Tag Archives: Lars Walker

Major publishing news!

Due to tremendous popular demand, my novel The Elder King is now available in paperback form.

If you order it now, it’ll take a few days to arrive, as the engines of industry must be reconfigured to accommodate the expected sales rush.

But it’s in the system. It’s official.

‘Hailstone Mountain’ in Paperback

This is to announce the momentous (or mountainous) news that my novel Hailstone Mountain is at last available in corporeal, paperback form.

I’m working at getting all my books incarnated, but this is a start.

‘What About the Vikings?’

Me playing Viking in Norway, at the Hafrsfjord Festival in 2022, with the president of the Karmoy Viking Club.

The thought has been nagging at me of late that my personal author’s page, www.larswalker.com, hasn’t been updated much over the years, except for announcements of new book releases.

I felt particularly guilty about my “Vikings” page, since it contains an essay on my historical views which – while I haven’t changed those views much – has not kept up with trends in scholarship and popular opinion. I don’t lose much sleep over it, as I’ve always found most trends and popular opinions laughable. Still, I’ve neglected my readers.

So I offer the following update, which I’ll ask my revered webmaster to add to the old one:

WHAT ABOUT VIKINGS?

I included a short essay on the Vikings in this space when this site was first established. But the world moves on, and I find that piece (you can find it below this one) no longer addresses the current situation. My views have changed very little, but I think I need to explain them in a new light.

When I wrote the original essay, back before the turn of the century, the prevailing scholarly view of the Vikings (a view considered “revisionist” at the time) was that the violence of Viking culture had been exaggerated by monkish scribes, “prejudiced” because Vikings kept burning down their homes and enslaving or killing them (which strikes me, personally, as a reasonable excuse for a prejudice). The prevailing view in the late 20th Century was that the Vikings (viewed as a culture, rather than as participants in an activity, which was the original sense of the word) were primarily involved in trade, and that their occasional ventures into raiding (mostly in response to the inflexible attitudes of the vile Christians) were relatively rare and reasonably justified.

I thought this view nonsense. I noted that the purveyors of this theory tended to gloss over the fact that the Vikings’ first and foremost item of trade, at least in the first centuries, was human slaves. Call me old-fashioned, but I don’t consider the slave trade a peaceful occupation.

But the other day I watched, for the second time, Robert Eggers’ 2022 film, “The Northman.” I can only conclude, based on that movie, that I’ve won the “peaceful Vikings” argument completely. Perhaps I’ve won it too well. Eggers’ Viking culture is thoroughly violent and brutal. Force is all that matters there, and the individual must either possess power or submit to it.

This view strikes me as just as unbalanced as the old one. It overlooks (as Prof. Jackson Crawford has noted) the importance in Viking culture of being a “drengr,” a man of honor and character. In the movie, for instance, the ball game of “knattleikr” is played by thralls (slaves), and fatalities are considered trivial, since thralls are cheap (note: they were not cheap). In the Icelandic sagas, however, free men play knattleikr themselves, in order to showcase their courage and skill.

This narrow view also overlooks the Vikings’ democratic tradition (emphasized in Viking Legacy, the book by Torgrim Titlestad which I translated). The Vikings in fact mistrusted raw power, and mitigated it through limiting their kings under the law, subjecting royal decisions to the “Thing” assemblies of free men. Viking society was far from egalitarian, but they revered law, cherishing it as fundamental to a functional society. They cared, in their own way, about freedom – for themselves, anyway. (This is the human norm, by the way – the concept of the brotherhood of Man came to us from Christianity, and has been internalized slowly, even among Christians.)

Why this radical change in popular views of the Viking Age? I think it rises from the political climate. Scholarly opinion in our time is the obsequious servant of politics. (Perhaps it always has been. The current academic fascination with intersectional power may be plain projection.)

For most of my lifetime, the North Star, the guiding principle, of this Political/Scholarly-Industrial Complex has been contempt for Western Civilization. When Vikings were viewed as outsiders to that civilization, scholars had to regard them positively. Now that they have come to be viewed, sometimes, as insiders, the original Dead White Males, they can be despised – when convenient.

The truth of the Vikings is that they were like everyone else. They lived the best way they knew how, according to their lights. (Snorri Sturlusson understood this in the 13th Century. Moderns are often less sophisticated.)

In my view, one major point that’s generally overlooked in our discussions of the Vikings is that the Viking Age was the Scandinavian Age of Conversion. When the Vikings first hit Lindisfarne in 793 AD, they were mostly heathen (though missionary activity had probably begun even then). By the (generally accepted) end of the Viking Era – the Battle of Stamford Bridge in 1066 – the Danes and Norwegians were solidly Christian and the Swedes not far behind. One of the chief reasons for the end of Viking activity was a nascent internalization by Scandinavians of the Christian ethic – an ethic they still haven’t entirely embraced – like everyone else.

There’s another point too. That point – a major one, though intellectually disreputable – is the element of fun. When I fell in love with the Vikings as a boy, it was the image of a dragon ship under sail, headed off to adventure, that gripped me. An idea formed in my mind of a bold hero at the prow of such a ship, a free man sailing out to test his courage and seize his fortune. That image – in time – coupled with the historical figure of Erling Skjalgsson and gave birth to my series of historical fantasy novels, The Year of the Warrior, West Oversea, Hailstone Mountain, The Elder King, King of Rogaland, and The Baldur Game.

Robert Eggers’ movie contains not one moment of that kind of fun. I hope my Erling books do a better job.

Adventures in saga writing

Snorri Sturlusson dictates to an amanuensis, in a woodcut for “Heimskringla” by Christian Krogh.

You may find this hard to believe, admiring me as you do, but I’ve gotten lazy. I watched a video about sleep problems on YouTube recently, and it occurred to me that instead of lying in bed as I am wont to do in the morning, trying to get back to sleep (and generally failing), I should just get up and work on my novel. Maybe I would a) get to sleep more easily at night, and b) actually make progress on this Erling book. My work so far has been mostly thinking about it and plotting.

And what do you know? It worked. I’m sleeping better and I’m actually getting text written. I’ve made progress every day this week. Yesterday I wrote a big scene that even kind of gave me chills. One of the worst things about indolence is that you forget the rewards inherent in the labor.

It’s also a little embarrassing, like one of those times when you’re a kid when you’re trying to do something the way you think it should be done, and your parent says, “I think you should try it this way.” And you say no, because you know how you want to do it. And finally, in desperation, you try it their way, and it turns out they knew more than you did. Proving you’re not as grownup as you thought you were.

Even when you’re over 70 and your folks are dead.

Anyhow, I like how the book’s coming at this point. I was looking for a fantasy element to interweave in the plot, because historical fantasy is what I do, after all, and I think I found just the thing. It comes from northern folklore and feeds into a theme I wanted to explore in the book anyway. Creepy, and with just a touch of contemporary commentary.

In short, I feel like a writer again.

Pod People: All Over the Place

The “All Over the Place” podcast, run by a couple of my old friends from the late, lamented “Threedonia” blog, interviewed me the other day, and you can listen to it at this link: https://open.spotify.com/embed/episode/7fvx7nWHmeD3zJSWDr72NP?utm_source=generator

Thanks to Eric, Jim, and Christine.

Update: They’ve posted the video of this interview to YouTube.

Author, translator, and Viking weekend warrior, Lars Walker joins Team AOtP to discuss the wizened ways of the world.

I am interviewed

Author Stanley Wheeler has published an interview with me at this address.

He’s the author of Threading the Rude Eye and other novels involving flintlocks and dragons.

Major publishing announcement

I am delighted to be able to announce that King of Rogaland, the sixth book in the Saga of Erling Skjalgsson, is available for Kindle download as of today. Makes a great Christmas present for Kindle readers.

Get your copy here.

Lecture enhanced

UPDATE: An enhanced version of my 2002 lecture at Mayville State University has been posted on YouTube. It includes the introduction by Prof. Dale Nelson, explaining how awesome I am. Or was.

Ancient wisdom

Many long years ago, in 2002, I gave my very first lecture on the Vikings at Mayville State University in Mayville, ND. The invitation came thanks to my friend Dale Nelson, of the English Department. That culturally significant moment was recorded for posterity, and the video has just been posted at YouTube, as you see above.

The first time I saw this video, some time after the talk, I was impressed with how fat I looked. Now I’m impressed with how young I look.

I can’t guarantee I still stand behind all the opinions I express in this talk. One lives, translates, and learns.

A little over half an hour.

Raising my profile

I clicked over to the Amazon listing for The Elder King today, and was delighted to see that I already have 6 reader reviews, all glowing.

Thanks to everyone who took the trouble write a review. It does matter, and it is appreciated.

It occurs to me that I could appeal to madness of crowds, and ask for promotional tips.

What methods would you suggest for a writer with not too much money to draw attention to his work?

We all know, of course, that the better the advice, the less likely I am to take it. Because really useful promotional techniques generally involve a degree of chest-puffing, arm-waving, and horn-tooting that’s simply beyond my capacity.

But at least you can say you tried.