesome ability to conjure up the minute but powerful tensions and pleasures of daily life in mid-twentieth century rural Ireland. His fiction is quiet and unassuming . . .

Atlanta Nights

I made my memorial to Jim Baen tonight. The family and staff had asked that in lieu of memorials, people purchase copies of the story collection, The World Turned Upside Down and give them either to young people or to libraries. I got my copy today, took it to my nearest branch library, inscribed it as given by Lars Walker in memory of Jim Baen (in the fashion of the Pharisee in the temple with the trumpet) and made the donation.

Speaking of Baen Books, my best author friend is Mike Williamson, author of Freehold, which is a very good science fiction book in the Robert E. Heinlein/Libertarian/Lots of Sex style. Mike told me recently about a book called Atlanta Nights, by “Travis Tea.”

There’s a story behind this book, and you can get the details by checking out the site. But the short version (as I understand it) is this—there’s a company called PublishAmerica (sort of a cross between a vanity publisher and a publish-on-demand house, I’m told) which is not popular with Science Fiction/Fantasy writers. Representatives of the company took a swipe at SF and Fantasy writers as a group, so a devious cabal of SF/F authors got together and decided to write the worst novel they could possibly come up with, to see how PublishAmerica would handle it.

As you’ve probably guessed, it was accepted for publication immediately.

Hilarious story, and a warning to all aspiring authors.

It’s your party, and I’ll hide if I want to

Just got an e-mail from St. Paul’s Lutheran Church, Kingsville, Maryland, informing me that my novel, Wolf Time, has been chosen as their Book of the Month (scroll down the page about three-quarters of the way). They state that I’m gaining “a bit of a cult following among Lutherans,” which is a surprise to me, but I won’t complain. I’m not entirely sure what it means to have a “cult following,” but my impression is that artists who’ve produced cult works generally live in their cars.

Anyway, thanks to the folks at St. Paul’s.

On Friday, while my brothers and I were working in my back yard, one of my neighbors came over and invited me to stop by for his birthday party, Monday evening.

I thanked him for the invitation, but didn’t figure I’d attend. My brothers, though, informed me that I was obligated to show up at least for a few minutes, in order not to offend the neighbor.

I really don’t get these social obligation rules. Never have. I’ve never been able to understand how anyone would be anything but relieved if I didn’t show up at their party.

Anyway, Monday evening rolled around, as Monday evenings are wont to do, and it found me genuinely terrified. I almost didn’t go at all, but I finally commended my soul to God, picked up the card and gift certificate I’d bought, and went over. I wished the neighbor a happy birthday, handed him the card, said I couldn’t stay, and rushed home as quickly as I could on shaking knees.

I suppose that wasn’t good enough. I suppose I took a year off my life and still offended my neighbor.

My advice to you all: Don’t develop Avoidant Personality Disorder. It doesn’t add much to your personal fulfillment.

…and live in that America

On June 30, 1891, my great-great-grandfather, Ole Olsen Kvalevaag, of Avaldsnes parish, Karmøy Island, Norway, wrote the following in a letter to his son, my great-grandfather, who’d emigrated to America and changed his name to John Walker (my translation):

I myself have been sick awhile, but now, thank God, I am better again; and it’s a good thing, because I haven’t had much of anyone to help me with the farm work this year…. I myself have plowed every furrow this year….

Ja, it is certainly hard to think that we, who have brought up so many as we have, are now alone in our old age. Ja, it is sorrowful to think of, that we should have two sons in America, and [they] go and work for day wages, with nothing of their own to hold on to, and will not be at home in their own home and country. Ja, it is amazing how a person can be, ja, I often wonder about it when I think of you, that you could forsake your dear home, and live in that America….

You, Jan, are scared to come home, you say, because you have to go to Madla [for military service], you say; ja, setting aside the fact that you have to, for you aren’t too good for that place, nor is anyone else; for as surely as you are, and want to be, a Christian, there is something the Lord has commanded, that we should submit to God and king. I ask you not to refuse this, for think how the Lord can lay upon you something that might be worse for you if you avoid this; for I can tell you that there are many who have been punished by God for it.

I don’t have John’s replies, but what I see in this letter (as well as the others in the collection) is the Declaration of Independence writ small (to an extent), in one family’s history. My great-grandfather resisted a lot of pressure and well-meaning warnings (not to mention guilt) in order to strike out on a new path in a new country. He left familiar things, and things that felt right, to try it the American way.

He ended up rich by the standards of his time and place, incidentally. The later letters make it clear that his father had borrowed money from him.

I’m grateful to be an American, grateful both to God and to my risk-taking ancestors.

Happy Fourth of July.

The Fourth

For Independence Day, Junk Yard Blog quotes from ancient Episcopalian wisdom, which may have little to do with modern church leadership.

ALMIGHTY God, who hast given us this good land for our heritage; We humbly beseech thee that we may always prove ourselves a people mindful of thy favour and glad to do thy will.

Blogger SeeDubya calls the modern Episcopal church the Shasta Cola of Anglicanism.

He also points to some good parodies of the NY Times and others, including this one on Powerlineblog.com which shows the Times blowing the cover on colonial plans to announce the attack of the British.

Who’s in control here?

Ever wonder what comedy was like before Christianity? Anthony Esolen has an intriguing meditation over at Mere Comments today.

Phil wonders, in a post below, why we read literature. I suspect it’s partly for the same reason a few of us miserable wretches produce literature. And that’s the main reason anyone does anything—a need to feel in control, or to feel vicariously that there is control and order somewhere.

The older I get (and I’m getting pretty old) the more I agree with the psychological theory that most of us do the things we do (wise or stupid or crazy) out of a desire to feel in control of some part of our worlds.

There are many ways to divide mankind into Two Kinds of People, but it seems to me one of those standard divisions is between the Men of Action and Creative Men (I know I’m supposed to say Persons nowadays, but being a brutal sexist is one of the ways I try to exercise control on my own part). Generally—there are exceptions, of course—people who do big things and impose their wills on others don’t produce art. And people who produce art aren’t movers and shakers in the world.

When I was a child, I learned early on that I didn’t have much power in my environment. I couldn’t make decisions and I was pretty much at everybody else’s mercy.

So I started playing with puppets. I loved puppets. They were like little people who’d do whatever I wanted them to do. Later I turned to drawing. Drawing was better than puppets, because the cast of characters I could play with was unlimited. Finally I started writing, and that was even better, because my drawing skills only went so far, while writing gave me a greater sense of mastery.

A greater sense of mastery. An arena where I could call the shots. Turn any old pile of ideas and conflicts into a coherent, rational whole.

Sounds kind of pathetic when I put it that way, but it seems to me all human endeavors are like that in one way or another. The politician tries to create or change the political order to make it conform to his own vision of A Really Good Society. The scientist tries to discover the hidden laws of the universe, and to manipulate them to achieve ends he approves of. The carpenter imposes a new level of order on lumber.

Lewis and Tolkien called this “subcreation.” Rather than seeing it as a pitiful attempt to impose order where there is none (as the postmodern critic might charge), they saw human creativity as one of God’s gifts, bestowed by Him along with His Image at Creation.

How you see it all depends on the biases you bring to your observations. And if you want to minimize it by explaining it away with psychological jargon, well, that’s another way of imposing order on the world, isn’t it?

Re: Sadhu Sundar Singh

I just received word that Artist Alec Stevens’ graphic novel on Sadhu Sundar Singh is in print and available through Calvary Comics.

Stevens sends this word because of a post Lars wrote in May which mentioned Singh. On our old blog, Lars wrote:

I’m a long-time member of the New York C.S. Lewis Society. In January, 1991, the society’s Bulletin published an article by Lindskoog which appears to be an early version of the “Golden Chain” piece. It was titled, “C.S. Lewis and Sadhu Sundar Singh.” A comparative reading shows that the material is very similar, though much of it has been rearranged. A further difference is that this (apparent) early version features no mention of the Visions book in relation to The Great Divorce.

In response to that article, I wrote a letter to the Bulletin editor. That letter was published in the January 1992 issue (the delay in Bulletin releases in those days was something of an embarrassment). A portion of my letter is reproduced below:

I enjoyed the article [by Kathryn Lindskoog…] on Sadhu Sundar Singh as the original of Lewis’ “Sura” in That Hideous Strength.

I recently picked up a booklet I have owned for many years but never read before, Visions of Sadhu Sundar Singh of India. It was originally published in 1926, and contains a series of teachings on life after death which the Sadhu claimed were revealed to him during ecstatic experiences. He tells of conversations with angels and blessed spirits, and direct visions of heaven and hell and an “intermediate state” between them.

I was intrigued by some apparent similarities between the visions in this book and the scenes in The Great Divorce. The Sadhu pictures the intermediate state as a place where the majority of human souls are met by angels and spirits of saints [and] are given many opportunities and encouragements to believe in Christ and go on to higher and higher states of grace….

…I can’t help wondering whether there is any evidence of Lewis ever reading it. It could have been a spark for his artistic imagination….

I expressed my devout skepticism as regards “intermediate states,” and closed with publication information on the edition of the Visions I owned (which, as it happened, was published by Osterhus Publishing, a small press/bookstore within walking distance of my present home).

Beyond the Summerland, by L.B. Graham

Summary: The son of a nobleman journeys to a beautiful southern city for extensive training and is caught up in an adventure which appears to be the harbinger of an epic war.

Beyond the Summerland, the first of five in the Binding of the Blade series, is a fairly exciting story once you get into it. Joraiem, the son of one of the nobles who rule Kirthanin, is of the age to go to the Summerland for the political, physical, and academic training that all of the young nobility receive. Along the way, he meets several interesting people who will also be trained for leadership, the most interesting being a large warrior who carries an ancient sword and is mystically connected to a tiger. A dozen or so men and women train in the Summerland for weeks before the danger increases and all of them feel compelled to risk everything on what may be a doomed mission.

This is L.B. Graham’s first novel, so perhaps I should ignore some stylistic matters, but those matters are the reason Beyond the Summerland takes some patience. The prologue or opening chapter should be 2/3 shorter due to needless detail. Throughout the book, the story bogs down in a few paragraphs of narrative which don’t sound unnatural to me but are unneeded. For example, Joraiem may think through a situation and give the reader no more understanding than that a few story points are being made too obvious. Despite this, it’s an enjoyable story, and I look forward to the rest of the series.

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from “America the Beautiful” by Katharine Lee Bates

As a precursor to tomorrow’s national holiday, let me repeat the lesser verses of “America the Beautiful” by Katharine Lee Bates (1859–1929):

O beautiful for pilgrim feet,

Those stern, impassioned stress

A thoroughfare for freedom beat

Across the wilderness!

America! America!

God mend thine every flaw,

Confirm thy soul in self-control,

Thy liberty in law!

O beautiful for heroes proved

In liberating strife

Who more than self their country loved,

And mercy more than life!

America! America!

May God thy gold refine,

Till all success be nobleness,

And every gain divine.

Why Do We Read Literature?

As a partial response to a suggestion from searider a few weeks ago, I ask you, a reader gracious (or perhaps unfortunate) enough to glance at this humble blog, why do you read literature? Why do you read good fiction as opposed to cheap or pulp fiction or non-fiction?

Here’s an answer from Proverbs 25:11-13.

A word fitly spoken

is like apples of gold in a setting of silver.

Like a gold ring or an ornament of gold

is a wise reprover to a listening ear.

Like the cold of snow in the time of harvest

is a faithful messenger to those who send him;

he refreshes the soul of his masters.

Book Reviews, Creative Culture