All posts by Lars Walker

Fiction, Reviews

‘The Private Patient,’ by P. D. James

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The Private Patient

Bestselling author P. D. James died in 2014. I was embarrassed to discover that I had thus far failed to read her final novel, The Private Patient, which was published way back in 2008. If you’ve been waiting for my review, read on.

In the later books of her Inspector Adam Dalgliesh mystery series, Baroness Phyllis adopted the strategem of setting her murders within somewhat isolated communities, in part bridging the gap between the police procedural and the traditional English “cozy” mystery. The Private Patient continued and capped that pattern. The location here is Cheverell Manor, a beautiful old estate in the county of Dorset. George Chandler-Powell, a prominent plastic surgeon, has acquired the property and set up a private clinic there, where his richest and most celebrated patients can get their tummy tucks and face-lifts in luxurious privacy.

One of his patients is Rhoda Gradwyn, a prominent investigative journalist. Rhoda carries an ugly facial scar, a souvenir of a childhood with a brutal, drunken father. Now, in her 40s, she asks to have the scar removed, telling Chandler-Powell that she “no longer has need of it.” A couple members of his live-in staff urge him not to admit the woman to Cheverell House, since they know of her work and mistrust her. Continue reading ‘The Private Patient,’ by P. D. James →

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Advent duties

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Advent is a season of many tasks. In the old days, I’ve read, it was a fast time, like Lent. People approached the Christmas holiday, pretty literally, with hungry anticipation. We Protestants pretty much abandoned that tradition, and I haven’t noticed that the Catholics observe it much either these days.

Still, Advent has its duties. For me, Christmas cards are one. I still send them, and I send a Christmas letter too. Yes, I am that guy. I’ve got my CC labels mail-merged off Microsoft Word (is it possible for them to make that process more complicated? Don’t answer – you’ll give them ideas), but I just discovered I printed one set on the wrong side, so I’ll have to re-do those. I traditionally start my cards right after Thanksgiving, but classes delayed that the last two years. This year, finally done with classes, I’m delayed by my bronchitis instead.

I keep telling myself I’ll bring the Christmas tree down from the attic tomorrow, and so far it hasn’t happened. I think I need servants.

I have antibiotics and an inhaler with which to battle my lung crud. I wonder if the antibiotics actually help, or whether doctors just dispense them because people expect them. I read that most bronchitis comes from a virus, and antibiotics don’t really serve any purpose. If that’s the case I’d rather not get them. I don’t like antibiotics as a form of recreation.

I finished a novel by an author I’ve had some contact with in the past. I reviewed his previous books, but I think I’ll leave this one unaddressed. I found this book kind of dully written, and the story I found fairly depressing. But if I can’t praise the book, I won’t pan it. I shall pass by on the other side of the road, pretending I didn’t see it. Don’t ask me to identify the author; I feel disloyal enough already.

And now, I must endeavor to rest. Strenuously.

Fiction, Reviews

The ‘Rivers of London’ series, by Ben Aaronovitch

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Moon Over Soho Whispers Under Ground Broken Homes Foxglove Summer

The rolling news networks loved the idea of a shadowy network of camps. It gave them hours of talking heads and a chance to stick a body from Migration Watch or UKIP up against a government spokesman or, even better, from someone from the Joint Council for the Welfare of Immigrants in the hope that they would both kill and eat each other live on air.

I reviewed Ben Aaronovitch’s Midnight Riot a few inches down the page. I decided to pick up the next book in the Rivers of London Series, and before I knew it I was hopelessly caught up in these infectious books, which aren’t even in my usual line.

The hero and narrator is Peter Grant, a young London police detective. By good (or not) fortune, he has found himself attached to a shadowy unit of the Metropolitan Police whose name keeps changing, but which deals with supernatural crimes. The sole member of this unit, up until Peter’s arrival, was Inspector Nightingale (a somewhat Doctor Whovian character, which is no surprise since author Aaronovitch used to write for that BBC series). Later they are joined by Leslie May, a young female constable who trained with Peter and is his best friend. They operate out of “The Folly,” a large estate in London. Continue reading The ‘Rivers of London’ series, by Ben Aaronovitch →

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Journal of the plague season

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I apologize for my radio silence last night. I was just too run down to do anything but go to bed early. I’m celebrating my annual Cusp of Winter Tradition – the massive bronchial infection. It makes no sense to me that – every year about the same time – I come down with a cold which must inevitably descend into my lungs and take up residence like 1970s hippies, putting shag carpet up on all the walls. But such is the case. Every blinking year.

And every blinking year I imagine that this time my immune system will do what I pay it to do, and kick the deadbeats out. According to what I’ve read, you never get the same strain of cold twice, so it only makes sense that once in a while it would be a cold I could beat. But I never can. So at the point when I’m coughing all over my work and living spaces, infecting everyone I encounter, I finally break down and see the doctor. As I did today.

Actually it was a Physician’s Assistant today. She listened to my lungs, had a good laugh, and prescribed an antibiotic and an inhaler. Plus suggesting an over the counter nostrum.

So I guess I’m not a hypochondriac.

When you’re Norwegian, you can’t go to the doctor just because you feel sick. You need to feel you have something interesting to offer, something they can tell their colleagues about, and write up in a JAMA article.

And now I need to lie down. Titanic powers are at war within me.

Goofing, Poetry

Limericized Classics

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Our friend Ori posted a graphic on Facebook, showing a series of limerick versions of classic poems — “The Raven,” “Stopping in the Woods on a Snowy Evening,” etc.

I couldn’t find the original source, so I don’t care to republish it here. But I will publish the one I came up with on the spot (well, after a few minutes’ thought). It requires a sloppy but common pronunciation of “Ulysses”:

“The Odyssey”

There once was a Greek named Ulysses,
Who angered a god with his disses.
He paid for his crime,
But got home in time
To wedding-unplan for his missus.

Fiction, Reviews

‘Afon,’ by Robert Partridge

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Afon

He had forgotten, too, the pain of this [writing] – the pain of dragging this thing out of oneself, the birth of a reluctant child that would much rather go on growing inside than be forced out screaming into the light of day and the fear of examination. He had forgotten the monstrous ego that was needed to push the creation out into the world, with all its mess and suffering. He had forgotten.

I’ve been praising Peter Grainger’s DC Smith novels in this space. On noodling around for further information about the author (who seems to wish to be a man of mystery), I discovered that “Peter Grainger” is a pen name. More than that, the author had earlier written (under the name Robert Partridge) some literary novels, one of which – Afon – starred a character named Peter Grainger, who was a novelist.

Messing with our heads, in other words.

So I bought Afon. It’s pretty good. Not my cuppa tea, but a well-written novel.

Peter Grainger is in his 40s. Long ago he wrote a first novel that got a lot of recognition, and then he lost his nerve and wrote no more. Now he’s quit a teaching job, which he hated. He has some money left from a divorce settlement, so he decides to take a lease on a cottage on an estate called Afon, in a remote valley in Wales. He will try and write another novel. If he fails, at least he’ll know he made the attempt.

He meets the elderly landowner and his much younger wife. He learns to fly fish. He makes an enemy of the estate’s brutal gamekeeper, agonizes over his feelings for two different women (both married), and after a struggle produces a new book.

Afon abounds in lovely descriptions of the natural beauty of Wales, and in perceptive dramatizations of the writing process. The ending is kind of ambiguous, the sort of thing you expect in a literary novel – which is one of the reasons I generally avoid literary novels.

But it’s pretty good. Not much obscenity here, though the bonds of marriage take a beating. Recommended, if you like this sort of thing.

Blogs, Socials, The Press

For your Spectation

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A new column of mine, Letter to a Young Friend, has been published today at The American Spectator Online.

So here we are, post-election, looking at an outcome neither of us expected. I’m not about to do an end zone dance — this election wasn’t exactly a triumph for conservatism. Frankly, I expect the new president will do a lot more that will please you than you expect at this point.

But now seems to me a good time for a thought experiment.

Fiction, Reviews

‘Midnight Riot,’ by Ben Aaronovitch

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Midnight Riot

Urban fantasy is not a genre I generally favor. However, when I saw Ben Aaronovitch’s Midnight Riot, an urban fantasy involving police detective work, I thought it was worth a try. I liked what I found. It’s sort of Harry Potter goes to Scotland Yard, as you’d expect, but it has special (outstanding) qualities of its own.

London Probationary Constable Peter Grant is about to receive his first assignment. He dreams of working in CID, solving homicides. His superior, however, thinks he’d be a better fit in the Case Progression Unit, a unit devoted to paperwork. Peter sees a rather dull future ahead of him.

But one cold night he’s assigned to perimeter duty, guarding a crime scene in Covent Garden. The unfortunate victim has had his head knocked clean off. A witness appears and tells Peter how the crime was committed. But there’s a problem. The witness, dressed in Victorian clothes, is (and admits to being) a ghost. When a certain Inspector Thomas Nightingale happens by later, Peter tells him, almost as a joke, that he’s been interrogating a ghost. To his surprise, Nightingale listens to him seriously. The next day, instead of going to CPU, Peter finds himself assigned to assist Nightingale, who is the one-man staff of a special (secret) unit devoted to solving supernatural crimes.

Peter moves into the large manor which is Nightingale’s headquarters and begins his apprenticeship in wizardry. They soon find that they’re not dealing with a single crime, but a spectral serial killing spree, in which some unidentified power is possessing ordinary people, changing their appearances, and using them to kill other innocent people, somehow identified by the murderer (who is apparently quite mad) as his personal enemies.

What takes Midnight Riot above the level of most modern fantasies is the narrating voice of Peter Grant, who is at once naïve, cynical, and witty. I enjoyed the narrative, and had a good time reading a well-told story in which the stakes ratchet up rapidly and fearsomely.

Cautions for language and occult themes. Religious matters are studiously avoided, which is all to the good as far as I’m concerned. I’ll be reading more Peter Grant books, at least until the author decides to offend me (which I expect he’ll do before long).

Religion

‘The Ruthless Love of Christ’

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In case you’re curious to see me deliver the chapel sermon I posted here some weeks ago, here’s the video, courtesy of the Association Free Lutheran Schools:

Larry Walker // The Ruthless Love of Christ from AFLC Schools on Vimeo.

Reviews

Netflix Review: ‘Detectorists’

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Detectorists

It was suggested to me that I might enjoy the English TV series, “Detectorists.” I think I know why the suggestion was made. In very broad terms, it’s a picture of my life. In spite of that, I found it entertaining.

The series centers on the lives of a pair of friends who belong to a metal “detectorists’” club (it’s pure coincidence that the mystery novel I reviewed last night involved the murder of a detectorist). Lance (Toby Jones) is a small, unprepossessing man who is nevertheless quite intelligent. He works as a forklift operator in a produce warehouse, but his twin passions are his ex-wife, who exploits his affections, and metal detecting in the Essex countryside. His friend Andy (Mackenzie Crook) looks and dresses like a homeless man, but actually is nearly qualified as an archaeologist when the series starts. He lives with a girlfriend, Becky (played, I was delighted to discover, by Rachael Stirling, daughter of Diana Rigg, the great crush of my youth). Andy and Becky dream of going to Africa to do excavations, but Andy drags his feet, crippled by self-doubt. He and Lance spend a lot of time together in the fields with their detectors and in pubs, even to the point of raising mild jealousy in Becky.

They are members of the Danebury Metal Detecting Club, a small, struggling group of moderately obsessed social misfits. Their mortal rivals are the “Antiquisearchers,” a less principled detecting group, suspected of “Nighthawking” (detecting at night so as to take possession of their finds without properly declaring them to the authorities). The DMDC is galvanized in the first season by the appearance of a young woman named Sophie (Amy-Ffion Edwards), who attracts Andy’s attention enough to put a strain on his relationship with Becky.

The first season centers on Lance and Andy detecting on the farm of an affably crazy farmer, who constantly calls out commands to nonexistent dogs, and is suspected of having murdered his wife and buried her somewhere on his property. In the second season, a young German man shows up and asks the group’s help locating the crash site of a plane which had carried his grandfather during World War II.

“Detectorists,” written by Mackenzie Crook himself, is a well-crafted, character-based comedy which treats its cast of characters with affection. We laugh at them but also with them, and they are portrayed with pathos and compassion. Also, the scenery shots are breathtakingly lovely.

I liked it a lot. The only thing that really annoyed me was the final episode, broadcast as a Christmas special, which involved elements of superstition. Cautions for language.