Category Archives: Publishing

Rainy mood

I’m down tonight, and there’s no really good reason. Perhaps I’m getting the flu. Or maybe it’s the wet, cold weather (which I’d consider wonderfully atmospheric if I were in Bergen or London).

I was delighted and amazed at the number of people who immediately joined my new Facebook group (nearly 30 last time I looked). I honestly expected maybe a dozen, tops. So that felt very good.

It is in my nature, though, to respond to every positive experience in a Newtonian fashion, with an equal and opposite reaction.

I got a look at the map for the new book today, and it’s very handsome indeed. The artist approached the actual locations of places with more of an eye to composition than to strict geographical accuracy, though, and I figured we’d have to fight with him some more. But he seems more amenable to revision in this area, which is a comfort.

Anyway, thanks to all of you who joined the Facebook group, many of whom are readers of this blog. It does mean a lot to me, and I’ll try to make it worth regular visits.

I’ll bet I’m getting the flu. Or maybe Ebola.

Art is long and life is fleeting

Andrew Klavan, hereinafter to be known as The Hated Competition (THC), because he has treacherously and spitefully arranged for his new book to come out at about the same time as my new book (called, in case you’ve forgotten, West Oversea), nevertheless has some things to say worth reading in the second half of his interview with John Nolte over at Big Hollywood. In response to a question about how much easier leftists have it in the entertainment world, he replies:

Yes, it is easier for them that way. But it’s harder for them too because they’re talking absolute nonsense and we’re telling the simple truth: that liberty is a great good and worth defending, that right is right and wrong is wrong and moral relativity is merely a form of cowardice, that the individual is more important than the state, that our rights come from our Creator. See, they can attack us, try to silence us, maybe crush us-but they can’t beat us because we’re right and they’re wrong. The truth is not so coincidentally a lot like Jesus, dude. You mock it, you torture it, you kill it-and yet there it stands. I try not to worry about what they “allow,” or what they say is permissable. I try to hitch my wagon to the truth and hold on.

But enough of THC. You want to know the latest news about my book (called, in case you’ve forgotten, West Oversea).

I got a .pdf of what is apparently the final cover tonight. It looks to me as if, after all the sturm und drang, the artist pretty much got everything he wanted. Which is a lesson to us all, I guess.

The book is called, in case you’ve forgotten, West Oversea. I’ll post the art as soon as I’m cleared to do so.

Your dilemma, should you choose to accept it…

Andrew Klavan’s new Young Adult novel, The Last Thing I Remember, will be released by Thomas Nelson on April 28, according to this interview (Part 1) over at Big Hollywood.

This naturally raises an interesting dilemma for you, the discerning but budget-savvy consumer.

Because my novel, West Oversea, is scheduled for release this month, too. (Or in May anyway. June at the latest.)

So where do you spend your hard-earned book-buying dollar?

I’ll make it easy for you. Buy my book. For the following comprehensive, compelling reasons.

1) Andrew Klavan is already famous. I’m still behind Thorstein Veblen in the list of famous people who grew up in Kenyon, Minnesota. And I’m getting old.

2) Klavan is bald. I have a handsome, thick head of healthy gray hair. The implications should be obvious.

3) Klavan’s book will come out in paperback eventually. Mine will be paperback from the git-go.

I rest my case.

Eco-Kiddy Lit

Megan Cox Gurdon writes about eco-propoganda drowning our children.

Contemporary children are so drenched with eco-propaganda that it’s almost a waste of resources. Like acid rain, but more persistent and corrosive, it dribbles down on them all day long. They get it at school, where recycling now competes with tolerance as man’s highest virtue. They get it in peppy “go green” messages online, on television and in magazines. And increasingly, the eco-message is seeping into the pages of novels that don’t, on their face, necessarily seem to be about environmentalism at all. . . .

Thus we have the spectacle of a 12-year-old becoming distraught when her father orders seared tuna at a restaurant (this happened to a friend of mine), on account of over-fishing, or a 6-year-old (son of an acquaintance) panicking at the prospect of even a yogurt container going into the trash: “But I can use it as a toy!”

Oh my soul. For balance sake, I know a child who asked to have a pink pocket knife to go with her pink rifle, so that when she shoots a deer (or whatever animal) she can clean it. She’s a good, little reader too, so no snarking at her. (HT: Loren Eaton)

News you can use!

The price for West Oversea will not be $24.95, but $13.95.

The higher price was just a template thing on the image file from the artist.

I think I can say with confidence that this alone should bring us out of the recession.

With apologies

I intended to write a long book review tonight, but it’s been a crazy evening. I had to spend a considerable amount of time, both on the phone and by e-mail, discussing final tweaks on the book cover. The artist is a little like an author in that he doesn’t much cotton to criticism of his aesthetic vision. But apparently the editor and the publisher are going to lean on him a little tonight.

This is a new experience in publishing for me. Baen Books, which had many virtues, did not bother giving authors much input on covers (I did get some, but nobody ever sent me a .pdf and asked for my input as Nordskog is doing). I think this will turn out to be a pretty effective cover when all’s done, but it’s a sweat.

And I’ve still got to make a phone call and pay my bills tonight. Not to mention watching CSI and checking my Facebook page. I’ll see you tomorrow.

Walking the walk again

It’s a highlight of the spring every year—my first constitutional walk down by Crystal Lake. It was too warm at the beginning for the sweatshirt and cap I wore, but I was glad I had them when I got down by the water. Spring isn’t actually spronging yet—we haven’t gotten enough rain—but the sun was shining, the air was mild, and it all made even Hugh Hewitt’s relentless optimism on the radio seem not entirely delusional.

What else is going on? We’re near finalizing the cover for the new book. I think. It will not, as I’d been given to understand earlier, resemble the cover of The Year of the Warrior in any way. They fired that artist. The new guy has put together a yellow-dominated cover with a misty Viking ship under sail in the center, and the title done in an Anglo-Saxon/Book of Kells sort of font. My name will be in a runic font, which is just fine.

I’ll keep you posted as the process crawls on.

Publication update

I copied a map out of a book and made some marks on it last night, then scanned it and sent it to the house artist. From those lowly elements he plans to construct a handsome original chart, for the benefit of those who remain unsure which hemisphere Greenland is located in. So that’s done, from my end.

I also got a chance to look at some prospective covers, a part of the project also still “in process.” I think I’m going to get a picture of a Viking ship on the cover, which is the main thing for me. In my opinion there is nothing on earth cooler than a Viking ship. Ninjas? Ha! We laugh at ninjas.

It looks as if this is going to be the most expensive book I’ve ever written. It appears that it will be what’s called a “trade paperback.” That’s one of those big paperbacks they sell you (the small, old-fashioned kind are called “mass market paperbacks”). The price looks to be about $25.00. I have a hard time imagining anyone paying twenty-five bucks for anything written by me, but Nordskog thinks that’s the way to go, and I assume they know their business. Sometimes people want a thing more when you ask more for it, so I’ll wait and see. Also, I know there are reasons, having to do with the bookselling business, why trade paperbacks are more cost effective for publishers.

Someday, hardcover!