Tag Archives: Ernest Hemingway

Authors, Blogs, Socials, Publishing, The Press

The Dead White Male and the Sea

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Hemingway writing at the Dorchester Hotel in London, 1944. Photographer unknown, public domain. By way of Wikimedia Commons.

Via Instapundit, this story from PJ Media: “The Woke Bell Tolls for Ernest Hemingway.”

The UK’s Telegraph revealed Saturday that Penguin Random House, which publishes Hemingway’s novels and stories, has slapped them with “a trigger warning” due to “concerns about his ‘language’ and ‘attitudes.’” Hapless new Hemingway readers are also “alerted to the novelist’s ‘cultural representations.’”

I can imagine what Ernest Hemingway himself would say to all this, but I wouldn’t be able to publish it. The arrogant, self-infatuated, blinkered, miseducated woke dopes at Penguin Random House don’t seem to understand that the whole idea of reading Hemingway, or any other great writer, is to encounter “language,” “attitudes” and “cultural representations” that are not one’s own, and are not the same as the language, attitudes, and cultural representations of contemporary culture.

As you may recall if you’re a regular reader here, I don’t like Hemingway much. Though his writing style was undeniably influential, I’ve never cared for his stories, and never worked up the interest to read any of his books. I don’t like his politics, and all I know about his personality repels me.

But you know how you can tell I’m not on the Left? You can tell because I think his books ought to be published straight. Adults should be trusted to have the maturity to handle ideas, words and imagery that might trouble or offend them.

Somebody made a comment on Twitter the other day to the effect that our times aren’t much fun. I replied, “Shoot, Prohibition was more fun than this.”

I think we ought to declare a new Roaring 20s. Let’s have speakeasies, places where you can speak easily. Say anything you bloody want. Leave your electronic devices in a Faraday Cage at the door, so nobody can listen in, and engage in old-fashioned forbidden conversation. All ideas permitted. No punching allowed, though.

Which would admittedly cramp Hemingway’s style.

Fiction, Reviews

Does the Old Man Lose to the Sea?

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I read Hemingway’s The Old Man and the Sea with friends last month. It was my first time. We found the essential story of catching a prize-worthy fish fairly gripping. I’ll summarize it quickly with spoilers.

Santiago is a poorer-than-most Cuban fisherman whose sail resembles a flag of defeat. The community has decided he is unlucky for catching nothing over the last 84 days at the start of the novella. But what is he going to do–sit on the beach and starve? With the encouragement of a neighbor boy who is as a grandson to him, he goes into the sea again, intending to go farther than all the other fishermen. He does so and hooks a gorgeous and enormous Marlin that takes him the rest of the story to pull in.

The thousand times that he had proved it meant nothing. Now he was proving it again.

Christians will notice the explicit Christ imagery in the story’s second half. Santiago is wounded with stripes on his back and pain like a nail through the hand. In the final pages, he carries his mast on his shoulder toward his hut and stumbles. He lies in his bed, arms outstretched, palms up. What does this mean, because the old man doesn’t redeem himself or anyone else? Perhaps the old man’s suffering and endurance is meant to be the ultimate a man can give.

His suffering is the cost of pursuing something great. He challenges a noble beast, his equal in some respects, and conquers it. He makes mistakes along the way and considers whether some of them are actual sins (though he claims to disbelieve in sin), but he achieves his goal nonetheless.

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Authors

Pit Orwell against Hemingway, Englishman Wins

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John Rossi compares George Orwell and Ernest Hemingway, noting the similarity of their styles and differences in career and influence.

Although made famous by his two political allegories, Animal Farm and Nineteen Eighty-Four, Orwell’s mastery of English prose shows best in his essays. In “A Hanging,” and “Shooting an Elephant,” Orwell produced little morality tales filled with vivid concrete images.  . . . However, it was through his essays and his political journalism that Orwell left his most lasting mark. “Politics and the English Language” became a kind of Bible for a generation of political writers, with its simple rules for good writing.

Hemingway is largely unread today except for short stories, and he is easy to parody. In fact, in some ways he was parodying himself after World War II. His novel Across the River and Into the Trees—E.B. White spoofed it with “Across the Street and Into the Grill”—is an example of the worst excesses of Hemingway’s prose. 

I remember thinking, as a young man, that my prose style was sparse like Hemingway’s, but it’s closer to the truth that my style is sparse as in lack of effort. And lest I slip into musing over my failures, let me ask what you’re read of Hemingway and Orwell. I remember reading a Hemingway’s short story in college and getting a lower grade on the analysis than I expected. I felt I had too little to go on to judge the meaning of the story. Still bitter about it.

I don’t think I’ve read anything by quotes by Orwell, though I may have seen an adaptation of Animal Farm.

Authors, Bookselling

A Great Literary Mystery

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“Why waste those cute little tricks that the Army taught us just because it’s sort of peaceful now.”

On a day in 1993, David Mason had possession of books and letters by and between writers F.S. Fitzgerald, E. Hemingway, and Morley Callaghan about a boxing match in Paris 1929. Callaghan leveled Hemingway, and whether it was for that reason alone or for many others as well, their friendship broke up. The whole story of the match has yet to be told, but it’s apparently all in the papers Mason locked in his safe one night in 1993.

The next morning, those papers were gone, making the great Hemingway Heist one of the literary world’s great mysteries. Mason tells some of what he knows to The Guardian. (via Prufrock News)

“Hello, this is a recording. You’ve dialed the right number; now hang up, and don’t do it again.”